No Problem

Wednesday, September 4, 2019 - 1:00pm to Sunday, September 29, 2019 - 5:00pm

No Problem

Agnes Wong, Sonia Beckwith, Brandon Celi, Evan Hudson and Hudson Christie

Opening reception September 5th 5 pm-8pm

September 4th to 29th 

Wednesday to Sunday 1-5pm

Venue & Address: 
Ignite Gallery 165 Augusta Ave
Email: 
ignotegallery@ocadu.ca
poster by Evan Hudson
Keywords: 

OCAD Artist Alley Show & Sale

Sunday, September 29, 2019 - 1:00pm to 7:00pm

This student-run initiative will showcase talent from current upper-year students and alumni from across all programs. Support emerging local artists and enjoy an afternoon shopping for unique art! 

See event listing for more details. Follow @ocadartistalley on Instagram for previews. 

Venue & Address: 
Great Hall, Level 2, 100 McCaul Street
Website: 
www.facebook.com/events/458731284677052
Email: 
ocadartistalley@gmail.com
Cost: 
Free admission
Artist Alley poster September 2019

Asia-Global Cultural Studies Forum

Asia-Global-Cultural-Studies-Forum (AGCSF) is a forum of a lively discussion of Asia and Asia Global-related art, design, culture, media, creative strategy, and research. It is initiated by the professors and students at OCAD U who aspire to support and promote creative and critical research as well as art, design, media productions and ideas by Asian and/or Asia-Global students, professors, researchers, and professionals. The artist-designer-creator-researchers whose works are inspired by Asian cultures, values, and epistemology, as well as those who explore the latter’s connectivity to their work, are welcome to the forum.
The forum invites 3 tiers of presenters: the students, the professors, and the professionals.

The participatory organizational model of this forum consists of the presenters, the discussants, and the audience whose participation is to be valued equally to bring about a diverse and multidirectional discussion. The selection criteria of the presenters are based on merit and the contents of their works, not on rank or prestige.

The current focus of AGCSF is East Asia, particularly China, Korea, and Japan. However, the topics can be extended to include the issues related to South East Asia (i.e. the Philippines, Vietnam, and Thailand), the historical development and cultural formation of which are closely connected to that of the East Asian region through migration, etc. 

Everyone is welcome to participate in this forum or become a presenter in future events.

The AGCSF does not support any form of ethnocentric/regional chauvinism or hegemonic nationalism unfit for our vision of the future. The AGCSF does support the emergence of other cosmopolitan research groups and fora at OCAD U - based on a non-hierarchical and non-exclusionary notion of regional, national, ethnic and cultural identities.

For more information, please visit the website: https://asiaglobalculturalstudiesforum.wordpress.com

 

The Ethos of AGCSF

• A syncretic forum of all levels of researchers (students, professors, and professionals)

• Merit- and contents-based (not rank or prestige).

• No ethnocentric/regional chauvinism or hegemonic nationalism.

• Cosmopolitanism and exploration of difference and alternative epistemologies.

• Non-hierarchical organizational model for the promotion of a culture of open discussion.

• Participatory forum: The participants will consist of the presenters, the discussants, and the audience whose participation is to be equally valued to bring about diverse and multidirectional discussions.

• The Discussants are an important category of this forum. They are the generators of discussion as well as latent presenters. Those who are interested in presenting are recommended to participate as the discussants first. The discussants – along with the audience – who have previously participated in the forum and substantially contributed to the discussions will be considered with priority as the presenters for the following event.

• Embodied participation is implied in its growth model based on merit and contribution (rather than on rank or prestige). AGCSF hopes to make this forum truly an intellectually viable place for lively exchange and discussion of ideas and visions, a lively intellectual fora filled with genuine curiosity and openness to different perspectives.

• Embodied and experiential knowledge: AGCSF values embodied and experiential knowledge, research, and ideas rather than the overly academicized outcomes short of the conductive power to generate grounded and real conversations.

• ESL students are the most welcome. You are the holders of up-to-date global knowledge. If you have any ideas to share but the only thing that makes you hesitate is your English, please bring a translator or discuss the ideas with us.

 

The inaugural AGCSF event

The inaugural AGCSF event occurred on May 17, 2019 between 1:00 and 6:00pm at 205 Richmond St. West, Rm. 115.

Presentations delivered included:

• Dr. Soyang Park (OCAD U), A Cosmopolitan Remapping of East Asia and the Asia-Global: Notes Towards Asia-Global-Cultural Studies Forum(AGCSF)

• Leon Hsu (OCAD U), Reinventing Tradition Beyond Cultural Paradigm: A Brief Discussion of Cai Guo-Qiang’s Pyrotechnic Ephemera Works

• Christie Carriere (OCAD U), Returning the Gaze: Contemporary Asian Female Artists Responding to (Techno) Orientalism

• Richard Luong (OCAD U), Directing Orientalism: The Scent of Green Papaya (1993)

• Jessica Liu (OCAD U), Painting My Own Being in the World, Falling in and out of Past and Contemporary

• Christine Li (OCAD U), Manuel Ocampo and Colonial Legacy: Trauma, Multidirectional Memory, and Redemption

• Ema Dan (OCAD U),  Idol, Not Celebrity: K-Pop, K-Pop Fans, and their Symbiosis

• Yilong Liu (OCAD U), Confronting Ambiguity: The Intersection of Racial and Sexual Repression and Marginalisation in Rex vs Singh and Seeking Single White Male

• Florence Yee (OCAD U), Bad Forgeries Make for Good Originals: A Studio-Research Project into Cantonese-Canadian Issues of Authenticity, Belonging and Diaspora Subjectivities Working with Text-based Art

• Yujia Shi (University of Toronto), From One-Child to Two-Child: Understanding Birth Planning Policies in China’s Population Governance

• Hannia Cheng (TeaBase), Tea Base: Against the Displacement and Gentrification of Chinatowns

 

Additional Information:

What is Culture?

Culture is the shared value system and code of conducts that exist in interconnected and contingent differences across communities, cultures, and nations.

Culture in all its manifestations – conventional, popular, emergent, marginal, and resistant – are constantly shaped by and are (re-)shaping our status quo, ways of thinking, and visions.

Culture is not fixed but constantly shifts through the intersecting influences of politics, economy, populations, migrations, and even environment.

The study of culture is empirical as well as theoretical, and most importantly, it is an interdisciplinary endeavor. The set of questions, analyses, and evaluations it involves itself in interacts with other fields of study such as the study of economy and politics; social studies, ethnic studies; cultural anthropology and media studies; identity, gender, sexuality, class, and ideology studies.

What is a Forum?

A gathering place for exchanges of ideas and views. It is also the agora (Greek), a proto-site of democracy.

 

Event photographs courtesy of Carlina Chen.

Creator: 
Sponsor(s): 
Photograph of Dr. Park and speaker conversing with audience at the AGCSF event.
Friday, July 12, 2019 - 12:15pm
Lab Member: 
Soyang Park

Inaugural Event of Asia-Global-Cultural-Studies-Forum (AGCSF )

Photograph of Dr. Park and presenter conversing at the AGCSF event.
Friday, July 12, 2019 - 11:45am

The inaugural event of the Asia-Global-Cultural-Studies-Forum (AGCSF) facilitated by Dr. Soyang Park (LASSIS) was successfully held on May 17, 1-6 pm in room 115 at 205 Richmond St. West.

11 speakers presented their research, creations, community activities/entrepreneurship on and dealing with diverse topics concerning the issues in Asia and the Asia-Global. The presenters and discussants consisted of OCAD U student-researchers from both undergrad and graduate programs (Art, Design, CADN, VCS, CRCP, CCP, and IAMD), OCAD U faculty members, graduate researchers from other institutions (UofT), and a professional (the founder of Tea Base).

Topics dealt with at this event included: the art, creation, media, and strategies concerning, multiculturalism, cosmopolitanism, (techno-)orientalism, memory/trauma, multi-directionality, race and gender, the matriarchic history of Vietnam, the colonial history of Philippines, K-pop and Korean pop cultural industry, the intersection of racial and sexual oppression in Canada, the visual strategies of the artists working in-between cultures, etc. 

The interdisciplinarity (art, research, and media) of the presentations and syncretic organization (intersecting all tiers of presenters such as professors, students, and professionals), endorsed as the key ethos and organizational model of AGCSF, were attested to be conductive and refreshing throughout this inaugural event. The forum really came alive within about an hour or so, as the participants became more relaxed and more engaged in the presentations and discussions. Different views were presented, engaging the participants in truly lively discussions. With Dr. Park in the role of active mediator of the multilateral conversations and learnings, the forum successfully made the event a participatory occasion for intellectual conversations about the presented topics and researches wherein the contributions by the presenters, the discussants, and the audience were all equally valued.

The event’s organizer received many heartfelt feedback from the students and faculties (including those from the LAS Office) who participated and witnessed the event. Many appreciated how the forum was so lively and inclusive. Also, they shared that they are looking forward to the next event and that they wish for this forum to continue and grow further in the future. Many attendees have expressed their interest in presenting their works at future events.

Thanks to a few engaging and extended presentations and discussions, the event went over the intended 5 hours and continued until 7 pm. Despite the extension, 35-40 people (5-6 coming in and out) stayed until the end with such enthusiasm and keen interest.

The organizer wishes to extend thanks to all participants in the forum, especially Yilong Liu (Louie) and Richard Luong for their hard work as the coordinators, and to the Research Office and the LASSIS department for extending the funding and supporting the event. The organizer also thanks Professors Ian Clark, Marie-Josée Therrien, and Ashok Mathur who came to witness and participate in the event. Special thanks also go to Kirstyn Moore for assisting the coordinators with circulating the event announcements to the wider OCAD U community and to Carlina Chen for her support as well. 

For more information on AGCSF and its future events, please visit the website: https://asiaglobalculturalstudiesforum.wordpress.com

 

Event photographs courtesy of Carlina Chen.

New Publication from Dr. Gerald McMaster

The cover of the special "Entangled Gaze" edition of the ab-Original journal.
Wednesday, June 12, 2019 - 3:00pm

New Publication from Dr. Gerald McMaster: “The Entangled Gaze: Indigenous and European Views of Each Other” 

OCAD University is pleased to announce the new peer-reviewed journal ab-Original: Journal of Indigenous Studies and First Nations and First Peoples' Cultures is now available. This special issue entitled “The Entangled Gaze: Indigenous and European Views of Each Other”1 co-edited by Dr. Gerald McMaster and Dr. Julia Lum (University of Toronto), contains ten essays. The Entangled Gaze shares its title and theme with the 2017 conference that was co-hosted by OCAD University and the Art Gallery of Ontario. The conference convened an international group of scholars and museum professionals from the fields of art history, anthropology, cultural studies and curatorial practice to explore the topic of how Indigenous and European artists have represented each other in historical art and visual culture.  

 

ab-Original is a biannual, multi-disciplinary publication dedicated to exploring Indigeneity in the new millennium. To learn more about the journal, see here:  http://www.psupress.org/Journals/jnls_ab-Original.html.  

 

  1. McMaster, Gerald, et al. “The Entangled Gaze: Indigenous and European Views of Each Other.” ab-Original, vol. 2, no. 2, 2018.  

Summer Institute '19: Spotlight on Indigenous Filmmaking with Suzanne Morrissette

Thursday, June 13, 2019 - 6:00pm to 10:00pm

Join us for a Spotlight on Contemporary Indigenous Filmmaking! The evening begins with a talk featuring curator Suzanne Morrissette (OCAD University) and artists Lisa Myers and Fallon Simard, followed by stunning outdoor projections of short films against the walls of the historic Jacob Stong Barn at sundown.

FREE + open to the public!

6:00 - 7:30 PM - Curator Talk, York University, Nat Taylor Cinema N102 Ross Building

9:00 PM - Outdoor Projections, York University, Jacob Stong Barn

The program includes works by Richelle Bear Hat, Thirza Cuthand, Louis-Philippe Moar, Caroline Monnet, Lisa Myers, Jessie Short, and Fallon Simard:

In Her Care (dir. Richelle Bear Hat), 10 min.

Reclamation (dir. Thirza Cuthand), 13 min.

Kick It Now (dir. Louis-Philippe Moar), 3 min.

Portrait of an Indigenous Woman (dir. Caroline Monnet), 16 min.

And from the on we lived on blueberries for about a week (dir. Lisa Myers), 7 min.

Wake Up! (dir. Jessie Short), 6 min.

Land Becomes Ghost (dir. Fallon Simard), 1 min.

---

Suzanne Morrissette is a Metis artist, curator, and scholar from Winnipeg researching reactions to Indigenous political thought and curatorial strategies for centering Indigenous knowledge.

Archive/Counter-Archive is a SSHRC project led by Janine Marchessault, dedicated to researching and remediating audiovisual archives created by women, Indigenous Peoples, the LGBTQ2+ community, and immigrant communities. Political, resistant, and community-based, counter-archives disrupt conventional narratives and enrich our histories.

2019 Summer Institute: Archives/Counter-Archives is convened by Philip Hoffman, Janine Marchessault, and Michael Zryd. Free and public screenings, panels, and master classes will be held at the TIFF Bell Lightbox and York University, and will feature special guests such as Matthias Müller, Ali Kazimi, Yvonne Ng, and Suzanne Morrisette. Visit here for details: https://counterarchive.ca/summer-institute-archivecounter-archives

Venue & Address: 
York University, Nat Taylor Cinema, N102 Ross Building
Website: 
www.counterarchive.ca
Cost: 
Free
Spotlight on Contemporary Indigenous Filmmaking Poster

Asia-Global-Cultural-Studies-Forum (AGCSF)  Inaugural Event

Friday, May 17, 2019 - 1:00pm to 6:00pm

The inaugural event

Date: Friday, May 17, 2019

Time: 1:00 p.m. - 6:00 p.m.

Venue: 205 Richmond St. West, Room 115

Facilitated by professor Soyang Park (Liberal Studies)

3 tiers of presenters: Students, professors, and professionals

Participatory forum: Presenters, discussants, and the audience

Ongoing forum: regularly from September 2019: open for public submission of ideas: email to: spark@faculty.ocadu.ca.

 

List of Presentations

Dr. Soyang Park (OCAD U), A Cosmopolitan Remapping of East Asia and the Asia-Global: Notes Towards Asia-Global-Cultural Studies Forum(AGCSF)

Leon Hsu (OCAD U), Reinventing Tradition Beyond Cultural Paradigm: A Brief Discussion of Cai Guo-Qiang’s Pyrotechnic Ephemera Works

Christine Carriere (OCAD U), Returning the Gaze: Contemporary Asian Female Artists Responding to (Techno) Orientalism

Richard Luong (OCAD U), Directing Orientalism: The Scent of Green Papaya (1993)

Jessica Liu (OCAD U), Painting My Own Being in the World, Falling in and out of Past and Contemporary

Christine Li (OCAD U), Manuel Ocampo and Colonial Legacy: Trauma, Multidirectional Memory, and Redemption

Ema Dan (OCAD U),  Idol, Not Celebrity: K-Pop, K-Pop Fans, and their Symbiosis

Yilong Liu (OCADU), Confronting Ambiguity: The Intersection of Racial and Sexual Repression and Marginalisation in Rex vs Singh and Seeking Single White Male

Florence Yee (OCADU), Bad Forgeries Make for Good Originals: A Studio-Research Project into Cantonese-Canadian Issues of Authenticity, Belonging and Diaspora Subjectivities Working with Text-based Art

Yujia Shi (University of Toronto), From One-Child to Two-Child: Understanding Birth Planning Policies in China’s Population Governance

Hannia Cheng(TeaBase), Tea Base: Against the Displacement and Gentrification of Chinatowns

 

What is Culture

Culture is the shared value system and code of conducts that exist in interconnected and contingent differences across communities, cultures, and nations.

Culture in all its manifestations – conventional, popular, emergent, marginal, and resistant – are constantly shaped by and are (re-)shaping our status quo, ways of thinking, and visions.

Culture is not fixed but constantly shifts through the intersecting influences of politics, economy, populations, migrations, and even environment.

The study of culture is empirical as well as theoretical, and most importantly, it is an interdisciplinary endeavor. The set of questions, analyses, and evaluations it involves itself in interacts with other fields of study such as the study of economy and politics; social studies, ethnic studies; cultural anthropology and media studies; identity, gender, sexuality, class, and ideology studies.

     

What is a Forum

A gathering place for exchanges of ideas and views. It is also the agora (Greek), a proto-site of democracy.

The ethos of AGCSF:

  • A syncretic forum of all levels of researchers (students, professors, and professionals)
  • Merit- and contents-based (not rank or prestige).
  • No ethnocentric/regional chauvinism or hegemonic nationalism.
  • Cosmopolitanism and exploration of difference and alternative epistemologies.
  • Non-hierarchical organizational model for the promotion of a culture of open discussion.
  • Participatory forum: The participants will consist of the presenters, the discussants, and the audience whose participation is to be equally valued to bring about diverse and multidirectional discussions.
  • The Discussants are an important category of this forum. They are the generators of discussion as well as latent presenters. Those who are interested in presenting are recommended to participate as the discussants first. The discussants – along with the audience – who have previously participated in the forum and substantially contributed to the discussions will be considered with priority as the presenters for the following event.
  • Embodied participation is implied in its growth model based on merit and contribution (rather than on rank or prestige). AGCSF hopes to make this forum truly an intellectually viable place for lively exchange and discussion of ideas and visions, a lively intellectual fora filled with genuine curiosity and openness to different perspectives.
  • Embodied and experiential knowledge: AGCSF values embodied and experiential knowledge, research, and ideas rather than the overly academicized outcomes short of the conductive power to generate grounded and real conversations.
  • ESL students are the most welcome. You are the holders of up-to-date global knowledge. If you have any ideas to share but the only thing that makes you hesitate is your English, please bring a translator or discuss the ideas with us.

*Everyone is welcome to participate in this forum/become a presenter in future events.

*AGCSF does not support any form of ethnocentric or regional chauvinism or hegemonic nationalism unfit for our vision for the future. It solely focuses on promoting cosmopolitan learning and exploration of cultures and multi-directional decolonization.

*AGCSF supports the emergence of other cosmopolitan research groups and fora at OCAD U - based a non-hierarchical and non-exclusionary notion of regional, national, ethnic, and cultural identities.

*For further information: find the “Asia-Global Cultural Studies Forum” (AGCSF) event page  on Facebook.

Or visit our website: https://asiaglobalculturalstudiesforum.wordpress.com

Venue & Address: 
OCAD University, 205 Richmond St. W., Room 115
Website: 
https://www.facebook.com/events/170324180578290/
Email: 
lliu@faculty.ocadu.ca
Cost: 
FREE
"AGCSF" in black text on a flat pink background

/nest/ Writing Workshops

nest writing workshops
Thursday, March 21, 2019 - 10:00am to Monday, March 25, 2019 - 5:00pm

/nest/ Writing Workshops

Are you interested in publishing your creative, studio or critical writing? nest, an undergraduate platform by and for students, is hosting two submission workshops (with food!) to get you started. Developing the theme of texture, the workshop facilitator will bring you through prompts and offer opportunites for group writing and sharing. The workshops are open to students in any program, at any level. A light meal will be provided.  
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What Is /nest/?

nest is a journal of student writing showcasing the diversity of writing in the creative disciplines. Our mandate as a publication is to publish diverse forms of critical and creative writing and to encourage works which express linguistic diversity, inclusive of a range of student abilities, years levels and disciplines. In doing so, our aim is to give students a safe place to incubate and nurture their ideas. nest was formed as a representation of OCAD University which provides us with space to develop and expand our creative endeavours.

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Morning Workshop
10 - 11:30am
Lambert Lounge, 100 McCaul Street, Level 1

Afternoon Workshop
3-5pm
Learning Zone, 122 St. Patrick Street, Level 1

Both workshops are accessible at street level. There are accessible, single-stall washrooms available at both spaces. 

Venue & Address: 
Morning Workshop: Lambert Lounge, 100 McCaul Street, Level 1 Afternoon Workshop: Learning Zone, 122 St. Patrick Street (accessed via the Grange)
Website: 
https://www.facebook.com/events/809478786078266/
Email: 
tmaas@ocadu.ca
Phone: 
416.977.6000 x2662
Cost: 
free!
nest workshops poster

Plastic Bag Monument

a person with a bag on their head
Thursday, February 7, 2019 - 6:00pm to Monday, February 25, 2019 - 6:00pm

Plastic Bag Monument is a group exhibit exploring plastic bags as a creative medium. Photographer Wynne Neilly and florist Bethany Rose Puttkemery have utilized plastic material within their series of queer portraiture. The installation component has been completely sourced from the consumption of the artists over the past three months.

The average life span of a plastic bag is a thousand years. The immensity of this installation - the sheer mass of this bag collection - encourages viewers to consider the implications of plastic consumption by viewing the amount of space in which three months of plastic bag consumption takes up. Artists Bethany Rose Puttkemery and Lee D’Angelo raise environmental questions through the construction of this plastic installation while also seeking to find beauty and new possibility from a material that this entirely problematic.

There will be an opening night tattoo performance by RAT666TAT. All of the funds collected will be donated to Unist’ot’en camp and tattoos will be by donation only.

Venue & Address: 
165 Augusta Ave
Email: 
Ignitegallery@ocadu.ca
a couple kissing
Keywords: 

OCAD Artist Alley 2018: Holiday Edition

Tuesday, December 4, 2018 - 2:00pm to 8:00pm

Looking for unique gifts for friends and family this holiday season? Come to OCAD's student-run Holiday Artist Alley: Holiday Edition, where you will find a wide variety of beautiful posters, prints, zines, stickers, greeting cards, ceramics, fashion, jewellery items and more from local creators. This event is open to the public.

Remember to BRING CASH as most artists do not have card readers. There are ATMs in the building.
We are a wheelchair accessible space. Please take the main lobby rear elevators to Level 2, Great Hall.

Follow us on Instagram: instagram.com/ocadartistalley to view Artist Profiles leading up to the event!

If you want to volunteer or have questions, please email ocadartistalley@gmail.com

ABOUT ARTIST ALLEY:
The OCAD Artist Alley is a student initiative, created with support from OCAD Student Union, giving students and alumni across all programs the opportunity to exhibit and sell their work.
Poster art by Becky Wu.

RSVP:
Please register your intent to attend through our Eventbrite link (tickets NOT needed for entrance): https://bit.ly/2P6y7sr

Venue & Address: 
Great Hall (Level 2), 100 McCaul Street
Website: 
www.facebook.com/ocadartistalley/
Email: 
ocadartistalley@gmail.com
Cost: 
Free Admission
Holiday OCAD Artist Alley

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