The Verbal and the Visual

Tuesday, December 4, 2018 - 7:00pm

The Verbal and the Visual
Tuesday, December 4 at 7:00 p.m. 

Moderators: Peggy Gale and Francesca Valente 
Bill Burns, Barry Callaghan, Gary Michael Dault, Francesca Vivenza

 

Free public event as part of Onsite Gallery's exhibition, Imago Mundi -- Great and Northfeaturing works by 760 artists from across Canada, including Inuit and Indigenous artists from Turtle Island. Exhibition runs October 24 to December 16, 2018.

 

 

About Onsite Gallery – www.ocadu.ca/onsite
Onsite Gallery is the flagship professional gallery of OCAD U and an experimental curatorial platform for art, design and new media. Visit our website for upcoming public events.

 

Image: Barry Callaghan, Off the Wall Horseman, 2015, mixed media, 10 x 12 cm. Courtesy of the Luciano Benetton Collection.

Venue & Address: 
Onsite Gallery, OCAD University
Email: 
onsite@ocadu.ca
Phone: 
416-977-6000 x456
Cost: 
Free
Image: Barry Callaghan, Off the Wall Horseman, 2015, mixed media, 10 x 12 cm. Courtesy of the Luciano Benetton Collection.

Photography in the Third Millennium

Wednesday, November 28, 2018 - 7:00pm

Photography in the Third Millennium
Wednesday, November 28 at 7:00 p.m. 

Moderators: Marc Glassman and Francesca Valente
Ljubodrag Andric, Edward Burtynsky, Geneviève Caron, Suzy Lake, Vincenzo Pietropaolo

 

Free public event as part of Onsite Gallery's exhibition, Imago Mundi -- Great and Northfeaturing works by 760 artists from across Canada, including Inuit and Indigenous artists from Turtle Island. Exhibition runs October 24 to December 16, 2018.

 

 

About Onsite Gallery – www.ocadu.ca/onsite
Onsite Gallery is the flagship professional gallery of OCAD U and an experimental curatorial platform for art, design and new media. Visit our website for upcoming public events.

 

Image: Ljubodrag Andric, Italia 2014, 2016, photograph, 10 x 12 cm. Courtesy of the Luciano Benetton Collection.

Venue & Address: 
Onsite Gallery, OCAD University
Email: 
onsite@ocadu.ca
Phone: 
416-977-6000 x456
Cost: 
Free
Image: Ljubodrag Andric, Italia 2014, 2016, photograph, 10 x 12 cm. Courtesy of the Luciano Benetton Collection.

Central and Eastern Canada: A Cultural Laboratory

Wednesday, November 14, 2018 - 7:00pm

Central and Eastern Canada: A Cultural Laboratory
Wednesday, November 14 at 7:00 p.m. 

Moderators: Murray Whyte and Francesca Valente
Bonnie Devine, nichola feldman-kiss, Vera Frenkel, Jamelie Hassan, Graeme Patterson, Lisa Steele

 

Free public event as part of Onsite Gallery's exhibition, Imago Mundi -- Great and Northfeaturing works by 760 artists from across Canada, including Inuit and Indigenous artists from Turtle Island. Exhibition runs October 24 to December 16, 2018.

 

 

About Onsite Gallery – www.ocadu.ca/onsite
Onsite Gallery is the flagship professional gallery of OCAD U and an experimental curatorial platform for art, design and new media. Visit our website for upcoming public events.

 

Image: Bonnie Devine; Royal Proclamation; 2015; graphite, ink, cotton, thread and glass beads on paper; 10 x 12 cm. Courtesy of the Luciano Benetton Collection.

Venue & Address: 
Onsite Gallery, OCAD University
Email: 
onsite@ocadu.ca
Phone: 
416-977-6000 x456
Cost: 
Free
Bonnie Devine; Royal Proclamation; 2015; graphite, ink, cotton, thread and glass beads on paper; 10 x 12 cm. Courtesy of the Luc

The Intergenerational Path

Sunday, November 4, 2018 - 2:00pm

The Intergenerational Path
Sunday, November 4 at 2:00 p.m. 

Moderators: Peggy Gale and Francesca Valente 
Informal talks by: Miles Gertler, Erin Loree, Brendon McNaughton, Henrjeta Mece, Andrew Owen

 

Free public event as part of Onsite Gallery's exhibition, Imago Mundi -- Great and Northfeaturing works by 760 artists from across Canada, including Inuit and Indigenous artists from Turtle Island. Exhibition runs October 24 to December 16, 2018.

 

 

About Onsite Gallery – www.ocadu.ca/onsite
Onsite Gallery is the flagship professional gallery of OCAD U and an experimental curatorial platform for art, design and new media. Visit our website for upcoming public events.

 

Image: Erin Loree, Passage, 2016, oil on canvas, 10 x 12 cm. Courtesy of the Luciano Benetton Collection.

Venue & Address: 
Onsite Gallery, OCAD University
Email: 
onsite@ocadu.ca
Phone: 
416-977-6000 x456
Cost: 
Free
Erin Loree, Passage, 2016, oil on canvas, 10 x 12 cm. Courtesy of the Luciano Benetton Collection.

RESCHEDULED -- eL Seed Talk

Artist Talk featuring eL Seed, French-Tunisian artist who has exhibited in public spaces, galleries and institutions around the world.

Cartography Between Art, Science & Politics

Tuesday, September 18, 2018 - 6:00pm to 7:30pm

Cartography Between Art, Science & Politics
Public talk by Philippe Rekacewicz

 

Tuesday, September 18, 2018
6 p.m.

Onsite Gallery, 199 Richmond St. W.

 

Free

 

Cartography Between Art, Science and Politics: an open door to manipulation or a tool for resisting power?

There is no such thing as an innocent map...

A fusion of disciplines: cartography has since long been torn between science and art. Both scientists and artists have claimed ownership of the discipline. This dispute will never been solved because of the very complexity of what a map really is: it uses data that has to be handled scientifically, it uses forms, colours, movements, in other words "artistic means" and so the same material has to be also handled artistically and aesthetically. All together, to produce a vision of the world as seen by the cartographer — an image which represents a specific position i.e. the way the cartographers sees, understands and interprets the world. In this respect, the map is fundamentally a political object.

It certainly has nothing to do with Reality, the Truth. This dynamic is an open door to manipulation and the use of the cartographic image as a propaganda tool, both from the dictator’s point of view as well as that of the activist. The map is a dialogue between reality and imaginary, taken in consideration that what is represented on a map has its roots in the reality, but like a fictional movie, it is deeply romanticized. It never represents reality, only the way we interpret it. The map is therefore an intellectual construction.

Philippe Rekacewicz is a cartographer and information designer. After completing his training as a geographer at the University Paris 1 Panthéon-Sorbonne, he worked from 1988 to 2014 as a permanent staff for the monthly journal Le Monde Diplomatique. He concurrently directed, from 1996 to 2008, the Norwegian cartographic unity of the United Nations Programme for Environment (UNEP), the GRID-Arendal. A specialist in Geopolitics and International Relations, he addresses especially topics linked to migrations, refugees and populations’ forced displacements, as well as frontiers. He works at present on several socio-cartographic projects (public and private spaces, perception and representation of frontiers) and explores the links between cartography, art and politics, like the art’s contributions on maps’ production and the political uses of maps as objects of propaganda and manipulation. He also leads a research on the “new cartographic writings” and the emergency of radical, critical and experimental cartographies. Since 2006, he attends project of artistic mappings and political art in several European countries. He is associate researcher at the departement of Anthropology of the University of Helsinki (programme Crosslocation – Trade, Transit and Transport). He is the current editor of the research blog on mapping and visualizing Visionscarto http://visionscarto.net/

 

Diagrams of Power showcases art and design works using data, diagrams, maps and visualizations as ways of challenging dominant narratives and supporting the resilience of marginalized communities.

Featuring work by Joshua Akers, The Anti-Eviction Mapping Project, Josh Begley, Joseph Beuys, Vincent Brown, Bureau d'études, Department of Unusual Certainties, W. E. B. Du Bois, Estudio Teddy Cruz + Fonna Forman, Forensic Architecture, Iconoclasistas, Julie Mehretu, Lize Mogel, Ogimaa Mikana, Margaret Pearce, Laura Poitras, Philippe Rekacewicz and Visualizing Impact.

Exhibition runs July 11 to September 29, 2018.

 

Support
Diagrams of Power is produced with the support of the Canada Council for the Arts, OCAD University's Office of the Faculty of Design, Public Visualization Lab, Nexus Investments, Multi Touch Digital and Microsoft.

Diagram of Power's public workshops and research engagement events is supported by the Social Sciences and Humanities Research Council of Canada.

Venue & Address: 
Onsite Gallery (199 Richmond St. W.)
Website: 
https://www.facebook.com/events/166264800904463/
Email: 
onsite@ocadu.ca
Phone: 
416-977-6000 x456
Cost: 
Free
Philippe Rekacewicz public talk

Artist Talk - Skawennati & Jason Lewis

Thursday, September 20, 2018 - 6:00pm to 7:30pm

In addition to their creative practice, Jason and Skawennati are co-directors of Aboriginal Territories in Cyberspace (AbTeC). AbTeC is an Aboriginally determined research-creation network of artists, academics, and technologists that seek to ensure Indigenous presence in online platforms and environments, video games, and virtual worlds that comprise cyberspace. AbTeC projects include Skins Workshops on Aboriginal Storytelling and Video Game Design, and the Initiative for Indigenous Futures. What futures we do we want to imagine, and then create, for our Aboriginal communities?

 

This keynote event is made possible by the Digitally Engaged Learning Conference (DEL 2018), hosted at York University for the first time in Canada.

We wish to acknowledge the generous support of the Academic Innovation Fund from the Office of the Associate Vice-President Teaching and Learning, the Faculty of Graduate Studies, and the Dean's Office in the School of the Arts, Media, Performance & Design, and the Department of Design.

We would also like to acknowledge the contributions of Sensorium: Centre for Digital Arts & Technology and the Institute for Research on Digital Learning.
 

Venue & Address: 
Tribute Communities Recital Hall, Accolade East, York University
Skawennati& Jason Lewis
Keywords: 
Digital Screen: 

Diagrams of Power Roundtable Discussion

Saturday, September 15, 2018 - 12:00pm to 1:30pm

Diagrams of Power Dialogues #2:
Urban Space, Data, Resistance and Community-building

Panelists: Josh Akers, Alex Hill, Terra Graziani and Sheila Sampath

 

Saturday, September 15
12 p.m.

Onsite Gallery, 199 Richmond St. W.

 

Free

 

Join us for a roundtable where our invited participants will discuss their experiences and recent work including resisting gentrification, using data and mapping as a research tool and building community.

Resisting gentrification and displacement needs different kinds of actions including rent strikes, community organizing, sharing information, or building support across locations. Data and mapping is one way of supporting these actions by helping analyze patterns, identify bad property owners/managers and share information (e.g. policy, economic, demographic, spatial). We will talk about how designers, activists and researchers, using these tools and others, work in communities to make them more resilient to bad urban policy, real estate speculators and predatory landlords. We will look at how to be accountable to the residents being represented and what tools, processes and methods have been used to make a positive contribution to these movements.

 

Joshua Akers is an Assistant Professor of Geography and Urban and Regional Studies at the University of Michigan-Dearborn. His research and writing examines the intersection of markets and policy and their material impacts on urban neighborhoods and everyday life.  He is the founder and director of the Urban Praxis Workshop, a community-led research initiative, which collaborates with organizations and activists in Detroit focused on housing and tenancy issues. Part of this work is found at propertypraxis.org. He is an Associate Editor at Metropolitics, a journal of public scholarship.

Alex B. Hill works to address the impacts of health disparities and chronic diseases through data analysis and community engagement strategies. His personal research is focused on food access, health disparities, and racial justice. Alex's projects and research center on the need for greater community involvement at all levels and specifically highlight the intersections of power, privilege, and race.

Terra Graziani is a researcher and tenants' rights activist based in Los Angeles, CA. She founded and directs the Los Angeles chapter of the Anti-Eviction Mapping Project, a digital storytelling collective documenting dispossession and resistance in solidarity with gentrifying communities through research, oral history, and data work - and before this organized with AEMP in the San Francisco Bay Area. Terra is a graduate student in Urban and Regional Planning at the University of California, Los Angeles studying housing as the site of racial capitalist violence.

Sheila Sampath is an artist, educator and activist designer with a background in community organizing. She is the principal and creative director of The Public, a social justice design studio working to democratize design practices for community self-determination; the editorial and art director of Shameless magazine, a national feminist magazine for teen girls and trans youth, and an assistant professor of alternative and speculative practices at OCAD University in the Faculty of Design. Her first book, Letters Lived, was published in 2013, and her art practice explores memory, diaspora, and intergenerational trauma. 

 

Diagrams of Power showcases art and design works using data, diagrams, maps and visualizations as ways of challenging dominant narratives and supporting the resilience of marginalized communities.

Featuring work by Joshua Akers, The Anti-Eviction Mapping Project, Josh Begley, Joseph Beuys, Vincent Brown, Bureau d'études, Department of Unusual Certainties, W. E. B. Du Bois, Estudio Teddy Cruz + Fonna Forman, Forensic Architecture, Iconoclasistas, Julie Mehretu, Lize Mogel, Ogimaa Mikana, Margaret Pearce, Laura Poitras, Philippe Rekacewicz and Visualizing Impact.

Exhibition runs July 11 to September 29, 2018.

 

Support
Diagrams of Power is produced with the support of the Canada Council for the Arts, OCAD University's Office of the Faculty of Design, Public Visualization Lab, Nexus Investments, Multi Touch Digital and Microsoft.

Diagram of Power's public workshops and research engagement events is supported by the Social Sciences and Humanities Research Council of Canada.

Venue & Address: 
Onsite Gallery (199 Richmond St. W.)
Website: 
https://www.facebook.com/events/1845164612235951/
Email: 
onsite@ocadu.ca
Phone: 
416-977-6000 x456
Cost: 
Free
Diagrams of Power Roundtable

New Generation Photography Award Panel Talk

New Generation Photography Award
Wednesday, May 16, 2018 - 7:00pm

New Generation Photography Award Panel Talk
Wednesday, May 16 at 7 p.m.

Onsite Gallery
199 Richmond St. W.

Join us for a panel talk with the three inaugural recipients of the New Generation Photography Award: Elisa Julia Gilmour, Meryl McMaster and Deanna Pizzitelli. Moderated by Bonnie Rubenstein, Artistic Director, Scotiabank CONTACT Photography Festival and Francisco Alvarez, Dorene & Peter Milligan Executive Director, OCAD U Galleries. Welcoming remarks by Dr. Duke Redbird.

 

View an exhibition of the winners' work at Onsite Gallery from May 5 to June 17, 2018 as part of the Scotiabank CONTACT Photography Festival. More info here.

 

About the Prize
The inaugural New Generation Photography Award prize was awarded by Scotiabank in partnership with the Canadian Photography Institute of the National Gallery of Canada. The prize, designed to support the careers of young artists and to help them reach their infinite potential, recognizes three young Canadians working in lens-based art: Elisa Julia Gilmour (Toronto), Meryl McMaster (Ottawa), and Deanna Pizzitelli (Ottawa).

Each winner will receive a cash prize of $10,000 and be featured in a group exhibition at the Canadian Photography Institute PhotoLab, located at the National Gallery of Canada in Ottawa, from April 13 to August 19, 2018. A second exhibition will follow, at OCAD University's Onsite Gallery, during the Scotiabank CONTACT Photography Festival in Toronto, from May 5 to June 17, 2018.

Award recipients will also be included in education programming and present artist talks on May 5, 2018 at 1 p.m. at the National Gallery of Canada. In 2015, Scotiabank became the Founding Partner of the Canadian Photography Institute of the National Gallery of Canada with a $10 million gift, the largest in the Bank's history. The New Generation Photography Award is part of the gift's continued legacy.

For more information about the New Generation Photography Award, presented by the Canadian Photography Institute and Scotiabank, please visit: http://www.scotiabank.com/arts.

 

2018 New Generation Photography Award Recipient Bios:

Elisa Julia Gilmour is an emerging Canadian artist producing still and moving images. Her work engages with the notion of ephemerality through gestural storytelling. Her most recent project, Éperdument (Madly) (2016), which included a three-channel video installation and a publication of short stories, investigates how a Corsican mythological figure has enlivened a contemporary sense of identity. She has exhibited at the Art Museum at the University of Toronto, the Ryerson Image Centre and the Art Gallery of Mississauga.

Meryl McMaster is a Canadian-based artist and photography graduate from the Ontario College of Art and Design. She was born and raised in Ottawa and is of Plains Cree/European decent. Her work explores questions of identity, representation, perception, myth, memory and the environment. Her distinct approach to photographic self-portraiture has been influenced by her experiences working in and exploring remote Canadian landscapes, as well as by contemplations over the complexities of her family heritage. Her solo exhibition Confluence (Curated by Heather Anderson and originating at Carleton University Art Gallery) is travelling to four more venues across Canada.

Deanna Pizzitelli is a Canadian photo-based artist and educator. She completed her BFA in Photography at Ryerson University, and her MFA at the University of Arizona. With an emphasis on the emotional landscape, Pizzitelli uses analogue processes to explore themes of fantasy, desire, longing and loss. Her practice is motivated by the act of travel, the visual residue of her many intersections with landscape, wildlife and culture. Pizzitelli's work was recently exhibited at AIPAD: The Photography Show, New York, and Paris Photo, 2017. She has attended residencies in Canada, Iceland and Portugal. She is represented by Stephen Bulger Gallery in Toronto.

 

About Scotiabank:
At Scotiabank, we aim to support organizations that are committed to helping young people reach their infinite potential. Young people are our future leaders and Scotiabank's goal is to help ensure that they have the necessary skills and resources they need to support their success. Together with our employees, the Bank supports causes at a grassroots level. Recognized as a leader for our charitable donations and philanthropic activities, in 2017, Scotiabank contributed more than $80 million to help our communities around the world.

Scotiabank is Canada's international bank and a leading financial services provider in North America, Latin America, the Caribbean and Central America, and Asia-Pacific. We are dedicated to helping our 24 million customers become better off through a broad range of advice, products and services, including personal and commercial banking, wealth management and private banking, corporate and investment banking, and capital markets. With a team of more than 89,000 employees and assets of over $923 billion (as at January 31, 2018), Scotiabank trades on the Toronto (TSX: BNS) and New York Exchanges (NYSE: BNS). For more information, please visit www.scotiabank.com and follow us on Twitter @Scotiabank.

 

About the Canadian Photography Institute:
The Canadian Photography Institute (CPI) of the National Gallery of Canada is a creative and innovative centre dedicated to sharing, collecting, and questioning photography in all its forms. It brings people and communities together at the museum, online, and around publications to see, appreciate, and study photography.

The Canadian Photography Institute was established in 2015 and officially launched in October 2016. Its collections build upon the National Gallery's Photographs Collection. The Institute benefits from the unprecedented support of CPI's Founding Partner Scotiabank, the Archive of Modern Conflict - the Gallery's partner, and the National Gallery of Canada Foundation. For more information, visit: gallery.ca/cpi and follow CPI @canadianphotoinstitute.

 

About the National Gallery of Canada:
The National Gallery of Canada is home to the most important collections of historical and contemporary Canadian art. The Gallery also maintains Canada's premier collection of European Art from the 14th to the 21st centuries, as well as important works of American, Asian and Indigenous Art and renowned international collections of prints, drawings and photographs. Created in 1880, the National Gallery of Canada has played a key role in Canadian culture for well over a century. Among its principal missions is to increase access to excellent works of art for all Canadians. For more information, visit gallery.ca and follow us on Twitter @NatGalleryCan.

 

About Onsite Gallery:
Onsite Gallery, the flagship professional gallery of OCAD University, offers powerful, thought-provoking exhibitions of art, design and digital media to stimulate conversations on critical issues facing Toronto and the world.

 

Image (left to right): Elisa Julia Gilmour, Meryl McMaster and Deanna Pizzitelli.

Venue & Address: 
Onsite Gallery (199 Richmond St. W.)
Email: 
onsite@ocadu.ca
Phone: 
416-977-6000 x456
Cost: 
Free
Elisa Julia Gilmour, Meryl McMaster and Deanna Pizzitelli

Daan Roosegaarde, Artist Talk

Landscapes of the Future

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