FOA Sabbatical Presentations: Barbara Astman, Richard Fung, Luke Painter & b.h. Yael


Faculty of Art Sabbatical Presentations by Barbara Astman, Richard Fung, Luke Painter and b.h. Yael

Tuesday November 28, 12:30 – 2:30pm

 

 
DateTuesday, November 28, 2017 - 12:30pm to 2:30pm

Location

OCAD U 100 McCaul St., RM. 460, Toronto, ON

PDF icon sabbatical presentations 2017-18 - evite poster_updated room.pdf

Faculty of Art Sabbatical Presentations by Barbara Astman, Richard Fung, Luke Painter and b.h. Yael

Tuesday November 28, 12:30 – 2:30pm

 

BARBARA ASTMAN, PROFESSOR, PHOTOGRAPHY:  Professor Barbara Astman’s sabbatical objectives were based on furthering and expanding her practice based research. One of her objectives was to spend time in the darkroom to examine abstraction though the photogram process. The darkroom is her research laboratory and the methodology includes an examination of the material and tools available to create with hand made negatives in the darkroom. The negatives used for this research were clear glass, mainly figural vessels.   This methodology allowed for a greater questioning and reassessment of the potential of the photogram in image making, as well as allow for the art to thrive and progress.  This exploration also incorporated digital intervention as part of the study. The darkroom was our research laboratory and the methodology included an examination of the materials and tools available and or invented to fully utilize hand made negatives, using glass figural objects in both the colour and black and white darkrooms at OCAD U. 

RICHARD FUNG, PROFESSOR, INTEGRATED MEDIA/ART & SOCIAL CHANGE:  In 2013, Professor Richard Fung received a four-year SSHRC Insight research-creation grant, the principal deliverable of which was a feature length documentary, Re:Orientations, which revisits participants from my 1984 video Orientations: Lesbian and Gay Asians three decades later. The film considers the shifts and continuities in identities, politics and conditions facing people at that particular intersection of race, gender, sexuality and class. The fourth year of the project was designed for what SSHRC describes as knowledge mobilization, and that was the principal activity for my sabbatical year. In short, this involved organizing screenings and discussions of the resulting documentary film Re:Orientations at festivals, universities and community groups in Canada and internationally. During the year he also wrote a number of texts and realized another documentary film Nang by Nang. 
Luke

LUKE PAINTER, ASSOCIATE PROFESSOR, DRAWING & PAINTING/ DIGITAL PAINTING & EXPANDED ANIMATION:  Luke Painter’s presentation will discuss two different but connected works created during his sabbatical: Modern Wand and The Teasers and the Tormenters. The Teasers and the Tormentors is a 3D animation that references and continuously transforms set designs from 20th century theatre, film and   illusion shows.  The work travels across different time periods, exploring the tensions between competing movements and making tangential, formal and narrative connections between references.  Through the use of mirrors in the animation, the viewer’s perspective shows the action outside of the camera frame which becomes a reflexive technique that allows the viewer a sense of awareness of the space beyond the set. Modern Wand is a number of sculptures that are amalgams and translations of historical design objects and furniture. They are fabricated in glass and wood through traditional and laser cut techniques and rest on a series of interconnecting and raised carpeted platforms. These sculptures convey organic, ornamental and anthropomorphic sensibilities with the appearance of holding the body and also physically suggesting the body at the same time.  The work offers a space for the viewer to imagine the often-contrasting themes of functionality and fantasy that played out in the 20th century in relation to art and design practices.  

b.h. YAEL, PROFESSOR, INTEGRATED MEDIA/ART & SOCIAL CHANGE: In her report of activities during her half-sabbatical, b.h. Yael will reference a number of projects, some completed and culminating over a few years of work, and others initiated and still in process of research and development. One work follows up on previous work around the politics of Israel/ Palestine, this time a consideration of images of witness and how these are perceived; the majority of the work is autobiographical in various media forms: documentation through a completed website, experimental animation, memoire writing, and photography.
Sze



red hand on red background

photo of male dance in pose on the floor

image of colourful doors

illustration of woman reading
DateTuesday, November 28, 2017 - 12:30pm to 2:30pm

Website Location

OCAD U 100 McCaul St., RM. 460, Toronto, ON

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Tuesday, November 28, 2017 - 12:30pm to 2:30pm

Faculty of Art Sabbatical Presentations by Barbara Astman, Richard Fung, Luke Painter and b.h. Yael

Tuesday November 28, 12:30 – 2:30pm

 

BARBARA ASTMAN, PROFESSOR, PHOTOGRAPHY:  Professor Barbara Astman’s sabbatical objectives were based on furthering and expanding her practice based research. One of her objectives was to spend time in the darkroom to examine abstraction though the photogram process. The darkroom is her research laboratory and the methodology includes an examination of the material and tools available to create with hand made negatives in the darkroom. The negatives used for this research were clear glass, mainly figural vessels.   This methodology allowed for a greater questioning and reassessment of the potential of the photogram in image making, as well as allow for the art to thrive and progress.  This exploration also incorporated digital intervention as part of the study. The darkroom was our research laboratory and the methodology included an examination of the materials and tools available and or invented to fully utilize hand made negatives, using glass figural objects in both the colour and black and white darkrooms at OCAD U. 

RICHARD FUNG, PROFESSOR, INTEGRATED MEDIA/ART & SOCIAL CHANGE:  In 2013, Professor Richard Fung received a four-year SSHRC Insight research-creation grant, the principal deliverable of which was a feature length documentary, Re:Orientations, which revisits participants from my 1984 video Orientations: Lesbian and Gay Asians three decades later. The film considers the shifts and continuities in identities, politics and conditions facing people at that particular intersection of race, gender, sexuality and class. The fourth year of the project was designed for what SSHRC describes as knowledge mobilization, and that was the principal activity for my sabbatical year. In short, this involved organizing screenings and discussions of the resulting documentary film Re:Orientations at festivals, universities and community groups in Canada and internationally. During the year he also wrote a number of texts and realized another documentary film Nang by Nang. 
Luke

LUKE PAINTER, ASSOCIATE PROFESSOR, DRAWING & PAINTING/ DIGITAL PAINTING & EXPANDED ANIMATION:  Luke Painter’s presentation will discuss two different but connected works created during his sabbatical: Modern Wand and The Teasers and the Tormenters. The Teasers and the Tormentors is a 3D animation that references and continuously transforms set designs from 20th century theatre, film and   illusion shows.  The work travels across different time periods, exploring the tensions between competing movements and making tangential, formal and narrative connections between references.  Through the use of mirrors in the animation, the viewer’s perspective shows the action outside of the camera frame which becomes a reflexive technique that allows the viewer a sense of awareness of the space beyond the set. Modern Wand is a number of sculptures that are amalgams and translations of historical design objects and furniture. They are fabricated in glass and wood through traditional and laser cut techniques and rest on a series of interconnecting and raised carpeted platforms. These sculptures convey organic, ornamental and anthropomorphic sensibilities with the appearance of holding the body and also physically suggesting the body at the same time.  The work offers a space for the viewer to imagine the often-contrasting themes of functionality and fantasy that played out in the 20th century in relation to art and design practices.  

b.h. YAEL, PROFESSOR, INTEGRATED MEDIA/ART & SOCIAL CHANGE: In her report of activities during her half-sabbatical, b.h. Yael will reference a number of projects, some completed and culminating over a few years of work, and others initiated and still in process of research and development. One work follows up on previous work around the politics of Israel/ Palestine, this time a consideration of images of witness and how these are perceived; the majority of the work is autobiographical in various media forms: documentation through a completed website, experimental animation, memoire writing, and photography.
Sze

Venue & Address: 
OCAD U 100 McCaul St., RM. 460, Toronto, ON
red hand on red background
photo of male dance in pose on the floor
image of colourful doors
illustration of woman reading
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