Opening night crowds captivated by new exhibition at OCAD U’s Onsite Gallery

Among All These Tundras - Onsite Gallery
Thursday, September 19, 2019 - 4:15pm

A capacity crowd gathered to attend the opening of Onsite Gallery’s latest exhibition, ᐊᕙᑖᓂᑦ ᑕᒪᐃᓐᓂᑦ ᓄᓇᑐᐃᓐᓇᓂᑦ / Among All These Tundras. The exhibition, on until December 7, 2019, features contemporary art by twelve Indigenous artists from around the circumpolar world.

The exhibition was curated by Heather Igloliorte, University Research Chair in Indigenous Circumpolar Arts at Concordia University, Amy Dickson, emerging curator and doctoral student in the Art History program at Concordia University and Charissa von Harringa, a PhD Researcher in Art History at Concordia University.

Dr. Sara Diamond congratulated the artists and the curators, and welcomed special guests, curator Heather Igloliorte and Michèle THeriault, Director, Leonard and Bina Ellen Art gallery, Concordia University, who spoke at the opening.  

The enthusiastic crowds were particularly mesmerized by the live performance of artist Allison Akootchook Warden.

A varied series of free public events will take place during the duration of the exhibition including: a Spoken Word Performance & Writing Activity with Taqralik Partridge,

Curators’ Tour with Heather Igloliorte, Amy Dickson and Charissa von Harringa and  The Fifth Region Film Screening and Conversation.

Among All these Tundras was produced and circulated by: Leonard & Bina Ellen Art Gallery, Concordia University, with patron sponsorship by: Birch Hill Equity Partners
and supported by: Canada Council for the Arts, Conseil des arts et des lettres du Québec, Social Sciences and Humanities Research Council (Mobilizing Inuit Cultural Heritage), Initiative for Indigenous Futures and Nexus Investments.

Poster: 
Alison Akootchook Warden

Dr. Bonaventure Ndikung named first OCAD U International Curatorial Resident

Dr. Bonaventure Ndikung; photo by Abrie Fourie
Tuesday, July 23, 2019

After an extensive search of candidates internationally,OCAD University has selected Berlin-based curator and biotechnologist Bonaventure Soh Bejeng Ndikung, PhD, as the first curator of its International Curators Residency (ICR) program. The ambitious new program, supported with a grant from Partners in Art, will be the largest of its kind in Canada. The program will stimulate curatorial research and excellence through an original exhibition at OCAD U’s flagship professional gallery, Onsite Gallery. Curated by Dr. Ndikung, the exhibition will then travel internationally to promote Canadian creators abroad. The ICR program will also create educational opportunities for the OCAD U community and the public, introducing innovative curatorial methods while advancing cultural dialogue on contemporary curatorial practice. 

“We are delighted to announce the selection of Dr. Ndikung as OCAD U’s first curator of our exciting, new International Curatorial Residency,” said Dr. Sara Diamond, President and Vice-Chancellor, OCAD University. “The opportunity to interact closely with innovative international curators will enhance the learning experience for OCAD U students and our community, while heightening international awareness of Toronto as a vibrant contemporary art community. It will build opportunities abroad for Toronto artists. We must take our talent out to the world.”

Born in Yaoundé, Cameroon, Dr. Ndikung is an independent curator, author and biotechnologist, and is the founder and artistic director of SAVVY Contemporary Berlin. He was curator-at-large for Documenta 14 in Athens and Kassel, and guest curator of the 2018 Dak'Art Biennale in Senegal. Together with the Miracle Workers Collective, he is curator of the Finland Pavilion at the Venice Biennale in 2019. Dr. Ndikung is currently guest professor in curatorial studies and sound art at the Städelschule in Frankfurt; artistic director of the 12th Rencontres de Bamako, a biennale for African photography, 2019; as well as artistic director of Sonsbeek 2020, a quadrennial contemporary art exhibition in Arnhem, the Netherlands.

Dr. Ndikung was selected from a shortlist of five international curators by OCAD U’s Curatorial Advisory Committee to develop his project titled, “The Cochlea: Sonic by Nature,” which explores sonority and auditory phenomena in a world saturated with images. 

The three-phase program will begin in January 2020, with the arrival of Dr. Ndikung for his extended residency at OCAD U. The second phase will be the presentation of an original exhibition at Onsite Gallery in early 2022, curated by Dr. Ndikung. In the third phase, the exhibition will tour internationally to a venue that will be announced at the opening of the exhibition in Toronto. 

Partners in Art will support OCAD U on phases one and three. “We are thrilled to be supporting OCAD U in its first cultural residency program. Dr. Ndikung’s international experience and vision will be an incredible asset for Toronto’s multicultural landscape and will also help promote the work of Canadian artists globally,” said Antonella Vergati, Co-President of Partners in Art.  

While in Toronto, Dr. Ndikung will participate in multiple engagements that will include visits with OCAD U classes, local studios, artists and designers, as well as public talks and dialogue with multiple cultural leaders. The program will also include symposia, workshops and publications in order to support and extend scholarly knowledge on contemporary curatorial practices in art, design and new media. 

About OCAD University
OCAD University (www.ocadu.ca)is Canada’s university of the imagination. Founded in 1876, the university is dedicated to art, design and digital media education, practice and research, and to knowledge and invention across a wide range of disciplines. 

About Partners in Art
Partners in Art (PIA) is a volunteer-led charitable organization that funds contemporary art projects across Canada and around the world. Since 2002, the Toronto-based PIA has raised over $4.7 million and supported 80 projects. PIA collaborates with Canadian curators, arts organizations and museums to fund projects featuring contemporary artists with challenging works and thoughtful perspectives. For more information visit www.partnersinart.ca.

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For more information, please contact:

Natalie Pavlenko
Strategic Communications Officer, OCAD University
416-977-6000 Ext. 475
npavlenko@ocadu.ca

Photo: Abrie Fourie

ᐊᕙᑖᓂᑦ ᑕᒪᐃᓐᓂᑦ ᓄᓇᑐᐃᓐᓇᓂᑦ / Among All These Tundras

Wednesday, September 18, 2019 - 6:00pm to Saturday, December 7, 2019 - 5:00pm

ᐊᕙᑖᓂᑦ ᑕᒪᐃᓐᓂᑦ ᓄᓇᑐᐃᓐᓇᓂᑦ
Among All These Tundras

September 18 to December 7, 2019

Free public reception
With performance by Allison Akootchook Warden
Wednesday, September 18 from 6 to 9 p.m.

ᐊᓯᓐᓇᔭᖅ
asinnajaq
ᓛᑯᓗᒃ ᐅᐃᓕᐊᒻᓴᓐ ᐸᑦᑑᕆ
Laakkuluk Williamson Bathory
ᑲᕈᓚ ᑯᕋᕼᐊᓐ
Carola Grahn
ᒫᔾᔭ ᕼᐋᓕᓐᑐ ᐅᓇᓗ ᓵᒥ ᕕᓐᓚᓐᒥᐅᑕᖅ
Marja Helander
ᖃᑉᓗᓯᐊᖅ
Kablusiak
ᓵᓐᔭ ᑲᓕᕼᐅ-ᑰᒻᔅ
Sonya Kelliher-Combs
ᔪᐊᖅ ᓇᓐᑰ
Joar Nango
ᑕᕐᕋᓕᒃ ᐹᑐᔨ
Taqralik Partridge
ᐱᐅᓕ ᐸᑐ
Barry Pottle
ᐃᓅᑎᖅ ᓯᑐᐊᑦᔅ
Inuuteq Storch
ᑲᔨᓐ ᐸᓐ ᕼᐅᕕᓕᓐ
Couzyn van Heuvelen
ᐊᓕᓴᓐ ᐊᑰᑦᓲᒃ ᒍᐊᑕᓐ
Allison Akootchook Warden

ᑕᑯᔭᒐᖃᕐᕕᖕᒥ ᑲᒪᔨᑦ: Hᐃᑐ ᐃᒡᓗᓕᐅᖅᑎ, ᐋᐃᒥ ᑎᒃᓯᓐ ᐊᒻᒪᓗ ᓴᕆᓴ ᐹᓐ ᕼᐃᐅᓕᒐ
Curated by Heather Igloliorte, Amy Dickson and Charissa von Harringa

ᓴᕿᑕᐅᔪᖅ ᐊᒻᒪᓗ ᑐᓂᔭᐅᔪᖅ ᑖᒃᑯᓇᖓᑦ ᓕᓄᑦ ᐊᒻᒪᓗ ᐲᓇ ᐊᓕᓐ ᓴᓇᖕᖑᐊᖅᓯᒪᔪᓂᒃ ᑕᑯᔭᒐᖃᕐᕕᒃ, ᑳᓐᑯᑎᐊ ᐃᓕᓐᓂᐊᕐᕕᒃᔪᐊᖅ
Produced and circulated by the Leonard & Bina Ellen Art Gallery, Concordia University

ᐊᕙᑖᓂᑦ ᑕᒪᐃᓂᑦ ᓄᓇᑐᐃᓐᓇᓂᑦ, ᐊᑎᖓ ᐱᔭᐅᓯᒪᔪᖅ ᑕᐃᒎᓯᕐᒥᑦ “ᐊᖕᖏᕋᕋ ᐆᒻᒪᑎᓐᓃᑦᑐᖅ” ᑎᑎᕋᖅᓯᒪᔭᖓ ᓵᒥᒥᐅᑕᖅ ᓂᐅᔅ-ᐊᔅᓚᒃ ᕚᑭᐊᐹ, ᓴᕿᔮᖅᑎᑕᐅᔪᖅ ᓄᓇᖅᑲᖅᑳᖅᓯᒪᔪᑦ ᓴᓇᖕᖑᐊᖅᑎᖏᓐᓂᑦ ᓇᑭᑐᐃᓐᓇᖅ ᑲᔾᔨᐊᓂ ᓄᓇᕐᔪᐊᑉ ᐅᑭᐅᖅᑕᖅᑐᐊᓂ ᐅᑯᐊ ᓴᓇᔭᐅᔪᑦ ᐅᖃᐅᓯᑦ ᐊᒻᒪᓗ ᓂᕈᐊᖅᑕᐅᓯᒪᔪᓄᑦ ᐃᓄᖕᓄᑦ ᐅᖃᖅᓯᒪᔭᐅᔪᑦ ᒫᓐᓇ ᐅᑭᐅᖅᑕᖅᑐᖅ ᐃᓱᒫᓘᑎᒋᓪᓗᒍ ᑐᑭᓯᓇᖅᓯᑎᑕᐅᕙᓪᓕᐊᑎᓪᓗᒋᑦ ᓄᓇ, ᐅᖃᐅᓯᖅ, ᓄᓇᖃᖅᑐᑦ ᐊᒻᒪᓗ ᐅᒃᐱᕐᓂᖅᑖᑲᓐᓂᕐᓂᖅ. ᓴᓇᖑᐊᖅᑎᑦ ᓄᓇᖅᑲᖅᑳᖅᓯᒪᔪᑦ ᓄᓇᖏᓐᓂᑦ ᑕᒫᖓᑦ ᓄᓇᕐᔪᐊᑉ ᑲᔾᔨᐊᓂᑦ ᐅᑭᐅᖅᑕᖅᑐᖅ ᑐᓴᕐᑎᑦᑎᔪᑦ ᐃᒻᒪᑲᓪᓚᓂᑦ ᖃᓪᓗᓈᖑᖅᑎᑕᐅᓯᒪᒐᒥᒃ ᐊᒻᒪᓗ ᐊᑐᖅᓯᒪᔭᑎᒃ ᐳᐃᒍᓇᓐᖏᑦᑐᑦ ᐃᓅᓯᕆᓚᐅᖅᑕᒥᖕᓂᑦ, ᐊᒻᒪᓗ ᐊᑕᐅᓯᐅᓕᕐᓂᖅ ᓴᐳᒻᒥᓂᐊᕐᓗᒋᑦ ᐅᑭᐅᖅᑕᖅᑐᖅ ᐆᒪᔪᓕᒫᖏᑦ ᐊᕙᑎᓕᒫᖏᓪᓗ, ᐅᖃᐅᓯᖏᑦ, ᐃᓄᖏᑦ ᐊᒻᒪᓗ ᖃᐅᔨᒪᓂᖏᑦ ᑕᒫᖓᑦ ᐱᐅᓐᖏᑦᑐᐋᓗᖕᓂᑦ ᐊᒃᑐᖅᑕᐅᓂᖓᓄᑦ ᓯᓚ ᐅᖂᓯᓂᖓᓄ ᐊᓯᑦᔨᕐᓂᖓᓄᑦ, ᓄᓇᕐᔪᐊᖅ ᓄᓇᒥᑦ ᐲᔭᐃᔪᒪᔪᑦ, ᐱᕈᖅᑎᑦᑎᕙᓪᓕᐊᔪᑦ ᑲᓐᐸᓂᕐᔪᐊᓂᒃ, ᐊᒻᒪᓗ ᓄᓇᖃᑎᒌᓐᖏᑦᑐᕐᔪᐊᑦ ᓵᓚᒌᖃᑦᑕᐅᑎᒐᓱᐊᖅᑐᑦ. ᑲᑐᔾᔨᓗᑕ, ᐅᑯᐊ ᓴᓇᔭᐅᔪᑦ ᑕᑯᑎᑦᑎᕗᒍᑦ ᐃᓚᒌᒍᓯᖏᓐᓂᒃ ᐊᕙᑖᓂᑦ ᐊᒃᑐᒐᒃᓴᐅᔪᑦ ᐊᒻᒪᓗ ᑭᓱᓕᒫᑦᓯᐊᖏᑦ ᓄᓇᖅᑲᖅᑳᖅᓯᒪᔪᑦ ᖃᐅᔨᒪᓂᖏᑦ ᐊᑐᖅᑕᐅᓗᑎᒃ, ᓄᑖᓂᒃ ᐱᓕᕆᔾᔪᑎᖃᕐᓕᕐᓂᖅ ᐊᒻᒪᓗ ᓄᖑᑉᐸᓪᓕᐊᓂᖏᑦᑐᓂᒃ, ᑎᔅᓯᓇᖅᑐᑦ ᐊᒻᒪᓗ ᐊᑐᕐᓗᒍ ᐊᓐᓇᒍᓐᓇᕐᓂᖅ, ᐊᒻᒪᓗ ᑕᒪᑦᑕ ᑲᑐᑎᓗᑎᒍᑦ ᐱᔭᒃᓴᕆᔭᕗᑦ ᐅᑭᐅᖅᑕᖅᑐᑉ ᐃᓅᓯᖓ ᐊᒻᒪᓗ ᓄᓇᖓ.

Among All These Tundras, a title taken from the poem ‘My Home Is in My Heart’ by famed Sámi writer Nils-Aslak Valkeapää, features contemporary art by Indigenous artists from around the circumpolar world. Together, their works politically and poetically express current Arctic concerns towards land, language, sovereignty and resurgence. Artists from throughout the circumpolar north share kinship with each other and their ancestors, love for their homelands, and respect for the land and its inhabitants. Yet they also share histories of colonialism and experience its ongoing legacies and are united in their desire to protect northern ecologies, languages, peoples and knowledge from the nefarious effects of climate change, encroaching industry and competition. These resistance efforts do not merely express, they give shape to a collective ecology of care, a “decolonial love” (in the words of Leanne Simpson and others) that is both generous and generative. These works invite viewers to contemplate relationships between textual and embodied Indigenous knowledges, innovation and sustainability, humour and resilience, and our collective responsibility to northern life and land.

ᐃᓄᒃᑎᑑᓕᖅᑕᖏᑦ ᕉᑕ ᖃᔮᕐᔪᐊᖅ
Translation by Rhoda Kayakjuak


The exhibition brochure is available online here.

 

ᐊᕙᑖᓂᑦᑕᒪᐃᓐᓂᑦᓄᓇᑐᐃᓐᓇᓂᑦ Among All These Tundras at Esker Foundation from Esker Foundation on Vimeo.

 

Free Public Events

  • Spoken Word Performance & Writing Activity with Taqralik Partridge
    Saturday, September 21 at 2:00p.m.
    Co-presented with Wapatah: Centre for Indigenous Visual Knowledge
    Join Inuk artist, writer, curator, throatsinger, spoken word poet and Onsite Gallery exhibiting artist, Taqralik Partridge, for a spoken word performance and writing activity. The title of Onsite Gallery’s exhibition, ᐊᕙᑖᓂᑦ ᑕᒪᐃᓐᓂᑦ ᓄᓇᑐᐃᓐᓇᓂᑦ / Among All These Tundras, is taken from the poem ‘My Home Is in My Heart’ by famed Sámi writer Nils-Aslak Valkeapää. During this event, Taqralik will perform one of her spoken word pieces and then guide attendees in a writing activity inspired by a shared theme.
     
  • Curators’ Tour with Heather Igloliorte, Amy Dickson and Charissa von Harringa
    Friday, September 27 at 6:30p.m.
    Join Heather Igloliorte, Amy Dickson and Charissa von Harringa for a curatorial tour of ᐊᕙᑖᓂᑦ ᑕᒪᐃᓐᓂᑦ ᓄᓇᑐᐃᓐᓇᓂᑦ / Among All These Tundras.
     
  • Exhibition Tour with Ryan Rice
    Thursday, October 17 at 6:30p.m.
    Join Ryan Rice for a tour of ᐊᕙᑖᓂᑦ ᑕᒪᐃᓐᓂᑦ ᓄᓇᑐᐃᓐᓇᓂᑦ / Among All These Tundras. Ryan Rice, Kanien’kehá:ka, is an independent curator and the Associate Dean in the Faculty of Liberal Arts / School of Interdisciplinary Studies at OCAD University, Toronto.
     
  • imagineNATIVE Art Crawl
    Thursday, October 24 from 5:15 to 5:50 p.m.
    Co-presented with imagineNATIVE Media + Arts Festival
    This year's Art Crawl kicks off at Onsite Gallery, with a visit of ᐊᕙᑖᓂᑦ ᑕᒪᐃᓐᓂᑦ ᓄᓇᑐᐃᓐᓇᓂᑦ / Among All These Tundras. The Art Crawl continues in the historic 401 Richmond building and will end at the Canadian Filmmakers Distribution Centre at 8:30 p.m.
     
  • Exhibition Tour with Peter Morin
    Thursday, November 14 at 6:30 p.m.
    Join Peter Morin for a tour of ᐊᕙᑖᓂᑦ ᑕᒪᐃᓐᓂᑦ ᓄᓇᑐᐃᓐᓇᓂᑦ / Among All These Tundras. Peter Morin is a Tahltan Nation artist and curator. Throughout his artistic practice, Morin investigates the impact zones that occur when Indigenous practices collide with Western-settler colonialism.
     
  • The Fifth Region Film Screening and Conversation
    Wednesday, November 20 at 6:30 p.m.
    Nancy and Joshua are Inuit but raised in southern Canada. All their lives they struggled with aspects of their identities and now begin to redefine what is means to be a young urban Inuk growing up under the shadow of the Sixties Scoop and the residential school system. Join us for a screening of the documentary film, The Fifth Region, followed by a conversation with filmmaker Aeyliya Husain and lead participants Nancy Saunders and Joshua Stribbell.
     
  • Inuit Art On-Line
    Thursday, November 28 from 5:30 to 8:30 p.m.
    Co-presented with Wapatah: Centre for Indigenous Visual Knowledge
    This public symposium will convene a panel of Inuit artists and scholars to discuss the role and importance of materiality in the creation and presentation of Inuit art. Visit Onsite Gallery’s webpage for a list of confirmed speakers.
     
  • Indigenous Collections Edit-a-Thon
    Friday, December 13 from 2:30 to 5:30 p.m.
    Co-presented with Wapatah: Centre for Indigenous Visual Knowledge
    Following a knowledge crowdsourcing model popularized by Wikipedia, this event will bring together communities of Indigenous cultural and collection specialists from across North America to begin shaping and populating content within the Virtual Platform for Indigenous Art.
     

 

Curator Biographies

Dr. Heather Igloliorte is the University Research Chair in Indigenous Circumpolar Arts at Concordia University in Tiohtiá:ke/Montreal, where she also leads the Inuit Futures in Arts Leadership SSHRC Partnership Grant and Co-Directs the Initiative for Indigenous Futures Cluster (IIF) in the Milieux Institute for Arts, Culture and Technology with Professor Jason Edward Lewis. Igloliorte currently serves as the Co-Chair of the Indigenous Circle for the Winnipeg Art Gallery, working on the development of the new national Inuit Art Centre; on the Board of Directors for North America's largest Indigenous art historical association, the Native North American Art Studies Association; is Vice-President of the Inuit Art Foundation; and sits on the Faculty Council of the Otsego Institute for Native American Art History at the Fenimore Art Museum in Cooperstown, New York, among others.

Amy Dickson is an emerging curator and doctoral student in the Art History program at Concordia University. Her research focuses on the practice of Inuit artists within urban spaces and the role of art in the construction of place. Amy holds a BA and an MA in Art History, both from Carleton University. Her writing has been featured in Inuit Art Quarterly and esse arts + opinions.

Charissa von Harringa is a PhD Researcher in Art History at Concordia University in Montreal, Quebec. She holds a B.A. in Anthropology from New York University (2007) and an M.A. in Art History from Concordia University (2016). Von Harringa’s academic area of focus lies at the intersection of several fields including Circumpolar, Indigenous, Memory and Performance Studies. Through her doctoral work she examines the media-based practices, archival dispositions, and networked agencies of pan-Inuit and Sámi artists. These are analyzed as they engage past and present Arctic discourse, elaborate new functions of tradition and modernity, and clarify the ever-evolving nexus of theory and practice in contemporary art towards sovereign ends. She has several published essays and reviews in Inuit Art Quarterly and RACAR: revue d'art canadienne / Canadian Art Review, among others.

Artist Biographies

asinnajaq
Inukjuak, Nunavik and Montreal, Quebec

asinnajaq is an Inuit artist from Inukjuak, Nunavik. Her film, Three Thousand (2017), blends archival footage with animation to imagine her home community of Inukjuak from the past into the future. Three Thousand won Best Experimental film at the 2017 imagiNATIVE media arts festival, and was nominated for Best Short Documentary at the 2018 Canadian Screen Awards. She is a laureate of the REVEAL Indigenous Art Award in 2017 and the Toronto Film Critics Association’s Technicolour Clyde Gilmour Award in 2018. She is one of the curators of Tillitarniit, a three-day festival in Montreal which celebrates Inuit culture. asinnajaq was apart of the curatorial team that worked with Isuma on their representation of Canada at the 2019 Venice Biennial. She is also be on the curatorial team working on the inaugural exhibition of the Inuit Art Center opening in 2020.

Laakkuluk Williamson Bathory
Iqaluit, Nunavut

Laakkuluk Williamson Bathory is an artist that applies her study of uaajeerneq (Greenlandic mask dancing) and understandings of Inuit philosophies into many genres, from performance art and theatre to writing and curatorial work. Co-winner of the 2018 Dora Award for most outstanding play and of the inaugural Kenojuaq Ashevak Memorial Award from the Inuit Art Foundation, Laakkuluk is the first Artistic Director of Qaggiavuut, a nonprofit society in Nunavut supporting Inuit artists and advocating for a Nunavut performing arts centre. Laakkuluk lives in Iqaluit with her husband and three children.

Kablusiak
Mohkinstsis (Calgary), Alberta

Kablusiak is an Inuvialuk artist and curator based in Mohkinstsis and holds a BFA in Drawing from the Alberta University of the Arts. They are represented by Jarvis Hall Gallery, and their work has been acquired by public and private collections across so-called Canada. Kablusiak is a board member of Stride Gallery (2016-present). Awards include the Alberta Foundation for the Arts Young Artist Prize (2017) and the Primary Colours Emerging Artist Award (2018). A multi-disciplinary artist, they imbue a variety of mediums with their trademark ironic humour to address cultural displacement. The light-hearted nature of their practice extends gestures of empathy and solidarity; these interests invite a reconsideration of the perceptions of contemporary Indigeneity. Kablusiak, along with three Inuit curators, will be creating the inaugural exhibition of the new Inuit Art Centre in 2020, and they are shortlisted for the 2019 Sobey Art Award, representing the Prairies and the North.

Carola Grahn
Malmö, Sweden and Kittelfjäll, Sápmi

Carola Grahn is a Sámi visual artist based out Malmö, Sweden and Kittelfjäll in Sápmi. Grahn works primarily with materializations of text, installation strategies and sculptural media. Her affective text- and sound-based sculptural installations lend poetic dialogue to the contexts of place, labour, and identity that are attuned to the slippages of language and representation in art while complicating cultural and gendered social constructions of the North. Carola is an internationally-known artist in northern Scandinavia and abroad, whose work has been shown at Southbank Centre, 2017 (London, UK), Carleton University Art Gallery, 2017 (Ottawa), Art Gallery of Southwestern Manitoba, 2017 (Brandon), Office of Contemporary Art Norway, 2017, Tråante, 2017 (Nor), Havremagasinet, 2016 (Sweden), Art Centre KulttuuriKauppila, 2016 (Fin), Bildmuseet, Umeå (Swe), 2014, Galleri Jinsuni, Seoul, 2014 (South Korea) amongst other places. Grahn has been the guest editor of Hjärnstorm magazine 2017, she has written for Afterall (2017) and published the conceptual novel Lo & Professorn (2013). Grahn’s work is also represented in the Swedish Art Council’s collection.

Marja Helander
Utsjok and Helsinki, Finland

Marja Helander is a video artist and photographer based in Utsjok and Helsinki, Finland. Her multi-media practice draws from her Sámi and Finnish ancestry. Helander explores themes related to femininity, identity and the tension between traditional Sámi ways of life and modern Finnish society. Her recent work concentrates on post-colonial topics among Sámi including industry and resource extraction in the North with photography and video art that feature the Northern landscape and Sami issues of modernity through a tragicomic lens. Although originally trained as a painter, Helander decided to pursue her interest in photography, graduating from the University of Art and Design in Helsinki in 1999. Since then she has presented works in solo and group exhibitions both in Finland and abroad, with many shows in northern Scandinavia, Canada, South Africa, and Mali. Her video work Dolastallat won the Kent Monkman award at imagineNATIVE Film + Media Arts Festival in Toronto, 2016. In 2017, Helander was chosen as the Finnish Cultural Institute in New York’s artist-in-residency. Her recent short, Birds in the Earth won Risto Jarva Prize and the Main Prize in the National Competition in the Tampere Film Festival 2018 in Finland. Helander´s works are also included in collections in several Scandinavian museums and in the National Gallery of Canada. Helander has also made a public artwork So Everything Flourishesfor the Sámi Cultural Centre Sajos, in Inari.

Sonya Kelliher-Combs
Nome, Alaska

Sonya Kelliher-Combs is an Iñupiaq and Athabascan artist from the Alaskan community of Nome. Through her mixed media painting and sculpture, Kelliher-Combs offers a chronicle of the ongoing struggle for self-definition and identity in the Alaskan context. Her combination of shared iconography with intensely personal imagery demonstrates the generative power that each vocabulary has over the other. Similarly, her use of synthetic, organic, traditional and modern materials dissolves binaries of Western/Native culture, self/other and man/nature, to examine their interrelationships and interdependence while also questioning accepted notions of beauty. Kelliher-Combs’s work has been shown in numerous individual and group exhibitions, including the national exhibition Changing Hands 2: Art without Reservation and the inaugural Sakahàn quinquennial of Indigenous art at the National Gallery of Canada in 2013. Recent exhibitions include Hide: Skin as Material and Metaphor at the National Museum of American Indian Art in 2010 and the traveling exhibition THIS IS DISPLACEMENT: Native Artists Consider the Relationship Between Land and Identity in 2011.

Joar Nango
Alta and Tromsø, Norway

Joar Nango is a Sámi and Norwegian architect and visual artist, born in Alta, Norway, and who currently lives and works in Tromsø, Norway. His varied practices often involve site-specific performances and structural installations which explore the intersection of architecture and visual art, drawing from both his Sámi heritage and Western culture. Nango is a co-founder of the architecture collective FFB, who create temporary installations in urban settings. He has exhibited in Canada at Western Front (Vancouver, 2014) and Gallery 44 (Toronto, 2016) and internationally at 43SNA, Medellin (Colombia, 2013), and the Norwegian Sculpture Biennale at Vigelandsmuseet (Oslo, Norway, 2013). One of his recent projects was European Everything (2017) at Documenta 14 in Athens and Kassel, an extensive installation and performance which involved collaborations with Sámi and European artists, writers, poets and musicians.

Taqralik Partridge
Kuujjuaq, Nunavik

Taqralik Partridge is an Inuk artist, writer, curator, throatsinger, and spoken word poet. She is originally from Kuujjuaq in Nunavik, although she now splits her time between Canada and Kautokeino in northern Sápmi. Partridge’s writing focuses on both life in the north and on the experiences of Inuit living in the south. Partridge co-founded the Tusarniq festival held in Montreal. Her performance work has been featured on CBC radio one and she has toured with the Montreal Symphony Orchestra. Partridge has also worked as Director of Communications for the Avataq Cultural Institute. In 2010, her short story Igloolik won first prize in the Quebec Writing Competition and the same year she was a featured artist onstage at the 2010 Olympics in Vancouver. In 2018, Partridge was named as a finalist for the CBC Short Story Prize. Partridge is Editor-at-Large for the Inuit Art Quarterly. Her work will be featured as an official selection at the Sydney Biennale in Sydney, Australia in 2020.

Barry Pottle
Rigolet, Nunatsiavut and Ottawa, Ontario

Barry Pottle is an Inuk artist from Nunatsiavut in Labrador (Rigolet), now living in Ottawa, Ontario. He has worked with the Indigenous arts community for many years particularly in the city of Ottawa. Barry has always been interested in photography as a medium of artistic expression and as a way of exploring the world around him. Living in Ottawa, which has the largest urban population of Inuit outside the North, Barry has been able to stay connected to the greater Inuit community. Through the camera’s len, Barry showcases the uniqueness of this community. Whether it is at a cultural gathering, family outings or the solitude of nature that photography allows, he captures the essence of Inuit life in Ottawa. From a regional perspective, living in the Nation’s Capital allows him to travel throughout the valley and beyond to explore and photograph people, places and events, as well as articulate and interrogate the emergent identity of an “urban Inuk.” His projects have included the “Foodland Security”series which highlights the importance of access to country food in urban communities and the “Awareness” series which documents the history of the Eskimo ID tags and the elders who wore them. Mostly self-taught, his work is rooted in photojournalism. His work can be seen in the collections of the National Gallery of Canada, the Canadian Museum of History, and Indigenous and Northern Affairs Canada.

Inuuteq Storch
Sisimiut, Greenland and Copenhagen, Denmark

Inuuteq Storch is a Kalaallit visual artist, photographer, musician and author based in Copenhagen, Denmark and Sisimiut, Greenland. Storch received his photography certifications from the International Center of Photography in New York in 2016, and at Fatamorgana in Copenhagen in 2011. The artist’s practice in photography, film, video, music and installation, incorporates archival and contemporary images to comment on colonialism and the present day impacts and realities of modernization on Greenlandic communities. He is the author of Porcelain Souls (2018), a collection of family photos and letters from Greenland in the 1960s, and anticipates a forthcoming publication this December. Storch has participated in several festivals and major international solo and group exhibitions including: Old Films of the New Tale (Sisimiut Culture House, Greenland, 2017) and Run Away For Mother Earth (Katuaq, Nuuk Culture house, 2012). His group shows include Chirts & Cloves (Nuuk Kunst Museum and Sisimiut Culture House, 2018), Notas Al Futuro (Espacio El Pasajero, Bogota, Colombia, 2017), and the Pop Up Archive Exhibition, MANA (New Jersey, 2017).

Couzyn van Heuvelen
Iqaluit, Nunavut and Toronto, Ontario

Couzyn van Heuvelen is an Inuit artist born in Iqaluit but who has lived most of his life in Southern Ontario. His artistic practice blends modern fabrication techniques with Inuit tradition to create “hybrid” objects that explore both cultural tensions and synchronicities. Van Heuvelen holds a BFA from York University and an MFA from NSCAD University. His work has been included in several group exhibitions across Canada. Recently, van Heuvelen created an aluminum qamutiik sculpture at the Southway Inn in Ottawa, Ontario for the Lost Stories Project commemorating the historical significance of the hotel being a landing point for Inuit traveling south for school, employment and medical care. In 2017, van Heuvelen was chosen as the Sheridan College Temporary Contemporary Artist in Residence and the subsequent work, Nitsiit (2017) was featured at Sheridan’s Hazel McCallion Campus in Mississauga.

Allison Akootchook Warden
Kaktovik and Fairbanks, Alaska

Allison Warden is an Iñupiaq interdisciplinary visual and performance artist who raps under the name AKU-MATU. She was born in Fairbanks, Alaska with close ties to Kaktovik, Alaska and is now based in Anchorage. Warden’s practice weaves together Iñupiaq narratives and traditions from the past, present, and imagined futures. She is the creator of one-woman show, “Calling All Polar Bears” which in 2011 was part of a National Performance Network residency. Her most recent work is Unipkaaġusiksuġuvik (the place of the future/ancient) at the Anchorage Museum in Alaska in 2016, featured an extensive performative installation piece in which she was present in the gallery for 390 hours over two months. As AKU-MATU, she performed at the Riddu Riddu Music Festival in 2018 as part of the Inuit Circumpolar Hip-Hop Collaboration. In 2018, Warden was awarded the Rasmuson Individual Artist Fellowship in the new genre category.

 

Produced and circulated by: Leonard & Bina Ellen Art Gallery, Concordia University
Patron Sponsor: Birch Hill Equity Partners
Supported by: Canada Council for the Arts, Conseil des arts et des lettres du Québec, Social Sciences and Humanities Research Council (Mobilizing Inuit Cultural Heritage), Initiative for Indigenous Futures and Nexus Investments

 

Onsite Gallery is the flagship professional gallery of OCAD U and an experimental curatorial platform for art, design and new media. Visit our website for upcoming public events. The gallery is located at 199 Richmond St. W, Toronto, ON, M5V 0H4. Telephone: 416-977-6000, ext. 265. Opening hours are: Wednesdays to Fridays from noon to 7 p.m.; Saturdays from noon to 5 p.m. Free admission.

Onsite Gallery acknowledges that the new gallery construction project is funded in part by the Government of Canada's Canada Cultural Spaces Fund at Canadian Heritage, the City of Toronto through a Section 37 agreement and Aspen Ridge Homes; with gallery furniture by Nienkämper. Onsite Gallery logo by Dean Martin Design.

 

Image: Marja Helander, Dolastallat (To have a campfire), 2016. Video still. Video, colour, sound, 5 min. 48 sec.

Venue & Address: 
Onsite Gallery (199 Richmond St. West)
Email: 
onsite@ocadu.ca
Phone: 
416-977-6000 x265
Cost: 
Free
Image: Marja Helander, Dolastallat (To have a campfire), 2016. Video still. Courtesy of the artist.

Imago Mundi — Great and North

Wednesday, October 24, 2018 - 7:00pm to Sunday, December 16, 2018 - 5:00pm

Imago Mundi — Great and North
October 24 to December 16, 2018

 

Public opening reception

Wednesday, October 24, 2018
7 to 9 p.m.

 

This comprehensive exhibition features works by 760 artists from across Canada, including Inuit and Indigenous artists from Turtle Island. The exhibition brochure is available online here.

Imago Mundi — Great and North

 

Installation designed by architect Tobia Scarpa
Documentary video by Laurie Kwasnik

Francesca Valente, Lead Curator of the exhibition, has selected artists from Central and Eastern Canada working in several disciplines: painting, sculpture, architecture, design, cinema, music and literature. Among the featured artists are: Rebecca Belmore, Edward Burtynsky, Douglas Cardinal, Jack Diamond, Robert Houle, Moshe Safdie, Andrew Jones, Mary Pratt, Michael Snow, Margaret Atwood.

Jennifer Karch Verzè curated contemporary Western Canadian, Inuit, and Indigenous artists from Canada and the United States.

 

It is a simple and powerful idea: to concentrate an enormous scope of vision – the work of almost 800 artists of various disciplines from across the vast territory of North America, including Canada’s far north – into a space one can hold in the palm of a hand. Painters, sculptors, photographers, architects and writers, each with their own vision and intent, working in mediums as varied and intimate as rose petals and sealskin, each creating a work on a canvas of 10 x 12 cm: that is the exhibition Imago Mundi Great and North, illuminating how such a diversity of landscape and practitioner can create an intriguing and inventive whole. It is affecting to witness the scope of the exhibit – the sheer number of works – and the intimacy of each canvas. Here almost 800 people have left their mark, a statement in their own hand, the size of a hand. It is a reminder of how various and vulnerable we are, a reminder in this agitated world of what it means to concentrate one’s full attention on the smallest detail. Great and North is part of an ongoing project that has been collecting these small works – all identical in size – from across the globe. It is a remarkable venture, and it is the grandeur of its ambition coupled with the humbleness of the size of each work that so slyly demonstrates the dual truth of human scale – both our reach and our mortality. Art imagines beyond the self, to something undeniably universal. It also says, poignantly, like these small canvases, “here I am”.

- Anne Michaels

 

Imago Mundi is about Art and the World without borders — a democratic, collective and global map-in-the-making of human culutres at the start of the third millenium — as envisioned by Luciano Benetton, art patron and creator of United Colors of Benetton. With a single format, 10 x 12 cm, the entire international Imago Mundi collection brings together artists from every continent: to date, more than 25,000 from over 150 countries.

 

Onsite Gallery is the flagship professional gallery of OCAD U and an experimental curatorial platform for art, design and new media. Visit our website for upcoming public events. The gallery is located at 199 Richmond St. W, Toronto, ON, M5V 0H4. Telephone: 416-977-6000, ext. 265. Opening hours are: Wednesdays from noon to 8 p.m.; Thursdays and Fridays from noon to 7 p.m.; Saturdays and Sundays from noon to 5 p.m. Free admission.

 

Onsite Gallery gratefully acknowledges that the new gallery construction project is funded in part by the Government of Canada's Canada Cultural Spaces Fund at Canadian Heritage, the City of Toronto through a Section 37 agreement and Aspen Ridge Homes; with gallery furniture by Nienkämper. Onsite Gallery logo by Dean Martin Design.

 

Image: Meryl McMaster, Wayfinding, 2015, mixed media, 10 x 12 cm. Courtesy of the Luciano Benetton Collection.

Venue & Address: 
Onsite Gallery (199 Richmond St. W.)
Email: 
onsite@ocadu.ca
Phone: 
416-977-6000 x456
Cost: 
Free
Imago Mundi

Exhibition Tour with Peter Morin

Thursday, November 14, 2019 - 6:30pm

Exhibition Tour with Peter Morin
Thursday, November 14, 2019
6:30 p.m.

Onsite Gallery
199 Richmond St. West

Free event as part of Onsite Gallery's public event program for ᐊᕙᑖᓂᑦ ᑕᒪᐃᓐᓂᑦ ᓄᓇᑐᐃᓐᓇᓂᑦ / Among All These Tundras.


Join Peter Morin for an exhibition tour of ᐊᕙᑖᓂᑦ ᑕᒪᐃᓐᓂᑦ ᓄᓇᑐᐃᓐᓇᓂᑦ / Among All These Tundras, a group exhibition that features contemporary art by Indigenous artists from around the circumpolar world.

Peter Morin is a Tahltan Nation artist and curator. Throughout his artistic practice, Morin investigates the impact zones that occur when Indigenous practices collide with Western-settler colonialism. Morin’s artworks are shaped, and reshaped, by Tahltan epistemological production and often take on the form of performance interventions. Morin’s practice has spanned twenty years so far, with exhibitions in London, Berlin, Singapore, and New Zealand, as well as across Canada and the United States. In addition to his exhibition history, Morin has curated exhibitions for the Museum of Anthropology, Western Front, Bill Reid Gallery, and Burnaby Art Gallery. He was longlisted for the Brink and Sobey Awards, in 2013 and 2014, respectively. In 2016, Morin received the Hnatyshyn Foundation Award for Outstanding Achievement by a Canadian Mid-Career Artist. He holds a SSRHRC grant, Crossing media, Crossing Canada: performing the land we are, which explores the meeting up of media and durational performance. Morin is an Associate Professor in the Faculty of Arts at the Ontario College of Art and Design University in Toronto.

 

ᐊᕙᑖᓂᑦ ᑕᒪᐃᓐᓂᑦ ᓄᓇᑐᐃᓐᓇᓂᑦ
Among All These Tundras

September 18 to December 7, 2019

ᐊᓯᓐᓇᔭᖅ
asinnajaq
ᓛᑯᓗᒃ ᐅᐃᓕᐊᒻᓴᓐ ᐸᑦᑑᕆ
Laakkuluk Williamson Bathory
ᑲᕈᓚ ᑯᕋᕼᐊᓐ
Carola Grahn
ᒫᔾᔭ ᕼᐋᓕᓐᑐ ᐅᓇᓗ ᓵᒥ ᕕᓐᓚᓐᒥᐅᑕᖅ
Marja Helander
ᖃᑉᓗᓯᐊᖅ
Kablusiak
ᓵᓐᔭ ᑲᓕᕼᐅ-ᑰᒻᔅ
Sonya Kelliher-Combs
ᔪᐊᖅ ᓇᓐᑰ
Joar Nango
ᑕᕐᕋᓕᒃ ᐹᑐᔨ
Taqralik Partridge
ᐱᐅᓕ ᐸᑐ
Barry Pottle
ᐃᓅᑎᖅ ᓯᑐᐊᑦᔅ
Inuuteq Storch
ᑲᔨᓐ ᐸᓐ ᕼᐅᕕᓕᓐ
Couzyn van Heuvelen
ᐊᓕᓴᓐ ᐊᑰᑦᓲᒃ ᒍᐊᑕᓐ
Allison Akootchook Warden

ᑕᑯᔭᒐᖃᕐᕕᖕᒥ ᑲᒪᔨᑦ: Hᐃᑐ ᐃᒡᓗᓕᐅᖅᑎ, ᐋᐃᒥ ᐳᕈᑎ ᐊᒻᒪᓗ ᓴᕆᓴ ᐹᓐ ᕼᐃᐅᓕᒐ
Curated by Heather Igloliorte, Amy Dickson and Charissa von Harringa

ᓴᕿᑕᐅᔪᖅ ᐊᒻᒪᓗ ᑐᓂᔭᐅᔪᖅ ᑖᒃᑯᓇᖓᑦ ᓕᓄᑦ ᐊᒻᒪᓗ ᐲᓇ ᐊᓕᓐ ᓴᓇᖕᖑᐊᖅᓯᒪᔪᓂᒃ ᑕᑯᔭᒐᖃᕐᕕᒃ, ᑳᓐᑯᑎᐊ ᐃᓕᓐᓂᐊᕐᕕᒃᔪᐊᖅ
Produced and circulated by the Leonard & Bina Ellen Art Gallery, Concordia University

Among All These Tundras, a title taken from the poem ‘My Home Is in My Heart’ by famed Sámi writer Nils-Aslak Valkeapää, features contemporary art by Indigenous artists from around the circumpolar world. Together, their works politically and poetically express current Arctic concerns towards land, language, sovereignty and resurgence. Click here to read more.

Produced and circulated by: Leonard & Bina Ellen Art Gallery, Concordia University
Patron Sponsor: Birch Hill Equity Partners
Supported by: Canada Council for the Arts, Conseil des arts et des lettres du Québec, Social Sciences and Humanities Research Council (Mobilizing Inuit Cultural Heritage), Initiative for Indigenous Futures and Nexus Investments

Onsite Gallery is the flagship professional gallery of OCAD U and an experimental curatorial platform for art, design and new media. Visit our website for upcoming public events. The gallery is located at 199 Richmond St. W, Toronto, ON, M5V 0H4. Telephone: 416-977-6000, ext. 265. Opening hours are: Wednesdays to Fridays from noon to 7 p.m.; Saturdays from noon to 5 p.m. Free admission.

Onsite Gallery acknowledges that the new gallery construction project is funded in part by the Government of Canada's Canada Cultural Spaces Fund at Canadian Heritage, the City of Toronto through a Section 37 agreement and Aspen Ridge Homes; with gallery furniture by Nienkämper. Onsite Gallery logo by Dean Martin Design.

Venue & Address: 
Onsite Gallery (199 Richmond St. West)
Email: 
onsite@ocadu.ca
Phone: 
416-977-6000 x456
Cost: 
Free
Peter Morin

The Fifth Region Film Screening and Conversation

Wednesday, November 20, 2019 - 6:30pm

The Fifth Region Film Screening and Conversation
Wednesday, November 20, 2019
6:30 p.m.

Onsite Gallery
199 Richmond St. West

Free event as part of Onsite Gallery's public event program for ᐊᕙᑖᓂᑦ ᑕᒪᐃᓐᓂᑦ ᓄᓇᑐᐃᓐᓇᓂᑦ / Among All These Tundras.


Nancy and Joshua are Inuit but raised in southern Canada. All their lives they struggled with aspects of their identities and now begin to redefine what is means to be a young urban Inuk growing up under the shadow of the Sixties Scoop and the residential school system. Join us for a film screening of The Fifth Region, followed by a conversation with filmmaker Aeyliya Husain and film subjects Nancy Saunders and Joshua Stribbell.

Filmmakers: Gabriel Nuraki Koperqualuk/Aeyliya Husain
Run time: 47 mins

 

Aeyliya Husain is an award-winning documentary filmmaker whose work focuses on issues of representation, images of war and their interpretation, women, and photography. She has exhibited at festivals both nationally and internationally including, Tribeca Film Festival, where her film ‘Shooting War’ was nominated for best short documentary, Her other films, ‘The World at Ten’ and ‘Daughters of the Revolution’ have also been screened at San Francisco Docfest; Glasgow Short Film Festival and São Paulo Film Festival and have been broadcast on CBC, BBC, RSI (Swiss Public TV) and France 4. Her most recent film ‘The Fifth Region’ premiered at ImagineNATIVE Film Festival in October 2018 and has premiered on The Documentary Channel in November 2019.

 

ᐊᕙᑖᓂᑦ ᑕᒪᐃᓐᓂᑦ ᓄᓇᑐᐃᓐᓇᓂᑦ
Among All These Tundras

September 18 to December 7, 2019

ᐊᓯᓐᓇᔭᖅ
asinnajaq
ᓛᑯᓗᒃ ᐅᐃᓕᐊᒻᓴᓐ ᐸᑦᑑᕆ
Laakkuluk Williamson Bathory
ᑲᕈᓚ ᑯᕋᕼᐊᓐ
Carola Grahn
ᒫᔾᔭ ᕼᐋᓕᓐᑐ ᐅᓇᓗ ᓵᒥ ᕕᓐᓚᓐᒥᐅᑕᖅ
Marja Helander
ᖃᑉᓗᓯᐊᖅ
Kablusiak
ᓵᓐᔭ ᑲᓕᕼᐅ-ᑰᒻᔅ
Sonya Kelliher-Combs
ᔪᐊᖅ ᓇᓐᑰ
Joar Nango
ᑕᕐᕋᓕᒃ ᐹᑐᔨ
Taqralik Partridge
ᐱᐅᓕ ᐸᑐ
Barry Pottle
ᐃᓅᑎᖅ ᓯᑐᐊᑦᔅ
Inuuteq Storch
ᑲᔨᓐ ᐸᓐ ᕼᐅᕕᓕᓐ
Couzyn van Heuvelen
ᐊᓕᓴᓐ ᐊᑰᑦᓲᒃ ᒍᐊᑕᓐ
Allison Akootchook Warden

ᑕᑯᔭᒐᖃᕐᕕᖕᒥ ᑲᒪᔨᑦ: Hᐃᑐ ᐃᒡᓗᓕᐅᖅᑎ, ᐋᐃᒥ ᐳᕈᑎ ᐊᒻᒪᓗ ᓴᕆᓴ ᐹᓐ ᕼᐃᐅᓕᒐ
Curated by Heather Igloliorte, Amy Dickson and Charissa von Harringa

ᓴᕿᑕᐅᔪᖅ ᐊᒻᒪᓗ ᑐᓂᔭᐅᔪᖅ ᑖᒃᑯᓇᖓᑦ ᓕᓄᑦ ᐊᒻᒪᓗ ᐲᓇ ᐊᓕᓐ ᓴᓇᖕᖑᐊᖅᓯᒪᔪᓂᒃ ᑕᑯᔭᒐᖃᕐᕕᒃ, ᑳᓐᑯᑎᐊ ᐃᓕᓐᓂᐊᕐᕕᒃᔪᐊᖅ
Produced and circulated by the Leonard & Bina Ellen Art Gallery, Concordia University

Among All These Tundras, a title taken from the poem ‘My Home Is in My Heart’ by famed Sámi writer Nils-Aslak Valkeapää, features contemporary art by Indigenous artists from around the circumpolar world. Together, their works politically and poetically express current Arctic concerns towards land, language, sovereignty and resurgence. Click here to read more.

Produced and circulated by: Leonard & Bina Ellen Art Gallery, Concordia University
Patron Sponsor: Birch Hill Equity Partners
Supported by: Canada Council for the Arts, Conseil des arts et des lettres du Québec, Social Sciences and Humanities Research Council (Mobilizing Inuit Cultural Heritage), Initiative for Indigenous Futures and Nexus Investments

Onsite Gallery is the flagship professional gallery of OCAD U and an experimental curatorial platform for art, design and new media. Visit our website for upcoming public events. The gallery is located at 199 Richmond St. W, Toronto, ON, M5V 0H4. Telephone: 416-977-6000, ext. 265. Opening hours are: Wednesdays to Fridays from noon to 7 p.m.; Saturdays from noon to 5 p.m. Free admission.

Onsite Gallery acknowledges that the new gallery construction project is funded in part by the Government of Canada's Canada Cultural Spaces Fund at Canadian Heritage, the City of Toronto through a Section 37 agreement and Aspen Ridge Homes; with gallery furniture by Nienkämper. Onsite Gallery logo by Dean Martin Design.

Venue & Address: 
Onsite Gallery (199 Richmond St. West)
Email: 
onsite@ocadu.ca
Phone: 
416-977-6000 x456
Cost: 
Free
The Fifth Region poster

Exhibition Tour with Ryan Rice

Thursday, October 17, 2019 - 6:30pm

Exhibition Tour with Ryan Rice
Thursday, October 17, 2019
6:30 p.m.

Onsite Gallery
199 Richmond St. West

Free event as part of Onsite Gallery's public event program for ᐊᕙᑖᓂᑦ ᑕᒪᐃᓐᓂᑦ ᓄᓇᑐᐃᓐᓇᓂᑦ / Among All These Tundras.


Join Ryan Rice for an exhibition tour of ᐊᕙᑖᓂᑦ ᑕᒪᐃᓐᓂᑦ ᓄᓇᑐᐃᓐᓇᓂᑦ / Among All These Tundras, a group exhibition that features contemporary art by Indigenous artists from around the circumpolar world.

Ryan Rice, Kanien’kehá:ka, is an independent curator and the Associate Dean in the Faculty of Liberal Arts / School of Interdisciplinary Studies at OCAD University, Toronto.

His curatorial career spans 25 years in museums and galleries. Rice served as the Chief Curator at the IAIA Museum of Contemporary Native Arts in Santa Fe, New Mexico, and also held curatorial positions at the Indigenous Art Centre (Ottawa, ON), named curatorial fellowships with the Art Gallery of Greater Victoria (Victoria, BC) and the Walter Phillips Gallery (Banff, AB), and held the position of Aboriginal Curator-In-Residence at the Carleton University Art Gallery. He received a Master of Arts degree in Curatorial Studies from the Center for Curatorial Studies, Bard College, New York; graduated from Concordia University with a Bachelor of Fine Arts and received an Associate of Fine Arts from the Institute of American Indian Arts, Santa Fe, New Mexico. Rice’s writing on contemporary Onkwehonwe art has been published in numerous periodicals and exhibition catalogues, and he has lectured widely. Some of his exhibitions include raise a flag: works from the Indigenous Art Collection (2000-2015), ANTHEM: Perspectives on Home and Native Land, FLYING STILL: CARL BEAM 1943-2005, Oh So Iroquois, Scout’s Honour, Hochelaga Revisited, Soul Sister: Re-imagining Kateri Tekakwitha, Counting Coup, and Stands With A Fist: Contemporary Native Women Artists. Rice was also a co-founder and former director of the Aboriginal Curatorial Collective and currently sits on the Inuit Art Foundation Board of Directors. His recent curatorial projects include the touring exhibition BAIT: Couzyn van Heuvelen and the Nuit Blanche 2019 project with the Placeholders collective, Listen to the Land.

 

ᐊᕙᑖᓂᑦ ᑕᒪᐃᓐᓂᑦ ᓄᓇᑐᐃᓐᓇᓂᑦ
Among All These Tundras

September 18 to December 7, 2019

ᐊᓯᓐᓇᔭᖅ
asinnajaq
ᓛᑯᓗᒃ ᐅᐃᓕᐊᒻᓴᓐ ᐸᑦᑑᕆ
Laakkuluk Williamson Bathory
ᑲᕈᓚ ᑯᕋᕼᐊᓐ
Carola Grahn
ᒫᔾᔭ ᕼᐋᓕᓐᑐ ᐅᓇᓗ ᓵᒥ ᕕᓐᓚᓐᒥᐅᑕᖅ
Marja Helander
ᖃᑉᓗᓯᐊᖅ
Kablusiak
ᓵᓐᔭ ᑲᓕᕼᐅ-ᑰᒻᔅ
Sonya Kelliher-Combs
ᔪᐊᖅ ᓇᓐᑰ
Joar Nango
ᑕᕐᕋᓕᒃ ᐹᑐᔨ
Taqralik Partridge
ᐱᐅᓕ ᐸᑐ
Barry Pottle
ᐃᓅᑎᖅ ᓯᑐᐊᑦᔅ
Inuuteq Storch
ᑲᔨᓐ ᐸᓐ ᕼᐅᕕᓕᓐ
Couzyn van Heuvelen
ᐊᓕᓴᓐ ᐊᑰᑦᓲᒃ ᒍᐊᑕᓐ
Allison Akootchook Warden

ᑕᑯᔭᒐᖃᕐᕕᖕᒥ ᑲᒪᔨᑦ: Hᐃᑐ ᐃᒡᓗᓕᐅᖅᑎ, ᐋᐃᒥ ᐳᕈᑎ ᐊᒻᒪᓗ ᓴᕆᓴ ᐹᓐ ᕼᐃᐅᓕᒐ
Curated by Heather Igloliorte, Amy Dickson and Charissa von Harringa

ᓴᕿᑕᐅᔪᖅ ᐊᒻᒪᓗ ᑐᓂᔭᐅᔪᖅ ᑖᒃᑯᓇᖓᑦ ᓕᓄᑦ ᐊᒻᒪᓗ ᐲᓇ ᐊᓕᓐ ᓴᓇᖕᖑᐊᖅᓯᒪᔪᓂᒃ ᑕᑯᔭᒐᖃᕐᕕᒃ, ᑳᓐᑯᑎᐊ ᐃᓕᓐᓂᐊᕐᕕᒃᔪᐊᖅ
Produced and circulated by the Leonard & Bina Ellen Art Gallery, Concordia University

Among All These Tundras, a title taken from the poem ‘My Home Is in My Heart’ by famed Sámi writer Nils-Aslak Valkeapää, features contemporary art by Indigenous artists from around the circumpolar world. Together, their works politically and poetically express current Arctic concerns towards land, language, sovereignty and resurgence. Click here to read more.

Produced and circulated by: Leonard & Bina Ellen Art Gallery, Concordia University
Patron Sponsor: Birch Hill Equity Partners
Supported by: Canada Council for the Arts, Conseil des arts et des lettres du Québec, Social Sciences and Humanities Research Council (Mobilizing Inuit Cultural Heritage), Initiative for Indigenous Futures and Nexus Investments

Onsite Gallery is the flagship professional gallery of OCAD U and an experimental curatorial platform for art, design and new media. Visit our website for upcoming public events. The gallery is located at 199 Richmond St. W, Toronto, ON, M5V 0H4. Telephone: 416-977-6000, ext. 265. Opening hours are: Wednesdays to Fridays from noon to 7 p.m.; Saturdays from noon to 5 p.m. Free admission.

Onsite Gallery acknowledges that the new gallery construction project is funded in part by the Government of Canada's Canada Cultural Spaces Fund at Canadian Heritage, the City of Toronto through a Section 37 agreement and Aspen Ridge Homes; with gallery furniture by Nienkämper. Onsite Gallery logo by Dean Martin Design.

Venue & Address: 
Onsite Gallery (199 Richmond St. West)
Email: 
onsite@ocadu.ca
Phone: 
416-977-6000 x456
Cost: 
Free
Ryan Rice

Curators’ Tour with Heather Igloliorte, Amy Dickson and Charissa von Harringa

Friday, September 27, 2019 - 6:30pm

Curators’ Tour with Heather Igloliorte, Amy Dickson and Charissa von Harringa
Friday, September 27, 2019
6:30 p.m.

Onsite Gallery
199 Richmond St. West

Free event as part of Onsite Gallery's public event program for ᐊᕙᑖᓂᑦ ᑕᒪᐃᓐᓂᑦ ᓄᓇᑐᐃᓐᓇᓂᑦ / Among All These Tundras.


Join Heather Igloliorte, Amy Dickson and Charissa von Harringa for a curatorial tour of ᐊᕙᑖᓂᑦ ᑕᒪᐃᓐᓂᑦ ᓄᓇᑐᐃᓐᓇᓂᑦ / Among All These Tundras, a group exhibition that features contemporary art by Indigenous artists from around the circumpolar world.

 

Dr. Heather Igloliorte is the University Research Chair in Indigenous Circumpolar Arts at Concordia University in Tiohtiá:ke/Montreal, where she also leads the Inuit Futures in Arts Leadership SSHRC Partnership Grant and Co-Directs the Initiative for Indigenous Futures Cluster (IIF) in the Milieux Institute for Arts, Culture and Technology with Professor Jason Edward Lewis. Igloliorte currently serves as the Co-Chair of the Indigenous Circle for the Winnipeg Art Gallery, working on the development of the new national Inuit Art Centre; on the Board of Directors for North America's largest Indigenous art historical association, the Native North American Art Studies Association; is Vice-President of the Inuit Art Foundation; and sits on the Faculty Council of the Otsego Institute for Native American Art History at the Fenimore Art Museum in Cooperstown, New York, among others.

Amy Dickson is an emerging curator and doctoral student in the Art History program at Concordia University. Her research focuses on the practice of Inuit artists within urban spaces and the role of art in the construction of place. Amy holds a BA and an MA in Art History, both from Carleton University. Her writing has been featured in Inuit Art Quarterly and esse arts + opinions.

Charissa von Harringa is a PhD Researcher in Art History at Concordia University in Montreal, Quebec. She holds a B.A. in Anthropology from New York University (2007) and an M.A. in Art History from Concordia University (2016). Von Harringa’s academic area of focus lies at the intersection of several fields including Circumpolar, Indigenous, Memory and Performance Studies. Through her doctoral work she examines the media-based practices, archival dispositions, and networked agencies of pan-Inuit and Sámi artists. These are analyzed as they engage past and present Arctic discourse, elaborate new functions of tradition and modernity, and clarify the ever-evolving nexus of theory and practice in contemporary art towards sovereign ends. She has several published essays and reviews in Inuit Art Quarterly and RACAR: revue d'art canadienne / Canadian Art Review, among others.

 

ᐊᕙᑖᓂᑦ ᑕᒪᐃᓐᓂᑦ ᓄᓇᑐᐃᓐᓇᓂᑦ
Among All These Tundras

September 18 to December 7, 2019

ᐊᓯᓐᓇᔭᖅ
asinnajaq
ᓛᑯᓗᒃ ᐅᐃᓕᐊᒻᓴᓐ ᐸᑦᑑᕆ
Laakkuluk Williamson Bathory
ᑲᕈᓚ ᑯᕋᕼᐊᓐ
Carola Grahn
ᒫᔾᔭ ᕼᐋᓕᓐᑐ ᐅᓇᓗ ᓵᒥ ᕕᓐᓚᓐᒥᐅᑕᖅ
Marja Helander
ᖃᑉᓗᓯᐊᖅ
Kablusiak
ᓵᓐᔭ ᑲᓕᕼᐅ-ᑰᒻᔅ
Sonya Kelliher-Combs
ᔪᐊᖅ ᓇᓐᑰ
Joar Nango
ᑕᕐᕋᓕᒃ ᐹᑐᔨ
Taqralik Partridge
ᐱᐅᓕ ᐸᑐ
Barry Pottle
ᐃᓅᑎᖅ ᓯᑐᐊᑦᔅ
Inuuteq Storch
ᑲᔨᓐ ᐸᓐ ᕼᐅᕕᓕᓐ
Couzyn van Heuvelen
ᐊᓕᓴᓐ ᐊᑰᑦᓲᒃ ᒍᐊᑕᓐ
Allison Akootchook Warden

ᑕᑯᔭᒐᖃᕐᕕᖕᒥ ᑲᒪᔨᑦ: Hᐃᑐ ᐃᒡᓗᓕᐅᖅᑎ, ᐋᐃᒥ ᐳᕈᑎ ᐊᒻᒪᓗ ᓴᕆᓴ ᐹᓐ ᕼᐃᐅᓕᒐ
Curated by Heather Igloliorte, Amy Dickson and Charissa von Harringa

ᓴᕿᑕᐅᔪᖅ ᐊᒻᒪᓗ ᑐᓂᔭᐅᔪᖅ ᑖᒃᑯᓇᖓᑦ ᓕᓄᑦ ᐊᒻᒪᓗ ᐲᓇ ᐊᓕᓐ ᓴᓇᖕᖑᐊᖅᓯᒪᔪᓂᒃ ᑕᑯᔭᒐᖃᕐᕕᒃ, ᑳᓐᑯᑎᐊ ᐃᓕᓐᓂᐊᕐᕕᒃᔪᐊᖅ
Produced and circulated by the Leonard & Bina Ellen Art Gallery, Concordia University

Among All These Tundras, a title taken from the poem ‘My Home Is in My Heart’ by famed Sámi writer Nils-Aslak Valkeapää, features contemporary art by Indigenous artists from around the circumpolar world. Together, their works politically and poetically express current Arctic concerns towards land, language, sovereignty and resurgence. Click here to read more.

Produced and circulated by: Leonard & Bina Ellen Art Gallery, Concordia University
Patron Sponsor: Birch Hill Equity Partners
Supported by: Canada Council for the Arts, Conseil des arts et des lettres du Québec, Social Sciences and Humanities Research Council (Mobilizing Inuit Cultural Heritage), Initiative for Indigenous Futures and Nexus Investments

Onsite Gallery is the flagship professional gallery of OCAD U and an experimental curatorial platform for art, design and new media. Visit our website for upcoming public events. The gallery is located at 199 Richmond St. W, Toronto, ON, M5V 0H4. Telephone: 416-977-6000, ext. 265. Opening hours are: Wednesdays to Fridays from noon to 7 p.m.; Saturdays from noon to 5 p.m. Free admission.

Onsite Gallery acknowledges that the new gallery construction project is funded in part by the Government of Canada's Canada Cultural Spaces Fund at Canadian Heritage, the City of Toronto through a Section 37 agreement and Aspen Ridge Homes; with gallery furniture by Nienkämper. Onsite Gallery logo by Dean Martin Design.

 

Image: asinnajaq, Rock Piece (Ahuriri edition), 2018. Video still. Video, colour, sound, 4 min. 2 sec.

Venue & Address: 
Onsite Gallery: 199 Richmond St. West
Website: 
https://www.eventbrite.ca/e/curators-tour-with-heather-igloliorte-amy-dickson-and-charissa-von-harringa-tickets-69783208455
Email: 
onsite@ocadu.ca
Phone: 
416-977-6000 x456
Cost: 
Free
asinnajaq, Rock Piece (Ahuriri edition), 2018. Video still. Video, colour, sound, 4 min. 2 sec.

Spoken Word Performance & Writing Activity with Taqralik Partridge

Saturday, September 21, 2019 - 2:00pm

Spoken Word Performance & Writing Activity with Taqralik Partridge
Saturday, September 21, 2019
2:00 to 3:30 p.m.

Co-presented with Wapatah: Centre for Indigenous Visual Knowledge

Onsite Gallery
199 Richmond St. West

Free event as part of Onsite Gallery's public event program for ᐊᕙᑖᓂᑦ ᑕᒪᐃᓐᓂᑦ ᓄᓇᑐᐃᓐᓇᓂᑦ / Among All These Tundras.


Join Inuk artist, writer, curator, throatsinger, spoken word poet and Onsite Gallery exhibiting artist, Taqralik Partridge, for a spoken word performance and writing activity.

The title of Onsite Gallery’s exhibition, ᐊᕙᑖᓂᑦ ᑕᒪᐃᓐᓂᑦ ᓄᓇᑐᐃᓐᓇᓂᑦ / Among All These Tundras, is taken from the poem ‘My Home Is in My Heart’ by famed Sámi writer Nils-Aslak Valkeapää. During this event, Taqralik will perform one of her spoken word pieces and then guide attendees in a writing activity inspired by a shared theme.

Everyone is welcome—whether you consider yourself a poet or simply a lover of written or spoken word, join us as we experiment with text and language.

 

Taqralik Partridge is an Inuk artist, writer, curator, throatsinger, and spoken word poet. She is originally from Kuujjuaq in Nunavik, although she now splits her time between Canada and Kautokeino in northern Sápmi. Partridge’s writing focuses on both life in the north and on the experiences of Inuit living in the south. Partridge co-founded the Tusarniq festival held in Montreal. Her performance work has been featured on CBC radio one and she has toured with the Montreal Symphony Orchestra. Partridge has also worked as Director of Communications for the Avataq Cultural Institute. In 2010, her short story Igloolik won first prize in the Quebec Writing Competition and the same year she was a featured artist onstage at the 2010 Olympics in Vancouver. In 2018, Partridge was named as a finalist for the CBC Short Story Prize. Partridge is Editor-at-Large for the Inuit Art Quarterly. Her work will be featured as an official selection at the Sydney Biennale in Sydney, Australia in 2020.

 

ᐊᕙᑖᓂᑦ ᑕᒪᐃᓐᓂᑦ ᓄᓇᑐᐃᓐᓇᓂᑦ
Among All These Tundras

September 18 to December 7, 2019

ᐊᓯᓐᓇᔭᖅ
asinnajaq
ᓛᑯᓗᒃ ᐅᐃᓕᐊᒻᓴᓐ ᐸᑦᑑᕆ
Laakkuluk Williamson Bathory
ᑲᕈᓚ ᑯᕋᕼᐊᓐ
Carola Grahn
ᒫᔾᔭ ᕼᐋᓕᓐᑐ ᐅᓇᓗ ᓵᒥ ᕕᓐᓚᓐᒥᐅᑕᖅ
Marja Helander
ᖃᑉᓗᓯᐊᖅ
Kablusiak
ᓵᓐᔭ ᑲᓕᕼᐅ-ᑰᒻᔅ
Sonya Kelliher-Combs
ᔪᐊᖅ ᓇᓐᑰ
Joar Nango
ᑕᕐᕋᓕᒃ ᐹᑐᔨ
Taqralik Partridge
ᐱᐅᓕ ᐸᑐ
Barry Pottle
ᐃᓅᑎᖅ ᓯᑐᐊᑦᔅ
Inuuteq Storch
ᑲᔨᓐ ᐸᓐ ᕼᐅᕕᓕᓐ
Couzyn van Heuvelen
ᐊᓕᓴᓐ ᐊᑰᑦᓲᒃ ᒍᐊᑕᓐ
Allison Akootchook Warden

ᑕᑯᔭᒐᖃᕐᕕᖕᒥ ᑲᒪᔨᑦ: Hᐃᑐ ᐃᒡᓗᓕᐅᖅᑎ, ᐋᐃᒥ ᐳᕈᑎ ᐊᒻᒪᓗ ᓴᕆᓴ ᐹᓐ ᕼᐃᐅᓕᒐ
Curated by Heather Igloliorte, Amy Dickson and Charissa von Harringa

ᓴᕿᑕᐅᔪᖅ ᐊᒻᒪᓗ ᑐᓂᔭᐅᔪᖅ ᑖᒃᑯᓇᖓᑦ ᓕᓄᑦ ᐊᒻᒪᓗ ᐲᓇ ᐊᓕᓐ ᓴᓇᖕᖑᐊᖅᓯᒪᔪᓂᒃ ᑕᑯᔭᒐᖃᕐᕕᒃ, ᑳᓐᑯᑎᐊ ᐃᓕᓐᓂᐊᕐᕕᒃᔪᐊᖅ
Produced and circulated by the Leonard & Bina Ellen Art Gallery, Concordia University

Among All These Tundras, a title taken from the poem ‘My Home Is in My Heart’ by famed Sámi writer Nils-Aslak Valkeapää, features contemporary art by Indigenous artists from around the circumpolar world. Together, their works politically and poetically express current Arctic concerns towards land, language, sovereignty and resurgence. Click here to read more.

Produced and circulated by: Leonard & Bina Ellen Art Gallery, Concordia University
Patron Sponsor: Birch Hill Equity Partners
Supported by: Canada Council for the Arts, Conseil des arts et des lettres du Québec, Social Sciences and Humanities Research Council (Mobilizing Inuit Cultural Heritage), Initiative for Indigenous Futures and Nexus Investments

Onsite Gallery is the flagship professional gallery of OCAD U and an experimental curatorial platform for art, design and new media. Visit our website for upcoming public events. The gallery is located at 199 Richmond St. W, Toronto, ON, M5V 0H4. Telephone: 416-977-6000, ext. 265. Opening hours are: Wednesdays to Fridays from noon to 7 p.m.; Saturdays from noon to 5 p.m. Free admission.

Onsite Gallery acknowledges that the new gallery construction project is funded in part by the Government of Canada's Canada Cultural Spaces Fund at Canadian Heritage, the City of Toronto through a Section 37 agreement and Aspen Ridge Homes; with gallery furniture by Nienkämper. Onsite Gallery logo by Dean Martin Design.

 



The Wapatah Centre for Indigenous Visual Knowledge is a hub for facilitating the documentation, communication and translation of Indigenous ways of seeing. Drawing on the inseparable concepts of perception and knowing, Wapatah assists Indigenous and non-Indigenous artists and researchers to collaborate on the presentation and representation of artistic knowledge. Wapatah promotes Indigenous research at multiple scales, from Indigenous-led research at OCADU to creating connections and partnerships at the global level.

 

Image: Taqralik Partridge, Tusarsauvungaa, 2018 - . Series of nine elements. Cotton, polyester, wool, silk, glass beads, metal beads, Canadian sealskin, reindeer leather, reindeer antler, thermal emergency blanket, plastic packaging, cardboard, Pixee lures, plastic tarp, Canadian coins, laundry tokens, United Kingdom coin, tamarack tree cones, dental floss, artificial sinew, goose feather and river grass. Installation view (detail), Leonard & Bina Ellen Art Gallery, Concordia University, 2018. Photo: Paul Litherland/Studio Lux.

Venue & Address: 
Onsite Gallery: 199 Richmond St. West
Website: 
https://www.eventbrite.ca/e/spoken-word-performance-writing-activity-with-taqralik-patridge-tickets-68812051699
Email: 
onsite@ocadu.ca
Phone: 
416-977-6000 x456
Cost: 
Free
Taqralik Partridge, Tusarsauvungaa, 2018 -

How I Learned to Jam with a Pansy: Talk with Bob Ezrin

Tuesday, July 30, 2019 - 6:30pm to 8:00pm

How I Learned to Jam with a Pansy: Talk with Bob Ezrin
Tuesday, July 30, 2019
6:30 p.m.

Onsite Gallery
199 Richmond St. West

Free event as part of Onsite Gallery's public event program for T.M. Glass: The Audible Language of Flowers.


Celebrated Canadian music producer and musician Bob Ezrin discusses the organics of making music with plants, animals and humans

In a legendary career as a music and entertainment producer and entrepreneur that has spanned nearly 50 years, Toronto-born Bob Ezrin has worked around the world on recordings, TV, film and live event production with a wide variety of artists including Andrea Bocelli, Pink Floyd, Deep Purple, Alice Cooper, KISS, Lou Reed, U2, Jay-Z, Peter Gabriel, 2Celllos, The Tenors, Aerosmith, Hollywood Vampires, Deftones, Rod Stewart, Nine Inch Nails and Pete Seeger among many others.

He is a co-founder of Wow Unlimited Media Inc. and The Nimbus School of Media Arts, both in Vancouver, B.C., and 7th Level Inc in Richardson, TX and Enigma Digital in Los Angeles, CA, both seminal companies in interactive entertainment, education and social media. He also served as Co-Chairman of Clear Channel Interactive and Chairman of Live Nation Artists Records.

Mr. Ezrin was inducted into the Canadian Music Hall of Fame in April 2004, and into the Canadian Music Industry Hall of Fame in March 2006. In 2012 he was named a Fellow of the Royal Conservatory of Music in Toronto and in 2013 was inducted into Canada’s Walk Of Fame.

Currently he is a member of the boards of directors of In Place of War in Manchester, UK and The Mr. Holland’s Opus Foundation in Los Angeles; a Leadership Circle member of MusiCounts in Toronto, Canada; Chairman Emeritus of the Los Angeles Mentoring Partnership and, along with U2′s the Edge, a co-founder of Music Rising, an initiative to replace musical instruments that are lost in natural disasters.

Mr. Ezrin lives with his wife Janet in Nashville and Toronto.

 

T.M. Glass: The Audible Language of Flowers
May 8 to August 18, 2019

Curated by Francisco Alvarez, Dorene & Peter Milligan Executive Director, OCAD U Galleries

T.M. Glass: The Audible Language of Flowers presents recent series of images by lens-based artist T.M. Glass that feature blooms and vessels from unique gardens across the globe. Glass' distinct photographic style is characterized by extensive digital embellishment of textures and colours to enhance the emotion and geometry of flowers. Recently, the artist’s large-scale flower images expanded into the third dimension through advanced 3-D printing technology. Inspired by 17th century European flower paintings, the artist contends that contemporary digital photographers are also painters who work with pixels instead of oils.

Onsite Gallery is the flagship professional gallery of OCAD U and an experimental curatorial platform for art, design and new media. Visit our website for upcoming public events. The gallery is located at 199 Richmond St. W, Toronto, ON, M5V 0H4. Telephone: 416-977-6000, ext. 265. Opening hours are: Wednesdays from noon to 8 p.m.; Thursdays and Fridays from noon to 7 p.m.; Saturdays and Sundays from noon to 5 p.m. Free admission.

Onsite Gallery acknowledges that the gallery construction project is funded in part by the Government of Canada's Canada Cultural Spaces Fund at Canadian Heritage, the City of Toronto through a Section 37 agreement and Aspen Ridge Homes; with gallery furniture by Nienkämper. Onsite Gallery logo by Dean Martin Design.

 

T.M. Glass, Pansy with Midi Sprout Electrodes, 2019, archival pigment ink on archival cotton rag paper fused to Dibond, 14” x 14”.

Venue & Address: 
Onsite Gallery: 199 Richmond St. West
Website: 
https://www.facebook.com/events/2375452466112808/
Email: 
onsite@ocadu.ca
Phone: 
416-977-6000 x456
Cost: 
Free
T.M. Glass, Pansy with Midi Sprout Electrodes, 2019, archival pigment ink on archival cotton rag paper fused to Dibond, 14” x 14

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