21st Century. Design After Design
Andrea Cancellato, Director-General of Triennale di Milano will be in Toronto to announce the opening of Triennale’s “XXI International Exhibition 21st Century. Design After Design”, on display from April 2nd 2016 through September 12th, 2016.
The Triennale di Milano is an international cultural institution for architecture, art, design, fashion and audio-visual productions, which organizes exhibitions and conferences and, once every three years, according to its Statute, its great International Exhibition.
In fact, since 1933, La Triennale di Milano is the only institution taking part - not as a Country - to the BIE, Bureau International des Expositions, an intergovernmental organization in charge of overseeing the calendar, the bidding, the selection, and the organization of World and International Expos all over the world.
20 years since the last Triennale, for five months, the Triennale di Milano will become the epicenter of the multidisciplinary events of the XXI International Exhibition in 2016, that will involve spaces both public and private from Milan to Monza.
Each Venue of the International Exhibition (La Triennale di Milano, Fabbrica del Vapore, HangarBicocca, Museo delle Culture, ex Stecca delle Acciaierie Ansaldo, Politecnico di Milano, Università IULM, Università degli Studi di Milano, Museo della Permanente Villa Reale di Monza) will have its own curator for a thematic exhibition. The International Exhibition will become a territorial laboratory for discussion and the creation of narratives, that will make it possible to portray new forms of expression, allowing all participants to interact with visitors.
The subject of the Exhibition focuses on a very topical issue: “21st Century. Design after design”. Pioneer in the promotion of the arts and of projectual research, La Triennale has chosen a theme that involves the meaning and the role of design itself in a world that keeps on changing at an increasingly rapid pace. So, the purposes of the XXI International Exhibition are to investigate the spread of planning and design skills worldwide (from Europe to America, Asia and Africa) and the development of a global market, but also the multidisciplinarity of design, the evanescence of the boundaries between design, architecture, communication, visual arts and the new links and connections between different fields and domains.