You're Welcome

Tuesday, November 6, 2018 - 11:00am to Saturday, December 15, 2018 - 5:00pm

A Space Gallery
401 Richmond St. West Suite 110
November 6th-December 9th, 2018

Opening reception: Friday, November 9th 6pm-8pm

The welcome mat, a rug that is placed on the ground in front of one's home, is repurposed by Indigenous artists, Jason Baerg, Ange Loft, Vanessa Dion Fletcher, and Logan MacDonald as a metaphorical device to innitate and locate narratives to place. For You're Welcome, the mat becomes the site of contemplation to address shared spaces, Indigenous presence, the colonial affect and personal/collective relationships to land. Each artist activates their mat as a means to contemplate and illustrate the discourse around land acknowledgement and protocols, which recognizes stewardship, ownership and hints of hospitality. 

Drawn from creative expression and curatorial practise bearing in mind mediative actions, Land is Where Your Feet Touch the Ground (#LIWYFTTG) is a curatorial investigation led by Ryan Rice to examine forms of visual literacy to place through lived experience and collective mappings. You're Welcome is framed as a tangible collective work developed for #LIWYFTTG and is about listening, lookinh, imagining and locating the stories the land will tell us through interpretations by Indigenous artists who navigate Tkaronto on a daily basis.

Communal Biography

Ange Loft, Jason Baerg, Logan MacDonald, Vanessa Dion Fletcher, and Ryan Rice are creative minds who embody the diversity Indigeneity offers. Individually and collectively, they activate and centre themselves on the land - in life, love, creation, and community. 

#LIWYFTTG is supported by the Toronto Arts Council with funding from the City of Toronto.

Venue & Address: 
A Space Gallery 401 Richmond St. West Suite 110
Close up shot of Porcupine Quills sticking out of a brown door mat

How to Breathe Forever

Wednesday, January 16, 2019 - 6:00pm to Sunday, April 14, 2019 - 5:00pm

How to Breathe Forever
January 16 to April 14, 2019

Mary Anne Barkhouse
Maryanne Casasanta
Li Xinmo
Qavavau Manumie
Pejvak (Rouzbeh Akhbari + Felix Kalmenson)
Naufus Ramírez-Figueroa
Ningiukulu Teevee
Flora Weistche

Curated by Lisa Deanne Smith


Free public reception
Wednesday, January 16
6 to 9 p.m.


How to Breathe Forever underlines the importance and interconnectedness of air, animals, land, plants and water. The belief that everything in the universe has a place and deserves equal respect is the core of this exhibition and positions our relations with others  ̶  including the ‘natural’ world  ̶  as active and reciprocal. The exhibition invites you to consider an expanded personhood that attentively collaborates and exchanges with living things. The exhibition brochure is available online here.


Onsite Gallery, OCAD University is happy to offer a free interactive guide for families and young visitors to creatively engage with our current contemporary art exhibition. Click here to learn more.


How to Breathe Forever

Free Public Events
Public events developed by Linda Columbus and Lisa Deanne Smith

  • Collaboration as Process
    Saturday, January 19 at 1 p.m.
    Panel talk with exhibiting artists Maryanne Casasanta, DaveandJenn and Pejvak (Rouzbeh Akhbari + Felix Kalmenson)
    Moderated by Lisa Deanne Smith
  • Take Care
    Wednesday, January 30 at 7 p.m.
    Workshop on plant-care and self-care, followed by a sound bath
    Featuring Darryl Cheng of House Plant Journal, curator/art historian Geneviève Wallen and Kristin Weckworth of Kiko Sounds
    Limited availability; registration required
    Tickets available on Onsite Gallery’s Facebook page as of Wednesday, January 9 at noon
  • Séance with Extinct Species of Birds
    Wednesday, February 13 at 7 p.m.
    Led by exhibiting artist Naufus Ramírez-Figueroa
    Limited availability; registration required
    Tickets available on Onsite Gallery’s Facebook page as of Wednesday, January 23 at noon
  • Exhibition Tour in Spanish
    Wednesday, February 27 at 1 p.m.
    Guided tour of the exhibition led by Karina Roman Justo, Visual and Critical Studies student at OCAD U
  • Urban Animal Ecology
    Wednesday, March 6 at 6:30 p.m.
    Exhibiting artist Mary Anne Barkhouse in conversation with nature filmmaker Susan Fleming
  • Exhibition Tour in Farsi
    Friday, March 22 at 1 p.m.
    Guided tour of the exhibition led by Setayesh Babaei, multidisciplinary artist and designer in her final year at OCAD U in Environmental Design
  • Stories That Connect Us
    Wednesday, April 3 at 6:30 p.m.
    Co-presented by Stories of Ours
    Storytellers share true stories inspired by the themes in the exhibition
    Featuring exhibiting artist Flora Weistche
    Other storytellers to be announced
  • Slow Art Day
    Saturday, April 6 from noon to 4 p.m.
    Every hour on the hour, one artwork in our exhibition will be selected for focused viewing
  • Exhibition Tour in Spanish
    Sunday, April 7 at 1 p.m.
    Guided tour of the exhibition led by Karina Roman Justo, Visual and Critical Studies student at OCAD U
  • Curator’s Tour and Neighbourhood Walk
    Saturday, April 13 at 2 p.m.
    Guided tour of the exhibition followed by a neighbourhood walk to meet local air, animals, land, plants and water


Artist Biographies

Mary Anne Barkhouse (Minden, Ontario)
Mary Anne Barkhouse was born in Vancouver, BC but has strong ties to both coasts, as her mother is from the Nimpkish band, Kwakiutl First Nation of Alert Bay, BC and her father is of German and British descent, from Nova Scotia. As a result of her personal and family experience with land and water stewardship, Barkhouse’s work examines ecological concerns and intersections of culture through the use of animal imagery. Inspired by issues surrounding empire and survival, Barkhouse creates installations that evoke consideration of the self as a response to history and environment. She currently resides in the Haliburton Highlands of Ontario.

Maryanne Casasanta (Toronto, Ontario)
Maryanne Casasanta is an artist educator working in photography, video and performance. Central to her practice is the relationship between art and home, and art and life. Often documented through photos or video, performances of light gestures and subtle interventions propose ways of transforming a routine experience, promoting an active immersion—and reconsideration of—small, ordinary events. Maryanne observes other areas of research such as, process-based learning and art making, co-creation, and movement, which she explores by working alongside artists across a number of fields. She has exhibited widely and her projects have been supported by the Ontario Arts Council and Toronto Arts Council. Maryanne earned a BFA from OCAD University (Integrated Media, 2005) and holds an MFA from the University of Guelph (2014). She is currently a Master of Education candidate in the Curriculum, Teaching and Learning program at the University of Toronto.

DaveandJenn (Calgary, Alberta)
DaveandJenn (David Foy and Jennifer Saleik) have collaborated since 2004. Foy was born in Edmonton, Alberta in 1982; Saleik in Velbert, Germany, in 1983. They graduated with distinction from the Alberta College of Art + Design in 2006, making their first appearance as DaveandJenn in the graduating exhibition. Experimenting with form and materials is an important aspect of their work, which includes painting, sculpture, installation, animation and digital video. Over the years, they have developed a method of painting dense, rich worlds in between multiple layers of resin, slowly building up their final image in a manner that is reminiscent of celluloid animation, collage and Victorian shadow boxes. They have been shortlisted for RBC’s Canadian Painting Competition (2006, 2009), awarded the Lieutenant Governor of Alberta’s Biennial Emerging Artist Award (2010) and longlisted for the Sobey Art Award (2011). Their work can be found in both private and public collections throughout North America, including the Royal Bank of Canada, the Alberta Foundation for the Arts, the Calgary Municipal Collection and the Art Gallery of Hamilton.

Li Xinmo (Beijing, Hebei)
Li Xinmo received her master’s degree from Tianjin Academy of Fine Arts in 2008 and is based in Beijing, China.  Xinmo works in a variety of media, including performance, painting, video, photography and installation. Her works have been exhibited in the Toronto Photo Biennial (Canada), Prague Art Biennial (Czech Republic), National Museums of World Culture (Sweden) and Female Museum (Germany) along with many other art museums and galleries in France, Italy, the US, Canada and Columbia.

Qavavau Manumie (Cape Dorset/ ᑭᙵᐃᑦ, Nunavut)
Qavavau Manumie is known for his intricate compositions in ink and coloured pencil, as well as his printmaking. His thematic concerns include depictions of Inuit legends and mythology, Arctic wildlife and illustrations of some of the more contemporary aspects of Inuit life. He is a master printmaker with the West Baffin Eskimo Cooperative specializing in lithography and stonecut. He enjoys the opportunity to demonstrate printmaking techniques to young artists and visitors to the studio. His work has been included in most Cape Dorset Print Collections from the mid-1990s onward. He travelled to Toronto in June of 2008 for his first solo exhibition of original drawings, and in 2009 to Vancouver for another exhibition featuring his contemporary work. He was invited to attend an opening of his work in Victoria in the fall of 2012. The artist lives with his wife and son in Cape Dorset.

PevjakRouzbeh Akhbari (Tehran, Iran/Toronto, Ontario) and Felix Kalmenson (St. Petersburg, Russia/Toronto, Ontario)
Pejvak (Rouzbeh Akhbari & Felix Kalmenson) is the long-term collaboration between Felix Kalmenson and Rouzbeh Akhbari. Through their multivalent, intuitive approach to research and living, they find themselves in a convergence and entanglement with like-minded collaborators, histories and various geographies.

Rouzbeh Akhbari is an artist working in video installation and film. His practice is research-driven and usually exists at the intersections of political economy, critical architecture, and planning. Through a delicate examination of the violences and intimacies that occur at the boundaries of lived experience and constructed histories, Akhbari uncovers the minutiae of power that organize and regiment the world around us.

Felix Kalmenson is an artist whose practice navigates installation, video and performance. Kalmenson’s work variably narrates the liminal space of a researcher’s and artist’s encounter with landscape and archive. By bearing witness to everyday life, and hardening the more fragile vestiges of private and collective histories through their work, Kalmenson gives themselves away to the cadence of a poem, always in flux.

Naufus Ramirez-Figueroa (Guatemala City, Guatemala)
Naufus Ramírez-Figueroa was born in Guatemala City in 1978. He received a BFA in Media Arts from Emily Carr Institute of Art and Design, Vancouver in 2006, and an MFA from the School of the Art Institute of Chicago in 2008. He was also a postgraduate researcher at Jan Van Eyck Academie, Maastricht, the Netherlands in 2013. Working in drawing, performance, sculpture, and video, Ramírez-Figueroa explores the entanglement of history and form through the lens of his own displacement during and following Guatemala’s civil war of 1960–96. He has had solo exhibitions at Casa de América, Madrid (2011); Akademie Schloss Solitude, Stuttgart (2011); Gasworks, London (2015); and CAPC musée d'art contemporain, Bordeaux (2017), and The New Museum, New York (2018). He has participated in the following group exhibitions: A History of Interventions, Tate Modern, London; Gwangju Biennial, South Korea (both in 2014); Lyon Biennial; The School of Nature and Principle, EFA Project Space, New York (both in 2015); São Paulo Biennial; and the Venice Biennale (2017). Ramírez-Figueroa lives and works in Berlin and Guatemala City.

Ningiukulu Teevee (Cape Dorset/ ᑭᙵᐃᑦ, Nunavut)
Born in Cape Dorset in 1963, Ningiukulu Teevee has become one of Kinngait Studios’ most celebrated artists and has established a reputation as one of the Canadian art world’s major figures. Ningiukulu is self-taught and works primarily with coloured pencils and ink. Her images are derived primarily from her comprehensive knowledge of Inuit folklore, which she combines with often humorous images of westernized contemporary life in Nunavut. Ningiukulu Teevee’s graphic drawings explore the relationship between abstraction and representation, particularly the interplay of patterns found in nature. Her work takes inspiration from traditional stories, as well as the changes she sees around her in contemporary Cape Dorset. She was shortlisted for a Governor General's award for her book Alego in 2009. Her drawings are found in many major collections including the McMichael Collection of Canadian Art, National Gallery of Canada, Art Gallery of Ontario, Winnipeg Art Gallery and others.

Flora Weistche (Waskaganish, Quebec)
After witnessing the devastating decline of woodland Caribou, the year Flora Weistche was born, her father decided to stop harvesting this relative. This decision would mark ways in which she would come to know interrelatedness throughout her life. Of Cree heritage, Flora Weistche grew up on and with the Land of Waskaganish. Her family’s last harvested Caribou hide inspired the rebirth of Weistche’s beading practice—one she had begun at the young age of three and yet laid to rest for some twenty years. She was moved to threading glass coloured beads, to share the messages gifted to her through dreams by her late Uuhkim Helen. By way of beading, Flora Weistche braids relations crossing generations reaching toward plant, animal and human relatives alike. Currently, while finalizing her studies in Human Environment, Weistche lives and works in Tiohtiá:ke / Montréal.


How to Breathe Forever is supported by the Canada Council for the Arts, the Ontario Arts Council and Nexus Investments.

Onsite Gallery acknowledges that the new gallery construction project is funded in part by the Government of Canada's Canada Cultural Spaces Fund at Canadian Heritage, the City of Toronto through a Section 37 agreement and Aspen Ridge Homes; with gallery furniture by Nienkämper. Onsite Gallery logo by Dean Martin Design.



Onsite Gallery is the flagship professional gallery of OCAD U and an experimental curatorial platform for art, design and new media. Visit our website for upcoming public events. The gallery is located at 199 Richmond St. W, Toronto, ON, M5V 0H4. Telephone: 416-977-6000, ext. 265. Opening hours are: Wednesdays from noon to 8 p.m.; Thursdays and Fridays from noon to 7 p.m.; Saturdays and Sundays from noon to 5 p.m. Free admission.


Image: Pejvak (Rouzbeh Akhbari + Felix Kalmenson), Weak Enough to Hear: A Deluge in Six Acts (still), 2019, video, 00:39 minutes, colour. Image courtesy of the artists.

Venue & Address: 
Onsite Gallery (199 Richmond St. W.)
416-977-6000 x265
Pejvak (Rouzbeh Akhbari + Felix Kalmenson), Weak Enough to Hear (still), 2018, video. Image courtesy of the artists.

"Smooshes, Slabs & Slices: Entanglements in Ceramic" by Pam Nelson

Monday, August 13, 2018 - 1:00pm to Monday, August 20, 2018 - 5:00pm

Smooshes, Slabs & Slices is a thesis exhibition of sculptural, ceramic-based assemblages that capture moments of transformation in progress. A raw material is made precious, a lump of solid clay is smooshed, a slab is in motion. Each object is fabricated in a bricolage manner of a collection of unlikely material actants, and transformed through digital and hand made processes. At a foundational level, these objects tell a story about physical forces exerted on materials, the results of which reference a range of geologically and culturally-entangled contexts around ideas of displacement, transformation, permanence and fragility. This practice-based research was created through a diffractive methodology which encourages method to emerge from meaning and vice versa.



Thursday, August 16, 6-9PM


Venue & Address: 
Graduate Gallery, 205 Richmond St. W
pam nelson thesis exhibition

Message in a Bottle

Saturday, July 21, 2018 - 4:00pm to Saturday, August 18, 2018 - 6:00pm

In Message in a Bottle, artists create hybrid arrangements out of materials that have been thoughtfully scavenged, collected and culled. These materials carry information and transmit messages as they traverse space, criss-cross time and shift context. Industrial, natural and domestic ephemera take on new forms, which reveal each artist’s considered regeneration of the material world.

Featuring artists: Erika Defreitas, Qendrim Hoti (OCAD U MFA alum), Ginette Legaré (OCAD U Professor), Laura Moore, Jennifer Murphy and Jacob Whibley (OCAD U alum).

Curated by Kristiina Lahde

July 21 – August 18, 2018

Opening reception: Saturday, July 21, 4 to 6 p.m.

Zalucky Contemporary, 3044 Dundas Street West, Toronto.

Venue & Address: 
Zalucky Contemporary, 3044 Dundas Street West, Toronto
Qendrim Hoti, Cafe Burri, 2018, Balkan style coffee pot, Canadian made screw driver handles, 7 x 17.8 x 5.7 cm

O-DAYS! CURATOR’S TOUR: Diagrams of Power

Image: Forensic Architecture, The Ayotzinapa Case: A Cartography of Violence (still), 2017. Video, 18 min. 24 sec
Wednesday, August 29, 2018 - 1:00pm to 2:00pm

As part of O-DAYS! 2018, new students are invited to join curator Patricio Dávila for an exhibition tour! Diagrams of Power showcases art and design works using data, diagrams, maps and visualizations as ways of challenging dominant narratives and supporting the resilience of marginalized communities.




Venue & Address: 
OCAD U Onsite Gallery, 199 Richmond St. West
416-977-6000, Ext. 4021
O-DAYS! 2018

face2face: postcard exhibition 2018

Tuesday, September 4, 2018 - 9:00am to Friday, September 14, 2018 - 4:00pm

The annual face2face: postcard exhibition, as part of O-DAYS! (OCAD University orientation) is a new student's opportunity to participate in their first on-campus undergraduate exhibition and to introduce themself to the OCAD U community.

Students create a self-portrait postcard to show us who they are. It could be a literal likeness or a metaphorical representation!

Whether it be drawing, painting, collage or photography, traditional or digital, students are encouraged to have fun and play around with the idea of self-image and how they would like to be seen.

Venue & Address: 
OCAD University Ada Slaight Gallery Level 2, 100 McCaul Street, Toronto
416-977-6000, Ext. 4021
banner face2face: postcard exhibition 2018

CALL FOR ENTRY: face2face postcard exhibition 2018

Friday, July 6, 2018 - 4:15pm to Monday, August 27, 2018 - 11:45pm

Are you a new undergraduate student who has accepted your offer to study at OCAD University, starting in September 2018? Congratulations!

The annual face2face: postcard exhibition is your opportunity to participate in your first on-campus undergraduate exhibition and to introduce yourself to the OCAD U community as part of O-DAYS! 2018.

HOW: Create a self-portrait postcard and show us who you are. Make it a literal likeness or a metaphorical representation! Draw, paint, collage, or photograph yourself. Or create it digitally. Have fun! Play around with the idea of your self-image and how you would like to be seen. Be modest, outrageous, fanciful, or elegant!

For more information and detailed instructions, visit

EARLYBIRD DEADLINE: Monday, July 16, 2018
FINAL DEADLINE: Monday, August 27, 2018

Venue & Address: 
100 McCaul Street, Toronto, ON
416-977-6000, Ext. 4021
face2face: postcard exhibition 2018

Dragon Tank

exhibition poster
Tuesday, August 21, 2018 - 12:00pm to Sunday, September 9, 2018 - 6:00pm

Inspired by the entrepreneurial television series’ Shark Tank and Dragons’ Den, Dragon Tank aims to reproduce the absurd products pitched within them. With humour in mind, the artworks will function as vestiges of the most needed and most useless consumer products. In a time when ridiculous and nonsensical has become the norm, we are critical of the enigmatic ‘North American Dream’ capitalism offers to consumers and entrepreneurs alike. And question who this ‘dream’ is really for, in the context of race, gender, sexuality, and class.

Dragon Tank price list

Opening Reception: August 23 @ 7-10


Venue & Address: 
165 Augusta Ave
Exhibition application

Diagrams of Power showcases the politics of data visualization

Thursday, June 21, 2018

Opening July 11, Onsite Gallery’s newest exhibition, Diagrams of Power,features art and design works that use data, diagrams, maps and visualizations to challenge dominant narratives and support the resilience of marginalized communities. 

The expansive exhibition features the work of eighteen prominent artists, designers, researchers, cartographers, activists and collectives: Joshua Akers, The Anti-Eviction Mapping Project, Josh Begley, Joseph Beuys, Vincent Brown, Bureau d'études, Department of Unusual Certainties, W. E. B. Du Bois, Estudio Teddy Cruz + Fonna Forman, Forensic Architecture, Iconoclasistas, Julie Mehretu, Lize Mogel, Ogimaa Mikana, Margaret Pearce, Laura Poitras, Philippe Rekacewicz and Visualizing Impact.

Curated by Patricio Dávila, Associate Professor in OCAD University’s Faculty of Design, the exhibition makes visible both ‘what’ gets represented, and ‘who’ is doing the representing. “Maps, diagrams and visualizations are both artifacts and processes — they are tools that tell a story,” said Dávila. “They create ways to bring people and objects together in the telling of that story, with the outcomes made available to be viewed and inspected, and also performed so they can be heard and felt. Each creator uses this mode to tell inconvenient stories that upset and resist the status quo.”

Diagrams of Power opens with a free, public reception on Wednesday, July 11 from 6 to 9 p.m., and continues through to the early morning of September 30, 2018, including the evening of Nuit Blanche Toronto (Saturday, September 29, 7 p.m. until 7 a.m. on Sunday, September 30). 

A complete list of participating creator biographies is available at

About Onsite Gallery
Onsite Gallery ( is the flagship professional gallery of OCAD University, and an experimental curatorial platform for art, design and new media. The gallery is located at 199 Richmond St. W, Toronto, ON. Telephone: 416-977-6000, ext. 265. Opening hours are: Wednesdays from noon to 8pm; Thursdays and Fridays from noon to 7pm; Saturdays and Sundays from noon to 5 pm.

Diagrams of Power is produced with the support of OCAD University's Faculty of Design Office, Public Visualization Lab, Multi Touch Digital, Microsoft and Nexus Investments.

Diagram of Power's public workshops and research engagement events are supported by the Social Sciences and Humanities Research Council of Canada.

Onsite Gallery gratefully acknowledges that the new gallery construction was funded in part by the Government of Canada's Canada Cultural Spaces Fund at Canadian Heritage, the City of Toronto through a Section 37 agreement and Aspen Ridge Homes. Gallery furniture was supplied by Nienkämper. The Onsite Gallery logo was created by Dean Martin Design.

About OCAD University (OCAD U)
OCAD University ( is Canada’s university of the imagination. Founded in 1876, the university is dedicated to art, design and digital media education, practice and research, and to knowledge and invention across a wide range of disciplines. 

Media inquiries:

Sarah Mulholland
OCAD U Communications
416-977-6000 x1327

Refiguring Worlds

Thursday, July 19, 2018 - 6:00pm to Saturday, August 25, 2018 - 5:00pm

Refiguring Worlds

Sarah Davidson, Brendan George Ko (OCAD U Photography alum), Ginette Legaré (OCAD U Professor), Maryse Larivière, Ed Pien

Curated by Rebecca Travis  

July 19 – August 25, 2018

Opening reception: Thursday, July 19 from 6 to 8 pm

BIRCH CONTEMPORARY, 129 Tecumseth Street, Toronto. 416.365.3003



While ‘knowing’ suggests a fixed, established set of facts, ‘curiosity’ alludes to a perceptive and evolving inquiry. It is an open curiosity about the world, our connection to it and to each other that feeds the works in this exhibition. The works in Refiguring Worlds are anchored with references to traditional systems for knowledge and understanding –taxonomies, categorisation, documentation – but use these points of familiarity as a means to venture to more surreal, freely unchartered realms. In the process, we are invited to undo what we think we know about objects and representations of the natural world, allowing for new material and ecological narratives to emerge.

Venue & Address: 
Birch Contemporary
Image of Sarah Davidson, the secret life of plants (detail), 2017.