Please join us in celebrating the launch of the Virtual Platform for Indigenous Art (VPIA) prototype
OCADU Hosts Dr. Tom McDonough
Tom McDonough is a writer and critic based in central New York and Toronto whose work addresses the intersections of art and political struggle in the postwar era, with a special emphasis on France.
DateTuesday, November 17, 2015
Cost
Cost
Free
Location100 McCaul Street, Room 230
Wolfgang Tillmans's truth study center and the Ethics of Not-Knowing
Tom McDonough is a writer and critic based in central New York and Toronto whose work addresses the intersections of art and political struggle in the postwar era, with a special emphasis on France. He is widely known for his books on the Situationist International, which include “The Beautiful Language of My Century”: Reinventing the Language of Contestation in Postwar France, 1945-1968 (2007); Guy Debord and the Situationist International: Texts and Documents (2002); and The Situationists and the City (2009). McDonough’s essays on contemporary art and photography have appeared in journals such as Afterall, Artforum, and OSMOS, where he is a contributing editor. He has taught at University of California, Berkeley and Harvard, and currently is Associate Professor of Art History at Binghamton University, State University of New York.
RSVP on the Facebook Page:
https://www.facebook.com/events/1714818072067125/
DateTuesday, November 17, 2015
Cost
Cost
Free
Website Location100 McCaul Street, Room 230
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Tuesday, November 17, 2015
Wolfgang Tillmans's truth study center and the Ethics of Not-Knowing
Tom McDonough is a writer and critic based in central New York and Toronto whose work addresses the intersections of art and political struggle in the postwar era, with a special emphasis on France. He is widely known for his books on the Situationist International, which include “The Beautiful Language of My Century”: Reinventing the Language of Contestation in Postwar France, 1945-1968 (2007); Guy Debord and the Situationist International: Texts and Documents (2002); and The Situationists and the City (2009). McDonough’s essays on contemporary art and photography have appeared in journals such as Afterall, Artforum, and OSMOS, where he is a contributing editor. He has taught at University of California, Berkeley and Harvard, and currently is Associate Professor of Art History at Binghamton University, State University of New York.
RSVP on the Facebook Page:
https://www.facebook.com/events/1714818072067125/
Venue & Address:
100 McCaul Street, Room 230
Cost:
Free
Keywords:
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