Diagrams of Power

Wednesday, July 11, 2018 - 7:00pm to Sunday, September 30, 2018 - 7:00am

Diagrams of Power
July 11 to September 29, 2018

Group exhibition featuring work by Joshua Akers, The Anti-Eviction Mapping Project, Josh Begley, Joseph Beuys, Vincent Brown, Bureau d'études, Department of Unusual Certainties, W. E. B. Du Bois, Estudio Teddy Cruz + Fonna Forman, Forensic Architecture, Iconoclasistas, Julie Mehretu, Lize Mogel, Ogimaa Mikana, Margaret Pearce, Laura Poitras, Philippe Rekacewicz and Visualizing Impact

Curated by Patricio Dávila

Diagrams of Power showcases art and design works using data, diagrams, maps and visualizations as ways of challenging dominant narratives and supporting the resilience of marginalized communities.

 

Joshua Akers
www.propertypraxis.org
Joshua Akers is an Assistant Professor of Geography and Urban and Regional Studies at the University of Michigan-Dearborn. He is the founder and director of the Urban Praxis Workshop and member of the Property Praxis Research Collective. Akers’ research and writing examines the intersection of markets and policy and their material impacts on everyday life. This work has appeared in Environment and Planning A, Geoforum, International Journal of Urban and Regional Research, Urban Geography, Derive and Guernica.

The Anti-Eviction Mapping Project
www.antievictionmap.com
Erin McElroy is the cofounder of the Anti-Eviction Mapping Project and the activist-based peer-reviewed Radical Housing Journal. She is a doctoral candidate in Feminist Studies at the University of California, Santa Cruz, focusing on techno imaginaries and postsocialist Romania and Silicon Valley. The Anti-Eviction Mapping Project is a data visualization, data analysis, and digital storytelling collective documenting dispossession and resistance upon gentrifying US landscapes.

Josh Begley
joshbegley.com
Josh Begley is a data artist and app developer based in Brooklyn, New York. Begley is the director of two short films, Best of Luck with the Wall (2016) and Concussion Protocol (2018). His work has appeared in The New Yorker, The New York Times, The Atlantic, The Guardian, New York Magazine, the Whitney, the Met Breuer, the Museum of Modern Art, and the New Museum of Contemporary Art.

Joseph Beuys
Joseph Beuys (12 May 1921 – 23 January 1986) was a German Fluxus, happening, and performance artist as well as a sculptor, installation artist, graphic artist, art theorist, and pedagogue. His extensive work is grounded in concepts of humanism, social philosophy and anthroposophy; it culminates in his "extended definition of art" and the idea of social sculpture as a gesamtkunstwerk, for which he claimed a creative, participatory role in shaping society and politics. He is widely regarded as one of the most influential artists of the second half of the 20th century.

Vincent Brown
revolt.axismaps.com
Vincent Brown is the Charles Warren Professor of History and Professor of African and African American Studies and Director of the History Design Studio at Harvard University. He is a multi-media historian with a keen interest in the political implications of cultural practice. Brown is the author of The Reaper's Garden: Death and Power in the World of Atlantic Slavery (Harvard University Press, 2008) and producer of an audiovisual documentary about the anthropologist Melville J. Herskovits broadcast on the PBS series Independent Lens. He is currently writing a book about African diasporic warfare in the Americas.

Bureau d’études
bureaudetudes.org
Bureau d’études is an artist collective that lives and works in Saint Menoux, France. For 15 years, the group has developed research on the structures of power and capitalism. The group is currently working on a collective project on agriculture, commons and resymbolizing research: www.fermedelamhotte.fr.

Department of Unusual Certainties
wearedouc.com
The Department of Unusual Certainties' objective is to use thoughtful, research-driven design to inspire engagement and dialogue. They practice the tradition of pragmatism, strategically applying design in the physical world to affect the social good. In 2010, Department of Unusual Certainties started as a result of a shared need to ask questions about our everyday existence. This curiosity continues to grow and has manifested over the years through projects that traverse urban design, public art, education, cartography and social engagement.

W. E. B. Du Bois
Scholar and activist W.E.B. Du Bois was born on February 23, 1868, in Great Barrington, Massachusetts. In 1895, he became the first African American to earn a Ph.D. from Harvard University. Du Bois wrote extensively and was the best-known spokesperson for African-American rights during the first half of the 20th century. He co-founded the National Association for the Advancement of Colored People (N.A.A.C.P.) in 1909. Du Bois died in Ghana in 1963.

Estudio Teddy Cruz + Fonna Forman
estudioteddycruz.com
Teddy Cruz is a professor of Public Culture and Urbanization in the Department of Visual Arts at the University of California, San Diego, and Director of Urban Research in the UCSD Center on Global Justice. Fonna Forman is a professor of Political Theory and Founding Director of the Center on Global Justice at the University of California, San Diego.  

Cruz + Forman are principals in Estudio Teddy Cruz + Fonna Forman, a research-based political and architectural practice in San Diego. Blurring conventional boundaries between theory and practice, and transgressing the fields of architecture and urbanism, political theory and urban policy, visual arts and public culture, Cruz + Forman lead a variety of urban research agendas and civic/public interventions in the San Diego-Tijuana border region and beyond. They will represent the United States in the 2018 Venice Architectural Biennale.

Forensic Architecture
forensic-architecture.org
Forensic Architecture is a research agency based at Goldsmiths, University of London, consisting of architects, artists, filmmakers, journalists, software developers, scientists, lawyers, and an extended network of collaborators from a wide variety of fields and disciplines. Founded in 2010 by Eyal Weizman, Forensic Architecture is committed to the development and dissemination of new evidentiary techniques. It undertakes advanced architectural and media investigations on behalf of international prosecutors, human rights and civil society groups, as well as political and environmental justice organisations, including Amnesty International, Human Rights Watch, B’tselem, Bureau of Investigative Journalism, and the UN, among others.

Iconoclasistas
iconoclasistas.net
Formed in 2006, Iconoclasistas is Pablo Ares and Julia Risler. Their projects combine graphic art, creative workshops and community-based research. Their works are offered online through Creative Commons licenses allowing free distribution and encouraging the creation of derivative works. Through the use of graphic devices and the design of several tools, Iconoclasistas fosters critical reflection that supports resistance and transformation.

Julie Mehretu
In the age of globalization, Julie Mehretu has created a new form of history painting whose themes include identity, cultural history, geography, and personal narrative. Born in Addis Ababa, Ethiopia, raised in East Lansing, Michigan, educated in Rhode Island and Senegal, and she resides in New York City and Berlin. Her life experience is reflected in her visual vocabulary, which is drawn from maps, urban-planning grids, and architectural forms. These are combined to make dynamic, delicate paintings, drawings, and prints that blur the line between abstraction and figuration. Mehretu’s art embodies the interconnected and complex character of the world.

Lize Mogel
publicgreen.com
Lize Mogel is an interdisciplinary artist and counter-cartographer. Her work intersects the fields of popular education, cultural production, public policy, and mapping. She creates maps and mappings that produce new understandings of social and political issues. She has mapped public parks in Los Angeles; future territorial disputes in the Arctic; and wastewater economies in New York City. She is co-editor of the book/map collection "An Atlas of Radical Cartography,” a project that significantly influenced the conversation and production around mapping and activism.

Ogimaa Mikana
Ogimaa Mikana is an artist collective founded by Susan Blight (Anishinaabe, Couchiching) and Hayden King (Anishinaabe, Gchi’mnissing) in January 2013. Through public art, site-specific intervention, and social practice, Ogimaa Mikana asserts Anishinaabe self-determination on the land and in the public sphere.

Margaret Pearce
Margaret Pearce is a cartographer and writer based in Rockland, Maine. Since 2006, she has dedicated herself to exploring and developing the expressive capacities of cartographic language to represent human experience and dialogues across cultures to decolonize narratives and empower silenced voices. Pearce has eighteen years of experience teaching cartographic design, map history and Indigenous geographies at the university level, most recently as Associate Professor of Geography at University of Kansas. She is enrolled Citizen Potawatomi Nation, and former president of the North American Cartographic Information Society.

Laura Poitras
praxisfilms.org
Laura Poitras is a filmmaker, journalist and artist. CITIZENFOUR, the third installment of her post-9/11 Trilogy, won an Academy Award for Best Documentary, along with awards from the British Film Academy, Independent Spirit Awards, Director’s Guild of America and others. She recently presented a series of immersive installations and new work for her solo exhibition, ASTRO NOISE (2016), at the Whitney Museum of American Art.

Her reporting on NSA mass surveillance based on Edward Snowden’s disclosures won the George Polk Award for national security journalism, and shared in the 2014 Pulitzer Prize for Public Service. She is on the board of the Freedom of the Press Foundation, and is co-creator of the visual journalism project Field of Vision.

Philippe Rekacewicz
visionscarto.net
Philippe Rekacewicz is a French geographer, cartographer and information designer and associate researcher at the University of Helsinki. With Philippe Rivière, he developed visionscarto.net, a research website dedicated to “radical and experimental cartography and geography.” Rekacewicz follows issues such as demography, refugees and displaced persons, and migration and statelessness persons. He has worked on a number of projects bringing together cartography, art and politics, especially studying how communities and political or economic powers produce the cartographic vision of the territories on which they operate, and how they can manipulate those maps.

Visualizing Impact
visualizingimpact.org
Visualizing Impact is a laboratory for innovation at the intersection of data science, technology, and design. Visualizing Impact creates impactful tools highlighting critical social issues around the world.

 

Support
Diagrams of Power is produced with the support of OCAD University's Office of the Faculty of Design, Public Visualization Lab, Nexus Investments, Multi Touch Digital and Microsoft.

Diagram of Power's public workshops and research engagement events is supported by the Social Sciences and Humanities Research Council of Canada.

Onsite Gallery gratefully acknowledges that the new gallery construction project is funded in part by the Government of Canada's Canada Cultural Spaces Fund at Canadian Heritage, the City of Toronto through a Section 37 agreement and Aspen Ridge Homes; with gallery furniture by Nienkämper. Onsite Gallery logo by Dean Martin Design.

 

Image: Forensic Architecture, The Ayotzinapa Case: A Cartography of Violence (still), 2017. Video, 18 min. 24 sec.

Venue & Address: 
Onsite Gallery (199 Richmond St. W., Ground Floor)
Email: 
onsite@ocadu.ca
Phone: 
416-977-6000 x456
Cost: 
Free
 Image: Forensic Architecture, The Ayotzinapa Case: A Cartography of Violence (still), 2017. Video, 18 min. 24 sec.
Supporters

Grine Kuzine OPENING EVENT

Grine Kuzine
Friday, December 2, 2016

Using recycled cardboard and faded memories; Evan Tapper recreates his grandmother’s 1930s kitchen in Winnipeg to reflect on past and present hardships of starting life anew as an immigrant.

Website: 
http://fentster.org/#/grinekuzine/

MICHAEL ANTKOWIAK, FACULTY OF ART, PRESENTS: WHAT RIGHT HAS MY HEAD TO CALL ITSELF ME

abstract figurative work, predominantly blue
Thursday, October 27, 2016 - 4:00am to Saturday, October 29, 2016 - 4:00am

WHAT RIGHT HAS MY HEAD TO CALL ITSELF ME

MICHAEL ANTKOWIAK

OCTOBER 7TH - 29TH, 2016

RECEPTION OCT 7TH 6-9PM

 

“At what precise moment...

...does an individual stop being who he thinks he is?

You know, I don't like complications.

Cut off my arm. I say, "Me and my arm."

You cut off my other arm. I say, "Me and my two arms."

You...take out...

...take out my stomach, my kidneys,

assuming that were possible...

And I say, "Me and my intestines."

Follow me?

And now, if you cut off my head...

...would I say, "Me and my head" or "Me and my body"?

What right has my head to call itself me?

What right?”

Excerpt from the film “The Tenant”, 1976, by Roman Polanski.

 

Michael Antkowiak (Warsaw, 1977) is a graduate of the Ontario College of Art and Design, and completed his MFA from the New York Academy of Art in 2003. He has since exhibited in public and commercial galleries in Canada and abroad, including the Queens Museum of Art, in New York City, and Carrie Secrist Gallery, in Chicago, Il. Michael is a recipient of several artist’s grants and residencies, including the Toronto Arts Council Grant, and the Joan Mitchell Foundation Fellowship. Michael lives and works in Toronto, and in addition to his studio practice, teaches as a drawing and painting instructor at OCAD University.

 

 

Blue, oil on canvas 12”x16” 2016

Venue & Address: 
WIL KUCEY GALLERY 1183 DUNDAS ST. W. TORONTO CANADA M6J 1X3
Website: 
http://www.wilkuceygallery.ca
Phone: 
416.532.8467

Black Future Month art exhibition returns to OCAD University

Black History month art call banner
Black History month art call banner
group of people, some holding hands
Friday, January 8, 2016 - 5:00am

We are excited to inform you that the Black Future Month art exhibition will be returning to OCAD University for 2016 as part of the Black History Month Program at OCADU.

The 4th Annual BLACK FUTURE MONTH 3016 Art Exhibition will be spread across campus between the Ada Slaight Gallery Space (Transit Space) in 100 McCaul, the Open Gallery Space in 49 McCaul St. and the Graduate Gallery at 205 Richmond st. The Exhibit will consist of OCAD U students, alumni, staff and Faculty along with select artists from the Black Community.

EXHIBIT INFO:
The 4th Annual BLACK FUTURE MONTH 3016 Art Exhibition is a professional curated platform that was created in 2012 by OCADU alumna Danilo McCallum. Now in its 4th edition of the exhibit, it is dedicated to showing work of artists who identify as being of African decent to explore the infinite expressions of Afrofuturism, Black speculative fiction, Afro-Surrealism and other expansive themes like Black identity, culture and existence in the future, real or imagined.

Submission Deadline: January 8th, 2016

Submission guidelines are the following:
• Contact Info and area of study
• Brief reason of interest (300 words or less)
• Brief Artist statement or Short proposal (150 words or less) including specification on work dimensions and any installation specification
• Digital Images – Jpeg Format less than 5mb, Audio – Mp3, Video – Still image + online link
All mediums will be accepted
But space is limited.

Send Submissions to Blackfuture3015@gmail.com
Installation begins February 1st and exhibit will run to March.
Selected artists will be notified within a weeks of the application

For more information visit: www.blackfuturemonth.com

Website: 
http://www.blackfuturemonth.com
Email: 
Blackfuture3015@gmail.com
Phone: 
We are excited to inform you that the Black Future Month art exhibition will be returning to OCAD University for 2016 a part of the Black History Month Program at OCADU.
poster for the call for submissions

Make A Page For Our Zine

Make A Page For Our Zine in colour text with illustration of zine. Location and date included.
Monday, July 16, 2018 - 9:00am to Wednesday, August 15, 2018 - 6:00pm

Make A Page For Our Zineis a participatory zine installation, installed in the Learning Zone Gallery for the summer. Inspired in part by Collage This Wall: Interactive Collage Experiment Installation (2012)and International Zine Month.

Collage This Wall was an interactive collage experiment installed in the Learning Zone during the summer of 2012 which drew participation from members of the OCAD U community and public to create and share a personal collage.

International Zine Month represents a global participation of DIY ethos that encompasses zine making and independent publishing. Various events like zine making workshops, readings and festivals are held and celebrated annually in the month of July.

Make A Page For Our Zine engages with this same process, inviting interactivity and collaboration in the zine making process.

At the conclusion of this project, the pages will be compiled, stapled and made into a zine then added to the OCAD Zine Library collection.

The process facilitates the creation of ideas, and captures the collaborative work. 

On until August 15

All are welcome to participate.

Venue & Address: 
Learning Zone 113 McCaul Street, Level 1. Also accessible from 122 St. Patrick Street.
Email: 
hevelyn@ocadu.ca
Cost: 
Free

RAGGA NYC exhibit at Mercer Union features the work of OCAD U alumni

RAGGA NYC
Thursday, June 21, 2018 - 7:00pm

OCAD U alumni Oreka James ('16), Aaron Jones ('18), and Camille Turner ('93) are included alongside the work of other artists in the new exhibition RAGGA NYC, opening at Mercer Union, a centre for contemporary art in Toronto on June 21, 2018 ay 7 PM

.........................................

RAGGA NYC

Michèle Pearson Clarke, Martine Gutierrez, Oreka James, Aaron Jones, Tau Lewis, Sondra Perry, Diamond Stingily, Camille Turner, Christopher Udemezue, Syrus Marcus Ware

22 June – 11 August 2018
Opening Reception: Thursday 21 June 2018, 7 PM

RAGGA NYC is a growing collective of Queer Caribbean artists and allies. Founded by Christopher Udemezue (Neon Christina), the group was created to make space for and nurture ties amongst a group of artists who feel a deep commitment to their ancestral and diasporic histories.
 
Working across various disciplines, ranging from visual art and poetry to performance and fashion, RAGGA NYC interweaves art-making, cultural practice and community building. The collective has at its base a longing for an authentic and extended network that could support one another through ideas and activity centered around solidarity, visibility and expression. As a growing contingent of many artists – each quite distinct in the form, style and concerns of their practice – RAGGA materializes the impact of collective assembly in practices of social emancipation and celebration.
 
For Mercer Union’s summer season, the gallery has shared resources with the collective as they make space for and incite new collaborations, friendships and expanded networks of support. RAGGA NYC is expanding its network of cultural producers with artists based in Toronto. To this end, the exhibition and coinciding public programming engages specifically with the practices of Michèle Pearson Clarke, Martine Gutierrez, Oreka James, Aaron Jones, Tau Lewis, Sondra Perry, Diamond Stingily, Camille Turner, Christopher Udemezue and Syrus Marcus Ware.

Notes From The Wind

Images of the flower Chrysanthemums painted on wood.
Tuesday, February 6, 2018 - 6:00pm to Saturday, February 24, 2018 - 6:00pm

This month starts with a new exhibition at the Learning Zone Gallery called Notes From the Wind.  

Drawing and Painting: Digital Painting and Expanded Animation student, Kenny Tran and Drawing & Painting student, Emily Zhou curated this exhibition, highlighting artworks of 19 OCAD U students from the Drawing & Painting, Graphic Design, Illustration, Digital Futures, and Environmental Design programs. 

This exhibition aims to provide students with an opportunity to explore the interpretation and portrayal of ‘nature’ in a new lens—through black and white/greyscale artworks (including artworks with minimal colour). The de-emphasis of colour as the primary artistic medium promotes an examination of the subject matter based on the emphasis of form, design, and values seen in nature, while interpreting the perpetuity of black and white imagery in relation to current developments of the world within a collective context. 

Image credit: Woman in Chrysanthemum Forest Under Full Moon: Part 1 by Sohae Jeong

On until February 24

Participants:

Samaa Ahmed

Alyssa Mae Bernardo

Shelby Doerfler

Sara Dube

Melissa Eaton

Dave Foster

Sohae Jeong

Reyhane Khonsari

Shannon Leigh

Karen Joyce Li

Vincy Lim

Donny Nie

Cleopatria Peterson

Michelle Rosen

Mikhail Shchupak-Katsman

Ron Siu

Prateek Verma

Xulin Wang

Yina Wang

Venue & Address: 
Learning Zone, 113 McCaul Street, Level 1. Also accessible from 122 St. Patrick Street
Website: 
https://www.facebook.com/events/359485321194228/
Email: 
mchudolinska@ocadu.ca
Phone: 
416-977-6000 ext. 2529
Cost: 
Free

The Sunshine Eaters Exhibition Opening Reception

The Sunshine Eaters
Wednesday, January 10, 2018 - 8:00pm to 10:00pm

Join us for a free party to celebrate the opening of the newest exhibition at Onsite Gallery, The Sunshine Eaters!

WEDNESDAY, JANUARY 10, 2018:

  • The Sunshine Eaters Exhibition Opening Reception: 8 to 10 p.m.
    Onsite Gallery
    199 Richmond St. W.
     
  • Come early and hear:
    Nick Cave and Ebony G. Patterson in Conversation: 6:30 to 8 p.m.
    OCAD University
    100 McCaul St., Auditorium, Rm 190
    ASL interpretation provided

The Sunshine Eaters is an original multi-sensory exhibition that highlights how artists and designers look to the land and its plants, flowers and trees as a means to imagine and conjure hope in the face of local and global crises.

Featuring work by: Shary Boyle, Nick Cave, Robert Holmes, Jim Holyoak, Brian Jungen, Jessica Karuhanga, Alexandra Kehayoglou, Nina Leo and Moez Surani, Tony Matelli, Alanis Obomsawin, Ebony G. Patterson and Winnie Truong. Curated by Lisa Deanne Smith.

Exhibition runs January 10 to April 15, 2018.

 

About Onsite Gallery – www.ocadu.ca/onsite
Onsite Gallery is the flagship professional gallery of OCAD U and an experimental curatorial platform for art, design and new media. Visit our website for upcoming public events.

 

Support
We acknowledge the support of the Canada Council for the Arts, which last year invested $153 million to bring the arts to Canadians throughout the country.
Nous remercions le Conseil des arts du Canada de son soutien. L’an dernier, le Conseil a investi 153 millions de dollars pour mettre de l’art dans la vie des Canadiennes et des Canadiens de tout le pays.

The Sunshine Eaters is also produced with the support of Nexus Investments.

Onsite Gallery gratefully acknowledges that the new gallery construction project is funded in part by the Government of Canada's Canada Cultural Spaces Fund at Canadian Heritage, the City of Toronto through a Section 37 agreement and Aspen Ridge Homes; with gallery furniture by Nienkämper. Onsite Gallery logo by Dean Martin Design.

Venue & Address: 
Onsite Gallery (199 Richmond St. W., Ground Floor)
Website: 
https://www.facebook.com/events/193684211188640/
Email: 
onsite@ocadu.ca
Phone: 
416-977-6000 x456
Cost: 
Free
The Sunshine Eaters

Nick Cave and Ebony G. Patterson in Conversation

The Sunshine Eaters
Wednesday, January 10, 2018 - 6:30pm to 8:00pm

Join esteemed international artists Nick Cave and Ebony G. Patterson for a free public talk to kick off the newest exhibition at Onsite Gallery, The Sunshine Eaters. Moderated by curator Lisa Deanne Smith.

WEDNESDAY, JANUARY 10, 2018:

  • Nick Cave and Ebony G. Patterson in Conversation: 6:30 to 8 p.m.
    OCAD University
    100 McCaul St., Auditorium, Room 190

    ASL interpretation provided
    No RSVPs are required, however, we recommend you arrive early as seating will be limited.
     

  • The Sunshine Eaters Exhibition Opening Reception: 8 to 10 p.m.
    Onsite Gallery
    199 Richmond St. W.

Nick Cave is an artist, educator and foremost a messenger, working between the visual and performing arts through a wide range of mediums including sculpture, installation, video, sound and performance. Cave exhibits internationally and recently presented a massive immersive installation Until at MASS MoCA (MA). His works are in many collections including at the Museum of Modern Art and the Smithsonian. Cave is represented by Jack Shainman Gallery.

Jamaican-born artist Ebony G. Patterson’s works employ opulent surfaces and brightly colored patterns to seduce the viewer into confronting the profound social realities contained at their core. Often addressing the use of feminine gendered adornment in the construct of urban masculinity within popular culture, Patterson embellishes photographic tapestries by hand with beading, sequins, fabric and jewelry. Patterson’s aesthetic pulls the viewer in and forces them to bear witness to problematic social conflicts experienced by her subjects. Her works command the viewer to look past the façade – of their rich formal characteristics, of the fabricated fantasies increasingly traded in our consumer and social media-centric culture – and to acknowledge the realities of those not touched by the glitter and gold. The paradoxical means the artist uses to convey this message only emphasizes its urgency and weight. Patterson has had solo exhibitions and projects at many US institutions including The Studio Museum in Harlem, NY (2016); Atlanta Center for Contemporary Art, GA (2016); Museum of Art and Design, NY (2015); and SCAD Museum of Art, Savannah, GA (2016). In 2018, Patterson will have a large-scale solo exhibition at Pérez Art Museum, Miami. She is presented by Monique Meloche Gallery, Chicago.

The Sunshine Eaters is an original multi-sensory exhibition that highlights how artists and designers look to the land and its plants, flowers and trees as a means to imagine and conjure hope in the face of local and global crises.

Featuring work by: Shary Boyle, Nick Cave, Robert Holmes, Jim Holyoak, Brian Jungen, Jessica Karuhanga, Alexandra Kehayoglou, Nina Leo and Moez Surani, Tony Matelli, Alanis Obomsawin, Ebony G. Patterson and Winnie Truong. Curated by Lisa Deanne Smith.

Exhibition runs January 10 to April 15, 2018.

The Sunshine Eaters is produced with the support of the Canada Council for the Arts and Nexus Investments.

 

About Onsite Gallery – www.ocadu.ca/onsite
Onsite Gallery is the flagship professional gallery of OCAD U and an experimental curatorial platform for art, design and new media. Visit our website for upcoming public events.

 

Images: (left) Nick Cave, Soundsuit, 2015, mixed media including vintage toys and globes, wire, fabric, metal and mannequin, 104" x 50" x 44." © Nick Cave. Photo by James Prinz Photography. Courtesy of the artist and Jack Shainman Gallery, New York. (right) Ebony G. Patterson, Bad Pickney from the Fambily series, 2013, mixed media on hand-embellished, jacquard woven tapestry with 56 fabric balloons, dimensions variable. © Ebony G. Patterson. Collection of Dr. Paul Marks, Toronto.Image courtesy of the artist and Monique Meloche Gallery, Chicago.

 

Support
We acknowledge the support of the Canada Council for the Arts, which last year invested $153 million to bring the arts to Canadians throughout the country.
Nous remercions le Conseil des arts du Canada de son soutien. L’an dernier, le Conseil a investi 153 millions de dollars pour mettre de l’art dans la vie des Canadiennes et des Canadiens de tout le pays.

The Sunshine Eaters is also produced with the support of Nexus Investments.

Onsite Gallery gratefully acknowledges that the new gallery construction project is funded in part by the Government of Canada's Canada Cultural Spaces Fund at Canadian Heritage, the City of Toronto through a Section 37 agreement and Aspen Ridge Homes; with gallery furniture by Nienkämper.

Venue & Address: 
OCAD University (100 McCaul St., Auditorium, Rm 190)
Website: 
https://www.facebook.com/events/2433691070189486/
Email: 
onsite@ocadu.ca
Phone: 
416-977-6000 x456
Cost: 
Free
Nick Cave and Ebony G. Patterson

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