Insignificant Surfaces: a screening of videos by Colin Clark
A screening of recent digital videos by Colin Clark, as part of his MFA thesis project in the Interdiscplinary Master's in Art, Media & Design program at OCAD U.
Phone
416-977-6000
CostFree
Emailcclark@ocadu.ca
LocationArraymusic Studio 155 Walnut Ave., Toronto
The Loop Collective and Arraymusic co-present an informal screening of recent digital videos by Colin Clark. These durational videos quietly sound the cinematic technicity of the sea, trees, plants, animals, and people.
This event continues our series of screenings in 2016 celebrating the Loop Collective's 20th anniversary.
Colin Clark is a video artist, composer, IAMD MFA candidate, and design researcher at OCAD University’s Inclusive Design Research Centre. Since 2011, he has produced a growing body of digital videos that explore the relationships between technology, nature, and time, often incorporating custom-made image and sound processing techniques. His music has been performed by Arraymusic, the neither/nor collective, the Draperies, and his own ensembles, Lions and Fleischmop. Colin's soundtracks for experimental films by Izabella Pruska-Oldenhof and R. Bruce Elder have been shown at film festivals internationally. He has curated exhibitions with the Loop Collective featuring the work of Chris Welsby, Michael Snow, John Cage, and others. Colin also develops Flocking and Aconite, web-based creative software tools for sound synthesis and video processing used by artists and musicians around the world.
Phone
416-977-6000
CostFree
Emailcclark@ocadu.ca
Website LocationArraymusic Studio 155 Walnut Ave., Toronto
The Loop Collective and Arraymusic co-present an informal screening of recent digital videos by Colin Clark. These durational videos quietly sound the cinematic technicity of the sea, trees, plants, animals, and people.
This event continues our series of screenings in 2016 celebrating the Loop Collective's 20th anniversary.
Colin Clark is a video artist, composer, IAMD MFA candidate, and design researcher at OCAD University’s Inclusive Design Research Centre. Since 2011, he has produced a growing body of digital videos that explore the relationships between technology, nature, and time, often incorporating custom-made image and sound processing techniques. His music has been performed by Arraymusic, the neither/nor collective, the Draperies, and his own ensembles, Lions and Fleischmop. Colin's soundtracks for experimental films by Izabella Pruska-Oldenhof and R. Bruce Elder have been shown at film festivals internationally. He has curated exhibitions with the Loop Collective featuring the work of Chris Welsby, Michael Snow, John Cage, and others. Colin also develops Flocking and Aconite, web-based creative software tools for sound synthesis and video processing used by artists and musicians around the world.
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