Sculptural Felt International

Rocky surface
Sunday, September 7, 2014 - 4:00am to Saturday, November 29, 2014 - 5:00am

A traveling exhibition with work by Chung-Im Kim, Associate Professor, Material Art & Design

Featuring seven felt pieces by Chung-Im Kim and the works of twelve international artists from the USA, the Netherlands, Australia, Japan and Canada.  

Venue & Address: 
Traveling Exhibition Venues: Museum Nagele, The Netherlands, Sept 7 - Nov 23, 2014 Museum de Kantfabriek, The Netherlands, Jan 18 - Apr 12, 2015 Tamworth Regional Gallery, Australia, June 6 - July 18, 2015 Wollongang Art Gallery, Australia, Sept 5 - Nov 29, 2015
Cost: 
Free

Let's Get Lost - A Walking/Reading Group on the Dismantling of Subjects and Spaces

Tuesday, September 16, 2014 - 10:00pm to Wednesday, September 17, 2014 - 12:00am

Hosted by Scapegoat: Architecture/Landscape/Political Economy

Responding to the proposition that we ‘get rid of ourselves’, this biweekly walking/reading group explores the spatial construction of subjectivity. Discussions focus around selected articles that highlight the contradictory values of individual freedom and private property underpinning the principle of the autonomous modern subject, as they appear in our contemporary moment of neoliberalism.

The belief in the free, autonomous subject, which emerged with 19th century Liberalism, produced the two great modern subjects: the proletariat, a worker “freed” from his or her obligations to the land, and the bourgeois owner who controlled the means and sites of production. While in our contemporary period the clear distinction between these two subjects as been blurred, we call this moment Neoliberalism because it involves of a return to Liberalism’s core principles. Contemporary economies emphasize individual creativity and self-reliance, while at the same time privatizing all public assets. It is no wonder that in the face of this contemporary political landscape, we are exploring new ways of dismantling, dissolving and erasing the self.

The journal Scapegoat: Architecture/Landscape/Political Economy has been exploring these ideas for the past four years, through its first eight issues: Property, Service, Materialism, Realism, Currency, Excess, Mexico DF/NAFTA and Incarceration. The reading group, facilitated by Adrian Blackwell and Marcin Kedzior, will examine the relationship between subjectivity and space by reading texts that have appeared in Scapegoat. For the first hour of each meeting, we will walk in the city, discussing the readings in pairs (a technique modeled on the Walking / Reading Group on Participation developed in 2013 by Ania Bas and Simone Mair). For the second hour, we will assemble in the gallery on Adrian Blackwell’s sculpture Circles Describing Spheres to connect the initial conversations.

The group will meet at Onsite Gallery, 230 Richmond St. W. from 6-8pm, every second Tuesday: August 5, August 19, September 2, September 16. Meet at Onsite Gallery, 230 Richmond St. W. To register and receive the readings please email onsite@ocadu.ca

Readings:

August 5 - The Origins of Property in Liberal Individualism
Brett Neilson and Sandro Mezzadra, Fabrica Mundi: Producing the World by Drawing Borders
Shiri Pasternak, Property in Three Registers

August 19 - Precarious Actors of Neoliberal Urbanization
Irmgard Emmelhainz, The Mexican Neoliberal Conversion and Differentiated, Homogenous Lives
AbdouMaliq Simone, Water, Politics and Design in Jakarta

September 2 - Opened by the World
Georges Bataille, The Economy Equal to the Universe
Jane Bennett and Alexander Livingston, Philosophy in the Wild: Listening to Things in Baltimore
Jesse Boon, Kids on Buildings: Echos, Mirrors, and Ghosts

September 16 - Commonism, or Caring With Others
Wendy Jacob and Gina Badger, In the Presence of Another Being
Paige Sarlin, Vulnerable Accumulation: A Practical Guide
Isabelle Stengers and Erik Bordeleau, The Care of the Possible

The reading group will be facilitated by Scapegoat’s Adrian Blackwell and Marcin Kedzior.

Venue & Address: 
Onsite [at] OCAD 230 Richmond St. W. Street Level Toronto, Ontario
Website: 
http://www.ocadu.ca/onsite
Email: 
onsite@ocadu.ca
Phone: 
416-977-6000 Ext. 265
Cost: 
Free
Keywords: 

Getting Rid of Ourselves: Onsite Exhibition Tour with Paulette Phillips

Wednesday, September 24, 2014 - 10:30pm

Paulette Phillips is an artist and educator based in Toronto. Currently she is creating an archive of artist portraits using a polygraph, a camera and series of questions that frame the basis of self-representation.

Getting Rid of Ourselves presents artists and artistic collaborations whose work variously obscures, delegates, withdraws or in other ways complicates the conventional signs of authorship and identity. By questioning investments in art as proof of self-expression — through tactics of anonymity, collective agency, shared authorship, appropriated identities, delegated curating and art making, and financial speculation — works in the exhibition highlight how subjectivity has been treated as a form of living currency to exploit, market and sell to.

Venue & Address: 
Onsite [at] OCAD 230 Richmond St. W. Street Level Toronto, Ontario
Email: 
onsite@ocadu.ca
Phone: 
416-977-6000 Ext. 265
Cost: 
Free
Keywords: 

National Aboriginal Day celebrated at OCAD University

Monday, June 14, 2010 - 4:00am

(Toronto—June 14, 2010) OCAD University’s Aboriginal Visual Culture Program celebrates National Aboriginal Day with the launch of the exhibitions Passages: First Peoples at OCAD at the University, and Endaian at the McMichael Canadian Collection. The University will also hold Portage: A symposium on Aboriginal Visual Culture with guests Duke Redbird, Robert Houle and Susan Dion.

Passages: First Peoples at OCAD is presented in On Site at OCAD, and showcases the work of OCAD’s Indigenous alumni, faculty, students and staff. An opening ceremony and reception will take place in the Great Hall on National Aboriginal Day, Monday, June 21, from 7:30 to 9:30 p.m. The exhibition continues until July 2.

On June 22 from 2 to 4:30 p.m., Portage: A symposium on Aboriginal Visual Culture offers guests an opportunity to hear the first-hand accounts of artists and scholars who contributed to the reawakening of Aboriginal people and their culture in Canada. Portage speakers’ stories extend from the 1960s to the present and recount, from their unique perspectives, the key events in recent Aboriginal history — events that contributed to the emergence of a vibrant Aboriginal presence in the contemporary cultural scene. Speakers are Duke Redbird, poet, artist, actor, educator; Robert Houle, artist, curator, writer, educator; and Susan Dion, writer, educator. Portage takes place in the OCAD University Auditorium.

The exhibition Endaian (or “home” in Ojibwa) runs from June 19 to September 6, with an opening reception on Tuesday, June 22 from 7:30 to 9:30 p.m. The exhibit includes work by OCAD Aboriginal students Violet Chum, Erika A. Iserhoff, Meryl McMaster, Antoine Mountain and Lisa Myers, all of whom are responding to the work of the Group of Seven.

To learn more about OCAD’s Aboriginal Visual Culture Program, visit www.ocad.ca.

Portage Symposium Speaker Biographies:

Duke Redbird, poet, broadcaster, artist
During the sixties and seventies Duke Redbird was in the forefront of Aboriginal political organizations and was a prominent public speaker on Native issues, providing First Nations people in Canada with new, young and aggressive leadership. He was president of the Ontario Métis and Non-status Indian Association and director of their land claims research, as well as vice-president of the Native Council of Canada. A prominent broadcaster and poet, Duke has appeared in numerous film and video productions and spoken on Native issues both nationally and internationally. Duke Redbird received his M.A. in interdisciplinary studies at York University, Toronto in 1978. He currently serves as mentor/advisor in the Aboriginal Visual Culture Program at OCAD University.

Robert Houle, artist, curator, writer, educator
Robert Houle has exhibited his work internationally since the 1970s, at the Museum of Contemporary Art (Sydney), the Canadian Cultural Centre (Paris), the Stedelijk Museum (Amsterdam), and many others. In Canada, he has shown work at the National Gallery, the Art Gallery of Ontario, the Winnipeg Art Gallery, the Museum of Contemporary Canadian Art, Carleton University Art Gallery, and many more. His work is included in most major Canadian collections. Houle was the first Aboriginal curator of Indian Art at the National Museum of Man (now the Museum of Civilization) in Ottawa from 1977 to 1980 and co-curated the landmark exhibition Land, Spirit, Power at the National Gallery of Canada in 1992. Houle was the first Aboriginal faculty member at OCAD University, a position he held for fifteen years until 2005.

Susan Dion, scholar, educator
Susan Dion is an Aboriginal scholar who has been working in the field of education for 25 years. Her teaching and research focuses on understanding the relationship between Aboriginal and non-Aboriginal people in Canada. Dion’s research interests include the social and political contexts of education; disrupting memories of post-invasion First Nations - Canadian Relations; resistance strategies of Aboriginal adolescent girls; Aboriginal Women and the policy of forced assimilation and violence prevention in Aboriginal communities. Dion’s recently published book Braiding Histories: Learning from Aboriginal Peoples' Experiences and Perspectives proposes a new pedagogy for addressing Aboriginal subject material, shifting the focus from an essentializing or "othering" exploration of the attributes of Aboriginal peoples to a focus on historical experiences that inform our understanding of contemporary relationships between Aboriginal and non-Aboriginal peoples. Dr. Dion is a professor in the Faculty of Education at York University.

About OCAD University (OCADU)
OCAD University (www.ocad.ca) is Canada’s “University of the Imagination.” The University is dedicated to art and design education, practice and research and to knowledge and invention across a wide range of disciplines. OCAD University is building on its traditional, studio-based strengths, adding new approaches to learning that champion cross-disciplinary practice, collaboration and the integration of emerging technologies. In the Age of Imagination, OCAD University community members will be uniquely qualified to act as catalysts for the next advances in culture, technology and quality of life for all Canadians.

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For more information or to request images, contact:

Sarah Mulholland, Media & Communications Officer
416.977.6000 Ext. 327 (mobile Ext. 1327)

OCADU welcomes Nomadic Resident Adel Abdessemed

Monday, November 15, 2010 - 5:00am

Artist creates new work for Onsite [at] OCADU Gallery, gives free public talk

(Toronto — November 15, 2010) OCAD University's Faculty of Art and Onsite [at] OCADU gallery welcome contemporary artist Adel Abdessemed as the fifth participant in the Nomadic Residents program, from November 22 to 26. As part of his residency, Abdessemed will conduct workshops and critiques with undergraduate and graduate students, install his exhibition, and present a free public lecture on Thursday, November 25 at 8 p.m.

The residency dovetails with the artist's first solo exhibition in Canada, featuring the world premiere of The Future of Décor, a video commissioned by Onsite [at] OCADU, as well as the North American premiere of his video Rio (2010), recent sculptural works, and a site-specific installation. The exhibition launches during Abdessemed’s residency and continues until February 2011.

Born in Constantine, Algeria, in 1971 and educated at l’École nationale des Beaux-Arts (Lyon) and Cité Internationale des Arts (Paris), Adel Abdessemed exploded onto the international art scene in the mid-1990s as France’s most exciting artist in over a decade. His expansive practice incorporates drawing, video, ceramics, performance, installation and other media into a visual language that ranges from subtle and sentimental to bombastic and outrageous, often probing the awkward gap between what we believe to be good and what we know to be true. He has exhibited in solo and group exhibitions around the world, including at the 2007 and 2009 Venice Biennials, the Pompidou Centre in Paris, the Guangzhou Institute for Contemporary Art, P.S. 1, and MIT’s List Center for the Visual Arts. He is represented by David Zwirner and divides his time between New York, Paris, and Constantine.

“The Nomadic Residents program aims to enrich learning opportunities by supporting discussions around the interaction of art with ethics, social responsibility and freedom of expression,” explains Dr. Sara Diamond, President of OCAD University. “Abdessemed’s provocative works confront uncomfortable truths about ourselves that challenge us to think critically about humanity, diversity, culture and idealism, and his visit will offer a unique learning opportunity for our students.”

Nomadic Resident: Adel Abdessemed
Residency: November 22 to 26
Free public lecture: Thursday, November 25, 8 p.m.

OCAD University Auditorium, 100 McCaul Street, Toronto

Exhibition (Onsite [at] OCADU): Adel Abdessemed: The Future of Décor
November 26 to February 13, 2011
Reception: Friday, November 26, 7 to 10 p.m.
Curator’s Tour with Charles Reeve: Thursday, December 2, 6:30 p.m.

Onsite [at] OCADU
Level 2, 100 McCaul Street
416-977-6000 Ext. 265 | www.ocad.ca/onsite
Gallery hours: Tuesdays to Fridays, 11 a.m. to 7 p.m.;
Saturdays and Sundays, 12 to 6 p.m.

Nomadic Residents is generously supported by the Jack Weinbaum Family Foundation.

Abdessemed’s exhibition is generously supported by the Toronto Arts Council, culturesfrance and the French Consulate in Toronto.

All are welcome and all events are free, however lecture seating is limited and guests are advised to arrive early.

About the Artist:
Adel Abdessemed was born in Constantine, Algeria, in 1971. Graduating from high school in 1993, he hoped to study art in Algeria. However, this became impossible in a climate of intolerance that led to the assassination of intellectuals, judges, journalists and artists — including the director of the school where Abdessemed planned to attend. He then moved to France, where he studied at the École nationale des beaux-arts de Lyon and Cité internationale des arts (Paris) before moving to New York in 2000. The artist has recently returned to practice in Paris. Abdessemed has shown in solo and group exhibitions around the world, including at the 2007 and 2009 Venice Biennials, the Pompidou Centre in Paris, the Guangzhou Institute for Contemporary Art, P.S. 1 in New York, and the List Center for the Visual Arts at MIT. This fall, he will be featured in the Aichi Triennale 2010: Art and Cities, Aichi Arts Center in Nagoya, Aichi, Japan, and his exhibition Silent Warriors will run at Parasol Unit in London (UK) from September 22 to November 14. He is represented by David Zwirner Gallery in New York (www.davidzwirner.com).

About Nomadic Residents – International Residencies at OCADU
Nomadic Residents aims to inspire and influence the OCAD University community and the public by featuring artists and thinkers from around the world whose work questions issues such as travel, mobility, displacement, dislocation, and homelessness, as well as the speed or instability of modern life. In bringing these innovative and diverse individuals to take up temporary residence at OCADU, Nomadic Residents joins here to there, the local to the global and the provisional and the permanent.

Nomadic Residents was launched with the generously support by Partners in Art in 2006 with Rirkrit Tiravanija. Other residents include Ann Hamilton (2007) and ORLAN (2008) and Hal Foster (2009). The series continues with the generous support of the Jack Weinbaum Family Foundation.

About Onsite [at] OCADU
Formerly called “The Professional Gallery,” Onsite [at] OCADU (www.ocad.ca/onsite) was launched in 2007 with Rirkrit’s first solo exhibit in Canada. Since then, it has hosted solo and group shows featuring dozens of nationally and internationally significant contemporary artists and designers, enriching OCADU’s educational experience while helping to make this university an indispensable cultural resource for the region.

About OCAD University (OCADU)
OCAD University (www.ocad.ca) is Canada’s “University of the Imagination.” The University, founded in 1876, is dedicated to art and design education, practice and research and to knowledge and invention across a wide range of disciplines. OCAD University is building on its traditional, studio-based strengths, adding new approaches to learning that champion cross-disciplinary practice, collaboration and the integration of emerging technologies. In the Age of Imagination, OCAD University community members will be uniquely qualified to act as catalysts for the next advances in culture, technology and quality of life for all Canadians.

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For more information and images, contact:

Sarah Mulholland, Media & Communications Officer
416.977.6000 Ext. 327 (mobile Ext. 1327)

MADE HERE: Graven Feathers Residency Exhibition

Saturday, June 29, 2013 - 4:00am to Saturday, July 27, 2013 - 4:00am

Exhibition including work by IAMD Graduate Student Rawaa Bakhsh

Graven Feather is delighted to present an exhibition of new work developed and produced on site during it's recently established Artist Residency program. Emerging artist's Madelaine Lyons Cooper, Sarah Sands Phillips, Rawaa Bakhsh and Julie Pasila each visited and worked independently at Graven Feather over a period of 4 weeks during the winter and spring of 2013, using equipment in studio and frequently incorporating the use or integration of printmaking techniques and ideas into existing and familiar media.

While each of the artists arrived at Graven Feather separate from each other, certain commonalities can be identified and together create a sense of interwoven elements and relatedness within material and conceptual themes. Layering and Installation of form are strongly present, as is a sense of play, modular shift, and fluidity of texture.

Residencies are all about creating opportunities and making room. They incorporate learning, new environments, and create open time and space to encounter unfamiliar modes and methods. In studio with other artists and context, a nebulous combination of stimuli will inevitably generate associations, reconsiderations, and an evolution and integration of new ideas into practice. The addition of Artist Residencies is part of Graven Feather's initiative to widen its community and share artistic experiences.

Featuring:
Sarah Sands Philips
Madelaine Lyons Cooper
Rawaa Bakhsh
& Julie Pasila

Rawaa Bakhsh is currently a masters candidate at OCAD University in Interdisciplinary Art. She graduated from Jeddah in Saudi Arabia with a bachelors in Graphic Design. She recently finished a residency where she studied two forms of Arabic Caligraphy in Turkey.

 

www.gravenfeather.ca

 

 

Free

Venue & Address: 
Graven Feather 906 Queen St West Toronto, Ontario

Semblance: Even Better Than The Real Thing

Semblance: Even Better Than The Real Thing
Wednesday, July 31, 2013 - 4:00am to Monday, August 12, 2013 - 4:00am

Opeining Night: Thursday, Aug.1, 6 to 9 p.m.

Presented by Woman King Collective with OCAD U students and alumni

This multi-disciplinary exhibition looks at what hides beneath the surface & the stories that are told when a hidden truth is revealed.

Featured Artists:
Stella Cade
Marta Chudolinska
Betti Cott
Bev Hisey
Marianne Jette
Josie MacLachlan
Erin Mccutcheon
Elija Montgomery
Lauren Reed
Suharu Ogawa

and

Woman King Collective
Megan A. Skyvington
Ange-line Tetrault
Tara Lee Towers

Gallery Hours:
Weekday Hours: 5:30pm-9:00pm
Weekend Hours: 10:00am - 7:00pm

 

www.womankingcollective.com/

 

 

Free

Venue & Address: 
Bev Hisey Studio 1066 Dundas Street West Toronto, Ontario

LAND|SLIDE Possible Futures

Saturday, September 21, 2013 - 4:00am to Monday, October 14, 2013 - 4:00am

With OCAD U faculty Julie Nagam and alumna Lisa Myers

Land|Slide Possible Futures is a groundbreaking large-scale public art exhibition which responds to a world in transition where the past, present and future collide. The landscape of Markham will be transformed by the work of 30+ national and international artists to explore themes of multiculturalism, sustainability, and community. The site-specific artist projects are housed at the 25-acre, open-air Markham Museum from September 21 to October 14, 2013. Working with everything from digitized diaries, 3D projections and augmented reality, the artists will propose new histories and new futures for the use of land on this planet.

Possible Futures Panel Series

Programmed by Chloë Brushwood Rose, Jennifer Foster and Lisa Hosale
Location: Transportation Hall

The panel series brings together community stakeholders, local experts, and Land|Slide artists to debate and discuss the core themes of the exhibition and of possible futures in Markham. Each panel asks a small group of people to respond to a provocative question that is central to imagining a sustainable future.

Panel 1: September 22, 5-7pm
Identity, Culture, and Heritage in Rapidly Evolving Cities: Why does heritage matter in just and sustainable future?
Panelists:
Faisal Moola,
Director General (Ontario and Northern Canada) for the Suzuki Foundation and adjunct professor in the University of Toronto's Faculty of Forestry.

Lola Sheppard, Partner at Lateral Office, an experimental design practice that operates at the intersection of architecture, landscape, and urbanism, and Associate Professor at the University of Waterloo.

Julie Nagam, Land/Slide artist and Assistant Professor at OCAD, who explores a (re)mapping of the colonial state through creative interventions within concepts of native space.

Panel 2: September 29, 5-7pm
Possible Futures and Equitable Access to Food: How is hunger a sustainability issue?
Panelists:
Brenda Hsueh,
Owner and Operator of Black Sheep Farm, Community Supported Agriculture (CSA) vegetable farmer, and runs a local food procurement project for the City of Thunder Bay.

Valerie Tarasuk, professor at the University of Toronto in Nutritional Sciences, and Principal Investigator of PROOF, researching food insecurity and policy options.

Joan Stonehocker, Executive Director at York Region Food Network, which promotes food security through community gardens, kitchens, support programs for organizations and shelters, and many more programs in Markham and across the York Region.

Evelyn Encalada, Teacher, researcher, and founding member of Justicia/Justice for Migrant Workers, which works with seasonal agricultural migrant workers in Canada.

Panel 3: October 6, 5-7pm
Emerging Approaches to Sustainability in Art: What is the role of public art in sustainability?
Panelists:
Janine Marchessault,
Curator of Land|Slide: Possible Futures Exhibition and Professor of Film and Media Studies, York University

Paola Poletto, Artist and Curator, Oh Dear: Public Art That Unhinges North York's Sense of Modesty (2013).

Srimoyee Mitra, Curator of Contemporary Art, Art Gallery of Windsor

Catherine Sicot, Co-Curator, MAC/SAN (Museo de arte contemporáneo de San Agustin), La Lisa, Havana, Cuba and Director, Elegoa Cultural productions

 

647-833-0277

 

www.landslide-possiblefutures.com

madeleinecollective@gmail.com

 

Free

Venue & Address: 
Markham Museum 9350 Markham Road Markham, Ontario

Something Old, Something New

Chung-Im Kim, baekya detail
Wednesday, September 11, 2013 - 4:00am to Sunday, October 20, 2013 - 4:00am

Cheongju International Craft Biennale
Associate Professor Chung-Im Kim
Professor Chung-Im Kim is participating in the exhibition Something Old, Something New at Cheongju International Craft Biennale in Korea from Sept 11 to Oct 20, 2013. Her piece 'baekya' won the bronze award.

Venue & Address: 
Cheongju International Craft Biennale 314, Sangdang-ro Cheongju, Chungcheongbuk-do
Keywords: 

A Dream Within a Dream

Poster design by: Afsaneh Safari
Wednesday, October 16, 2013 - 4:00am to Sunday, October 20, 2013 - 4:00am

Opening Reception: Wednesday, October 16, 6 to 9 p.m.

Exhibition with works by Illustration instructor, Anson Liaw

Questioning the reality has been constantly the prominent issue of thinkers. Where do we draw the line between illusion and reality? What was collectively agreed or codified as the truth or reality might be fictive today. In fact, we see only pieces of what is considered to be the real matter. We still need more light to illuminate the ambiguities. There is a dialectical relation between reality and illusion, but illusion can be the unseen upcoming reality. In other words, reality may be merely an illusion as Albert Einstein said. Art can cast the light on reality through what counts as dreams or illusions. The meaning of art now is far beyond the “Mimesis” and artists have doubted the unquestionable bare truth that bears no interpretations. In a pluralistic world as we live in, an absolute truth is sceptical. Artists apply metaphor, allegory, and irony as a strong means of criticizing the defined, agreed, or even imposed reality and truth. As a matter of fact, they re-create the reality in a selective hermeneutical way and there is no such ultimate stable sense of reality in the world of art. In the current exhibition, the notion of reality which in a broad sense can be more of a fabrication in our world today is challenged and criticized by artists.

By Banafsheh Erfanian

Featured Artists:
Anson Liaw
Shoora Majedian
Afsaneh Safari
Firoozeh Tangestanian
Flavia López
Banafsheh Erfanian
Mehdi Dana
Navid Fard
Mahtab Abdollahi

Poster design by: Afsaneh Safari

 

416.535.6957

 

indexg.com/

mail@indexg.com

Free

Venue & Address: 
Gallery 50 (INDEXG gallery) 50 Gladstone Avenue Toronto, Ontario

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