Imago Mundi — Great and North

Wednesday, October 24, 2018 - 7:00pm to Sunday, December 16, 2018 - 5:00pm

Imago Mundi — Great and North
October 24 to December 16, 2018

 

Public opening reception

Wednesday, October 24, 2018
7 to 9 p.m.

 

This comprehensive exhibition features works by 760 artists from across Canada, including Inuit and Indigenous artists from Turtle Island. The exhibition brochure is available online here.

Imago Mundi — Great and North

 

Installation designed by architect Tobia Scarpa
Documentary video by Laurie Kwasnik

Francesca Valente, Lead Curator of the exhibition, has selected artists from Central and Eastern Canada working in several disciplines: painting, sculpture, architecture, design, cinema, music and literature. Among the featured artists are: Rebecca Belmore, Edward Burtynsky, Douglas Cardinal, Jack Diamond, Robert Houle, Moshe Safdie, Andrew Jones, Mary Pratt, Michael Snow, Margaret Atwood.

Jennifer Karch Verzè curated contemporary Western Canadian, Inuit, and Indigenous artists from Canada and the United States.

 

It is a simple and powerful idea: to concentrate an enormous scope of vision – the work of almost 800 artists of various disciplines from across the vast territory of North America, including Canada’s far north – into a space one can hold in the palm of a hand. Painters, sculptors, photographers, architects and writers, each with their own vision and intent, working in mediums as varied and intimate as rose petals and sealskin, each creating a work on a canvas of 10 x 12 cm: that is the exhibition Imago Mundi Great and North, illuminating how such a diversity of landscape and practitioner can create an intriguing and inventive whole. It is affecting to witness the scope of the exhibit – the sheer number of works – and the intimacy of each canvas. Here almost 800 people have left their mark, a statement in their own hand, the size of a hand. It is a reminder of how various and vulnerable we are, a reminder in this agitated world of what it means to concentrate one’s full attention on the smallest detail. Great and North is part of an ongoing project that has been collecting these small works – all identical in size – from across the globe. It is a remarkable venture, and it is the grandeur of its ambition coupled with the humbleness of the size of each work that so slyly demonstrates the dual truth of human scale – both our reach and our mortality. Art imagines beyond the self, to something undeniably universal. It also says, poignantly, like these small canvases, “here I am”.

- Anne Michaels

 

Imago Mundi is about Art and the World without borders — a democratic, collective and global map-in-the-making of human culutres at the start of the third millenium — as envisioned by Luciano Benetton, art patron and creator of United Colors of Benetton. With a single format, 10 x 12 cm, the entire international Imago Mundi collection brings together artists from every continent: to date, more than 25,000 from over 150 countries.

 

Onsite Gallery is the flagship professional gallery of OCAD U and an experimental curatorial platform for art, design and new media. Visit our website for upcoming public events. The gallery is located at 199 Richmond St. W, Toronto, ON, M5V 0H4. Telephone: 416-977-6000, ext. 265. Opening hours are: Wednesdays from noon to 8 p.m.; Thursdays and Fridays from noon to 7 p.m.; Saturdays and Sundays from noon to 5 p.m. Free admission.

 

Onsite Gallery gratefully acknowledges that the new gallery construction project is funded in part by the Government of Canada's Canada Cultural Spaces Fund at Canadian Heritage, the City of Toronto through a Section 37 agreement and Aspen Ridge Homes; with gallery furniture by Nienkämper. Onsite Gallery logo by Dean Martin Design.

 

Image: Meryl McMaster, Wayfinding, 2015, mixed media, 10 x 12 cm. Courtesy of the Luciano Benetton Collection.

Venue & Address: 
Onsite Gallery (199 Richmond St. W.)
Email: 
onsite@ocadu.ca
Phone: 
416-977-6000 x456
Cost: 
Free
Imago Mundi

How I Learned to Jam with a Pansy: Talk with Bob Ezrin

Tuesday, July 30, 2019 - 6:30pm to 8:00pm

How I Learned to Jam with a Pansy: Talk with Bob Ezrin
Tuesday, July 30, 2019
6:30 p.m.

Onsite Gallery
199 Richmond St. West

Free event as part of Onsite Gallery's public event program for T.M. Glass: The Audible Language of Flowers.


Celebrated Canadian music producer and musician Bob Ezrin discusses the organics of making music with plants, animals and humans

In a legendary career as a music and entertainment producer and entrepreneur that has spanned nearly 50 years, Toronto-born Bob Ezrin has worked around the world on recordings, TV, film and live event production with a wide variety of artists including Andrea Bocelli, Pink Floyd, Deep Purple, Alice Cooper, KISS, Lou Reed, U2, Jay-Z, Peter Gabriel, 2Celllos, The Tenors, Aerosmith, Hollywood Vampires, Deftones, Rod Stewart, Nine Inch Nails and Pete Seeger among many others.

He is a co-founder of Wow Unlimited Media Inc. and The Nimbus School of Media Arts, both in Vancouver, B.C., and 7th Level Inc in Richardson, TX and Enigma Digital in Los Angeles, CA, both seminal companies in interactive entertainment, education and social media. He also served as Co-Chairman of Clear Channel Interactive and Chairman of Live Nation Artists Records.

Mr. Ezrin was inducted into the Canadian Music Hall of Fame in April 2004, and into the Canadian Music Industry Hall of Fame in March 2006. In 2012 he was named a Fellow of the Royal Conservatory of Music in Toronto and in 2013 was inducted into Canada’s Walk Of Fame.

Currently he is a member of the boards of directors of In Place of War in Manchester, UK and The Mr. Holland’s Opus Foundation in Los Angeles; a Leadership Circle member of MusiCounts in Toronto, Canada; Chairman Emeritus of the Los Angeles Mentoring Partnership and, along with U2′s the Edge, a co-founder of Music Rising, an initiative to replace musical instruments that are lost in natural disasters.

Mr. Ezrin lives with his wife Janet in Nashville and Toronto.

 

T.M. Glass: The Audible Language of Flowers
May 8 to August 18, 2019

Curated by Francisco Alvarez, Dorene & Peter Milligan Executive Director, OCAD U Galleries

T.M. Glass: The Audible Language of Flowers presents recent series of images by lens-based artist T.M. Glass that feature blooms and vessels from unique gardens across the globe. Glass' distinct photographic style is characterized by extensive digital embellishment of textures and colours to enhance the emotion and geometry of flowers. Recently, the artist’s large-scale flower images expanded into the third dimension through advanced 3-D printing technology. Inspired by 17th century European flower paintings, the artist contends that contemporary digital photographers are also painters who work with pixels instead of oils.

Onsite Gallery is the flagship professional gallery of OCAD U and an experimental curatorial platform for art, design and new media. Visit our website for upcoming public events. The gallery is located at 199 Richmond St. W, Toronto, ON, M5V 0H4. Telephone: 416-977-6000, ext. 265. Opening hours are: Wednesdays from noon to 8 p.m.; Thursdays and Fridays from noon to 7 p.m.; Saturdays and Sundays from noon to 5 p.m. Free admission.

Onsite Gallery acknowledges that the gallery construction project is funded in part by the Government of Canada's Canada Cultural Spaces Fund at Canadian Heritage, the City of Toronto through a Section 37 agreement and Aspen Ridge Homes; with gallery furniture by Nienkämper. Onsite Gallery logo by Dean Martin Design.

 

T.M. Glass, Pansy with Midi Sprout Electrodes, 2019, archival pigment ink on archival cotton rag paper fused to Dibond, 14” x 14”.

Venue & Address: 
Onsite Gallery: 199 Richmond St. West
Website: 
https://www.facebook.com/events/2375452466112808/
Email: 
onsite@ocadu.ca
Phone: 
416-977-6000 x456
Cost: 
Free
T.M. Glass, Pansy with Midi Sprout Electrodes, 2019, archival pigment ink on archival cotton rag paper fused to Dibond, 14” x 14

Family Kit: T.M. Glass: The Audible Language of Flowers

Family Kit: T.M. Glass: The Audible Language of Flowers
Tuesday, July 9, 2019 - 11:00am

Onsite Gallery, OCAD University is happy to offer a free interactive guide for families and young visitors to creatively engage with our current contemporary art exhibition, T.M. Glass: The Audible Language of Flowers.

What is the family kit?

The family kit is a self-guided tour designed for families or younger visitors. It contains questions and activities to help younger audiences engage with the artwork within the exhibition.

The family kit has:

  1. A printed guide that includes questions and activities organized by artwork. It consists of three parts:
     
    1. Something to think about…
      This section has questions that encourages viewers to have a closer look at the artwork in order to help them engage with the main ideas proposed by the artwork. Great for any age 3 years+.
       
    2. Activity (each has its own name)
      These are didactic activities thought to stimulate the use of diverse senses as well as the imagination of the young visitors and their companions.
       
    3. Let’s continue the discussion!
      Questions with a higher level of complexity. They are meant for a teen audience and those that are critical-thinking oriented.
       
  2. Activity cards that have the same information in the guide, but are easy to handle and carry along in the gallery.
     
  3. Family kit (the box) with diverse materials that are provided for the activities.

 

Intended audiences

  • Children from 3 years +, but toddlers may also join the fun
  • Teenagers
  • Their companions and/or caregivers


How to access the family kit
Simply visit Onsite Gallery (199 Richmond St. West) and ask for the family kit at the front desk.

 

The family kit was created and designed by Karina Roman Justo.

T.M. Glass: The Audible Language of Flowers presents recent series of images by lens-based artist T.M. Glass that feature blooms and vessels from unique gardens across the globe. Glass' distinct photographic style is characterized by extensive digital embellishment of textures and colours to enhance the emotion and geometry of flowers. Recently, the artist’s large-scale flower images expanded into the third dimension through advanced 3-D printing technology. Inspired by 17th century European flower paintings, the artist contends that contemporary digital photographers are also painters who work with pixels instead of oils. The exhibition brochure is available online here.

Onsite Gallery is the flagship professional gallery of OCAD U and an experimental curatorial platform for art, design and new media. Visit our website for upcoming public events. The gallery is located at 199 Richmond St. W, Toronto, ON, M5V 0H4. Telephone: 416-977-6000, ext. 265. Opening hours are: Wednesdays from noon to 8 p.m.; Thursdays and Fridays from noon to 7 p.m.; Saturdays and Sundays from noon to 5 p.m. Free admission.

Opening Reception: ᐊᕙᑖᓂᑦ ᑕᒪᐃᓐᓂᑦ ᓄᓇᑐᐃᓐᓇᓂᑦ Among All These Tundras

Marja Helander, Dolastallat (To have a campfire)
Wednesday, September 18, 2019 - 6:00pm to 9:00pm

Free public reception
Wednesday, September 18, 2019
6 to 9 p.m.

Onsite Gallery
199 Richmond St. West

Among All These Tundras
September 18 to December 7, 2019

ᐊᓯᓐᓇᔭᖅ
ᓛᑯᓗᒃ ᐅᐃᓕᐊᒻᓴᓐ ᐸᑦᑑᕆ
ᑲᕈᓚ ᑯᕋᕼᐊᓐ
ᒫᔾᔭ ᕼᐋᓕᓐᑐ ᐅᓇᓗ ᓵᒥ ᕕᓐᓚᓐᒥᐅᑕᖅ
ᖃᑉᓗᓯᐊᖅ
ᓵᓐᔭ ᑲᓕᕼᐅ-ᑰᒻᔅ
ᔪᐊᖅ ᓇᓐᑰ
ᑕᕐᕋᓕᒃ ᐹᑐᔨ
ᐱᐅᓕ ᐸᑐ
ᐃᓅᑎᖅ ᓯᑐᐊᑦᔅ
ᑲᔨᓐ ᐸᓐ ᕼᐅᕕᓕᓐ
ᐊᓕᓴᓐ ᐊᑰᑦᓲᒃ ᒍᐊᑕᓐ

asinnajaq
Laakkuluk Williamson Bathory
Carola Grahn
Marja Helander
Kablusiak
Sonya Kelliher-Combs
Joar Nango
Taqralik Partridge
Barry Pottle
Inuuteq Storch
Couzyn van Heuvelen
Allison Akootchook Warden

ᑕᑯᔭᒐᖃᕐᕕᖕᒥ ᑲᒪᔨᑦ: Hᐃᑐ ᐃᒡᓗᓕᐅᖅᑎ, ᐋᐃᒥ ᐳᕈᑎ ᐊᒻᒪᓗ ᓴᕆᓴ ᐹᓐ ᕼᐃᐅᓕᒐ
ᓴᕿᑕᐅᔪᖅ ᐊᒻᒪᓗ ᑐᓂᔭᐅᔪᖅ ᑖᒃᑯᓇᖓᑦ ᓕᓄᑦ ᐊᒻᒪᓗ ᐲᓇ ᐊᓕᓐ ᓴᓇᖕᖑᐊᖅᓯᒪᔪᓂᒃ ᑕᑯᔭᒐᖃᕐᕕᒃ, ᑳᓐᑯᑎᐊ ᐃᓕᓐᓂᐊᕐᕕᒃᔪᐊᖅ

Curated by Heather Igloliorte, Amy Dickson and Charissa von Harringa
Produced and circulated by the Leonard & Bina Ellen Art Gallery, Concordia University 

ᐊᕙᑖᓂᑦ ᑕᒪᐃᓂᑦ ᓄᓇᑐᐃᓐᓇᓂᑦ, ᐊᑎᖓ ᐱᔭᐅᓯᒪᔪᖅ ᑕᐃᒎᓯᕐᒥᑦ “ᐊᖕᖏᕋᕋ ᐆᒻᒪᑎᓐᓃᑦᑐᖅ” ᑎᑎᕋᖅᓯᒪᔭᖓ ᓵᒥᒥᐅᑕᖅ ᓂᐅᔅ-ᐊᔅᓚᒃ ᕚᑭᐊᐹ, ᓴᕿᔮᖅᑎᑕᐅᔪᖅ ᓄᓇᖅᑲᖅᑳᖅᓯᒪᔪᑦ ᓴᓇᖕᖑᐊᖅᑎᖏᓐᓂᑦ ᓇᑭᑐᐃᓐᓇᖅ ᑲᔾᔨᐊᓂ ᓄᓇᕐᔪᐊᑉ ᐅᑭᐅᖅᑕᖅᑐᐊᓂ ᐅᑯᐊ ᓴᓇᔭᐅᔪᑦ ᐅᖃᐅᓯᑦ ᐊᒻᒪᓗ ᓂᕈᐊᖅᑕᐅᓯᒪᔪᓄᑦ ᐃᓄᖕᓄᑦ ᐅᖃᖅᓯᒪᔭᐅᔪᑦ ᒫᓐᓇ ᐅᑭᐅᖅᑕᖅᑐᖅ ᐃᓱᒫᓘᑎᒋᓪᓗᒍ ᑐᑭᓯᓇᖅᓯᑎᑕᐅᕙᓪᓕᐊᑎᓪᓗᒋᑦ ᓄᓇ, ᐅᖃᐅᓯᖅ, ᓄᓇᖃᖅᑐᑦ ᐊᒻᒪᓗ ᐅᒃᐱᕐᓂᖅᑖᑲᓐᓂᕐᓂᖅ. ᓴᓇᖑᐊᖅᑎᑦ ᓄᓇᖅᑲᖅᑳᖅᓯᒪᔪᑦ ᓄᓇᖏᓐᓂᑦ ᑕᒫᖓᑦ ᓄᓇᕐᔪᐊᑉ ᑲᔾᔨᐊᓂᑦ ᐅᑭᐅᖅᑕᖅᑐᖅ ᑐᓴᕐᑎᑦᑎᔪᑦ ᐃᒻᒪᑲᓪᓚᓂᑦ ᖃᓪᓗᓈᖑᖅᑎᑕᐅᓯᒪᒐᒥᒃ ᐊᒻᒪᓗ ᐊᑐᖅᓯᒪᔭᑎᒃ ᐳᐃᒍᓇᓐᖏᑦᑐᑦ ᐃᓅᓯᕆᓚᐅᖅᑕᒥᖕᓂᑦ, ᐊᒻᒪᓗ ᐊᑕᐅᓯᐅᓕᕐᓂᖅ ᓴᐳᒻᒥᓂᐊᕐᓗᒋᑦ ᐅᑭᐅᖅᑕᖅᑐᖅ ᐆᒪᔪᓕᒫᖏᑦ ᐊᕙᑎᓕᒫᖏᓪᓗ, ᐅᖃᐅᓯᖏᑦ, ᐃᓄᖏᑦ ᐊᒻᒪᓗ ᖃᐅᔨᒪᓂᖏᑦ ᑕᒫᖓᑦ ᐱᐅᓐᖏᑦᑐᐋᓗᖕᓂᑦ ᐊᒃᑐᖅᑕᐅᓂᖓᓄᑦ ᓯᓚ ᐅᖂᓯᓂᖓᓄ ᐊᓯᑦᔨᕐᓂᖓᓄᑦ, ᓄᓇᕐᔪᐊᖅ ᓄᓇᒥᑦ ᐲᔭᐃᔪᒪᔪᑦ, ᐱᕈᖅᑎᑦᑎᕙᓪᓕᐊᔪᑦ ᑲᓐᐸᓂᕐᔪᐊᓂᒃ, ᐊᒻᒪᓗ ᓄᓇᖃᑎᒌᓐᖏᑦᑐᕐᔪᐊᑦ ᓵᓚᒌᖃᑦᑕᐅᑎᒐᓱᐊᖅᑐᑦ. ᑲᑐᔾᔨᓗᑕ, ᐅᑯᐊ ᓴᓇᔭᐅᔪᑦ ᑕᑯᑎᑦᑎᕗᒍᑦ ᐃᓚᒌᒍᓯᖏᓐᓂᒃ ᐊᕙᑖᓂᑦ ᐊᒃᑐᒐᒃᓴᐅᔪᑦ ᐊᒻᒪᓗ ᑭᓱᓕᒫᑦᓯᐊᖏᑦ ᓄᓇᖅᑲᖅᑳᖅᓯᒪᔪᑦ ᖃᐅᔨᒪᓂᖏᑦ ᐊᑐᖅᑕᐅᓗᑎᒃ, ᓄᑖᓂᒃ ᐱᓕᕆᔾᔪᑎᖃᕐᓕᕐᓂᖅ ᐊᒻᒪᓗ ᓄᖑᑉᐸᓪᓕᐊᓂᖏᑦᑐᓂᒃ, ᑎᔅᓯᓇᖅᑐᑦ ᐊᒻᒪᓗ ᐊᑐᕐᓗᒍ ᐊᓐᓇᒍᓐᓇᕐᓂᖅ, ᐊᒻᒪᓗ ᑕᒪᑦᑕ ᑲᑐᑎᓗᑎᒍᑦ ᐱᔭᒃᓴᕆᔭᕗᑦ ᐅᑭᐅᖅᑕᖅᑐᑉ ᐃᓅᓯᖓ ᐊᒻᒪᓗ ᓄᓇᖓ.

Among All These Tundras, a title taken from the poem ‘My Home Is in My Heart’ by famed Sámi writer Nils-Aslak Valkeapää, features contemporary art by Indigenous artists from around the circumpolar world. Together, their works politically and poetically express current Arctic concerns towards land, language, sovereignty and resurgence. Artists from throughout the circumpolar north share kinship with each other and their ancestors, love for their homelands, and respect for the land and its inhabitants. Yet they also share histories of colonialism and experience its ongoing legacies and are united in their desire to protect northern ecologies, languages, peoples and knowledge from the nefarious effects of climate change, encroaching industry and competition. These resistance efforts do not merely express, they give shape to a collective ecology of care, a “decolonial love” (in the words of Leanne Simpson and others) that is both generous and generative. These works invite viewers to contemplate relationships between textual and embodied Indigenous knowledges, innovation and sustainability, humour and resilience, and our collective responsibility to northern life and land.

 

Produced and circulated by: Leonard & Bina Ellen Art Gallery, Concordia University
Patron Sponsor: Birch Hill Equity Partners
Supported by: Canada Council for the Arts, Conseil des arts et des lettres du Québec, Social Sciences and Humanities Research Council (Mobilizing Inuit Cultural Heritage), Initiative for Indigenous Futures and Nexus Investments

 

Onsite Gallery is the flagship professional gallery of OCAD U and an experimental curatorial platform for art, design and new media. Visit our website for upcoming public events. The gallery is located at 199 Richmond St. W, Toronto, ON, M5V 0H4. Telephone: 416-977-6000, ext. 265. Opening hours are: Wednesdays from noon to 8 p.m.; Thursdays and Fridays from noon to 7 p.m.; Saturdays and Sundays from noon to 5 p.m. Free admission.

Onsite Gallery acknowledges that the new gallery construction project is funded in part by the Government of Canada's Canada Cultural Spaces Fund at Canadian Heritage, the City of Toronto through a Section 37 agreement and Aspen Ridge Homes; with gallery furniture by Nienkämper. Onsite Gallery logo by Dean Martin Design.

 

Image (top): Marja Helander, Dolastallat (To have a campfire), 2016. Video still. Courtesy of the artist.
Image (bottom): Laakkuluk Williamson Bathory, Timiga Nunalu Sikulu (My Body, the Land and the ice), 2016. Video still. Video, colour, sound, 6 min. 28 sec.

Venue & Address: 
Onsite Gallery (199 Richmond St. West)
Email: 
onsite@ocadu.ca
Phone: 
416-977-6000 x456
Cost: 
Free
Laakkuluk Williamson Bathory, Timiga Nunalu Sikulu (My Body, the Land and the ice)

Onsite Gallery: Call for OCAD U Faculty of Design Students

Onsite Gallery is currently recruiting an OCAD U student who is currently enrolled in the Faculty of Design to participate as a member of the gallery’s Advisory Programming Committee.

Complexity versus Simplicity: Historic Influences on the Contemporary Work of T.M. Glass

Thursday, August 8, 2019 - 6:30pm

Complexity versus Simplicity: Historic Influences on the Contemporary Work of T.M. Glass
Thursday, August 8, 2019
6:30 p.m.

Onsite Gallery
199 Richmond St. West

Free event as part of Onsite Gallery's public event program for T.M. Glass: The Audible Language of Flowers.


Jennifer Franks will discuss the pendulum swing between complexity and simplicity throughout art history, while highlighting the historic influences in the contemporary work of T.M. Glass.

 

Jennifer Franks is an art historian specializing in Decorative Arts, specifically Ceramics and Glass (1600 to present), with a MA in the History of Design and Curatorial Studies via Parsons, The New School for Design (New York). She has worked for Christie’s (New York), Waddesdon Manor (Buckinghamshire, UK) on behalf the National Trust and Rothschild estate, and the Philadelphia Museum of Art, among other leading art institutions as museum Researcher, Chief Curator, and Executive Director.

 

T.M. Glass: The Audible Language of Flowers
May 8 to August 18, 2019

Curated by Francisco Alvarez, Dorene & Peter Milligan Executive Director, OCAD U Galleries

T.M. Glass: The Audible Language of Flowers presents recent series of images by lens-based artist T.M. Glass that feature blooms and vessels from unique gardens across the globe. Glass' distinct photographic style is characterized by extensive digital embellishment of textures and colours to enhance the emotion and geometry of flowers. Recently, the artist’s large-scale flower images expanded into the third dimension through advanced 3-D printing technology. Inspired by 17th century European flower paintings, the artist contends that contemporary digital photographers are also painters who work with pixels instead of oils.

Onsite Gallery is the flagship professional gallery of OCAD U and an experimental curatorial platform for art, design and new media. Visit our website for upcoming public events. The gallery is located at 199 Richmond St. W, Toronto, ON, M5V 0H4. Telephone: 416-977-6000, ext. 265. Opening hours are: Wednesdays from noon to 8 p.m.; Thursdays and Fridays from noon to 7 p.m.; Saturdays and Sundays from noon to 5 p.m. Free admission.

Onsite Gallery acknowledges that the gallery construction project is funded in part by the Government of Canada's Canada Cultural Spaces Fund at Canadian Heritage, the City of Toronto through a Section 37 agreement and Aspen Ridge Homes; with gallery furniture by Nienkämper. Onsite Gallery logo by Dean Martin Design.

 

Image: Installation view: T.M. Glass: The Audible Language of Flowers, Onsite Gallery, OCAD University, Toronto, 2019. Photo: Yuula Benivolski.

Venue & Address: 
Onsite Gallery (199 Richmond St. West)
Email: 
onsite@ocadu.ca
Phone: 
416-977-6000 x456
Cost: 
Free
Installation view: T.M. Glass: The Audible Language of Flowers, Onsite Gallery, OCAD University, Toronto, 2019. Photo: Yuula Ben

ᐊᕙᑖᓂᑦ ᑕᒪᐃᓐᓂᑦ ᓄᓇᑐᐃᓐᓇᓂᑦ / Among All These Tundras

Wednesday, September 18, 2019 - 6:00pm to Saturday, December 7, 2019 - 5:00pm

ᐊᕙᑖᓂᑦ ᑕᒪᐃᓐᓂᑦ ᓄᓇᑐᐃᓐᓇᓂᑦ

Among All These Tundras
September 18 to December 7, 2019

Free public reception
Wednesday, September 18 from 6 to 9 p.m.

ᐊᓯᓐᓇᔭᖅ
ᓛᑯᓗᒃ ᐅᐃᓕᐊᒻᓴᓐ ᐸᑦᑑᕆ
ᑲᕈᓚ ᑯᕋᕼᐊᓐ
ᒫᔾᔭ ᕼᐋᓕᓐᑐ ᐅᓇᓗ ᓵᒥ ᕕᓐᓚᓐᒥᐅᑕᖅ
ᖃᑉᓗᓯᐊᖅ
ᓵᓐᔭ ᑲᓕᕼᐅ-ᑰᒻᔅ
ᔪᐊᖅ ᓇᓐᑰ
ᑕᕐᕋᓕᒃ ᐹᑐᔨ
ᐱᐅᓕ ᐸᑐ
ᐃᓅᑎᖅ ᓯᑐᐊᑦᔅ
ᑲᔨᓐ ᐸᓐ ᕼᐅᕕᓕᓐ
ᐊᓕᓴᓐ ᐊᑰᑦᓲᒃ ᒍᐊᑕᓐ

asinnajaq
Laakkuluk Williamson Bathory
Carola Grahn
Marja Helander
Kablusiak
Sonya Kelliher-Combs
Joar Nango
Taqralik Partridge
Barry Pottle
Inuuteq Storch
Couzyn van Heuvelen
Allison Akootchook Warden

ᑕᑯᔭᒐᖃᕐᕕᖕᒥ ᑲᒪᔨᑦ: Hᐃᑐ ᐃᒡᓗᓕᐅᖅᑎ, ᐋᐃᒥ ᐳᕈᑎ ᐊᒻᒪᓗ ᓴᕆᓴ ᐹᓐ ᕼᐃᐅᓕᒐ
ᓴᕿᑕᐅᔪᖅ ᐊᒻᒪᓗ ᑐᓂᔭᐅᔪᖅ ᑖᒃᑯᓇᖓᑦ ᓕᓄᑦ ᐊᒻᒪᓗ ᐲᓇ ᐊᓕᓐ ᓴᓇᖕᖑᐊᖅᓯᒪᔪᓂᒃ ᑕᑯᔭᒐᖃᕐᕕᒃ, ᑳᓐᑯᑎᐊ ᐃᓕᓐᓂᐊᕐᕕᒃᔪᐊᖅ

Curated by Heather Igloliorte, Amy Dickson and Charissa von Harringa
Produced and circulated by the Leonard & Bina Ellen Art Gallery, Concordia University 

ᐊᕙᑖᓂᑦ ᑕᒪᐃᓂᑦ ᓄᓇᑐᐃᓐᓇᓂᑦ, ᐊᑎᖓ ᐱᔭᐅᓯᒪᔪᖅ ᑕᐃᒎᓯᕐᒥᑦ “ᐊᖕᖏᕋᕋ ᐆᒻᒪᑎᓐᓃᑦᑐᖅ” ᑎᑎᕋᖅᓯᒪᔭᖓ ᓵᒥᒥᐅᑕᖅ ᓂᐅᔅ-ᐊᔅᓚᒃ ᕚᑭᐊᐹ, ᓴᕿᔮᖅᑎᑕᐅᔪᖅ ᓄᓇᖅᑲᖅᑳᖅᓯᒪᔪᑦ ᓴᓇᖕᖑᐊᖅᑎᖏᓐᓂᑦ ᓇᑭᑐᐃᓐᓇᖅ ᑲᔾᔨᐊᓂ ᓄᓇᕐᔪᐊᑉ ᐅᑭᐅᖅᑕᖅᑐᐊᓂ ᐅᑯᐊ ᓴᓇᔭᐅᔪᑦ ᐅᖃᐅᓯᑦ ᐊᒻᒪᓗ ᓂᕈᐊᖅᑕᐅᓯᒪᔪᓄᑦ ᐃᓄᖕᓄᑦ ᐅᖃᖅᓯᒪᔭᐅᔪᑦ ᒫᓐᓇ ᐅᑭᐅᖅᑕᖅᑐᖅ ᐃᓱᒫᓘᑎᒋᓪᓗᒍ ᑐᑭᓯᓇᖅᓯᑎᑕᐅᕙᓪᓕᐊᑎᓪᓗᒋᑦ ᓄᓇ, ᐅᖃᐅᓯᖅ, ᓄᓇᖃᖅᑐᑦ ᐊᒻᒪᓗ ᐅᒃᐱᕐᓂᖅᑖᑲᓐᓂᕐᓂᖅ. ᓴᓇᖑᐊᖅᑎᑦ ᓄᓇᖅᑲᖅᑳᖅᓯᒪᔪᑦ ᓄᓇᖏᓐᓂᑦ ᑕᒫᖓᑦ ᓄᓇᕐᔪᐊᑉ ᑲᔾᔨᐊᓂᑦ ᐅᑭᐅᖅᑕᖅᑐᖅ ᑐᓴᕐᑎᑦᑎᔪᑦ ᐃᒻᒪᑲᓪᓚᓂᑦ ᖃᓪᓗᓈᖑᖅᑎᑕᐅᓯᒪᒐᒥᒃ ᐊᒻᒪᓗ ᐊᑐᖅᓯᒪᔭᑎᒃ ᐳᐃᒍᓇᓐᖏᑦᑐᑦ ᐃᓅᓯᕆᓚᐅᖅᑕᒥᖕᓂᑦ, ᐊᒻᒪᓗ ᐊᑕᐅᓯᐅᓕᕐᓂᖅ ᓴᐳᒻᒥᓂᐊᕐᓗᒋᑦ ᐅᑭᐅᖅᑕᖅᑐᖅ ᐆᒪᔪᓕᒫᖏᑦ ᐊᕙᑎᓕᒫᖏᓪᓗ, ᐅᖃᐅᓯᖏᑦ, ᐃᓄᖏᑦ ᐊᒻᒪᓗ ᖃᐅᔨᒪᓂᖏᑦ ᑕᒫᖓᑦ ᐱᐅᓐᖏᑦᑐᐋᓗᖕᓂᑦ ᐊᒃᑐᖅᑕᐅᓂᖓᓄᑦ ᓯᓚ ᐅᖂᓯᓂᖓᓄ ᐊᓯᑦᔨᕐᓂᖓᓄᑦ, ᓄᓇᕐᔪᐊᖅ ᓄᓇᒥᑦ ᐲᔭᐃᔪᒪᔪᑦ, ᐱᕈᖅᑎᑦᑎᕙᓪᓕᐊᔪᑦ ᑲᓐᐸᓂᕐᔪᐊᓂᒃ, ᐊᒻᒪᓗ ᓄᓇᖃᑎᒌᓐᖏᑦᑐᕐᔪᐊᑦ ᓵᓚᒌᖃᑦᑕᐅᑎᒐᓱᐊᖅᑐᑦ. ᑲᑐᔾᔨᓗᑕ, ᐅᑯᐊ ᓴᓇᔭᐅᔪᑦ ᑕᑯᑎᑦᑎᕗᒍᑦ ᐃᓚᒌᒍᓯᖏᓐᓂᒃ ᐊᕙᑖᓂᑦ ᐊᒃᑐᒐᒃᓴᐅᔪᑦ ᐊᒻᒪᓗ ᑭᓱᓕᒫᑦᓯᐊᖏᑦ ᓄᓇᖅᑲᖅᑳᖅᓯᒪᔪᑦ ᖃᐅᔨᒪᓂᖏᑦ ᐊᑐᖅᑕᐅᓗᑎᒃ, ᓄᑖᓂᒃ ᐱᓕᕆᔾᔪᑎᖃᕐᓕᕐᓂᖅ ᐊᒻᒪᓗ ᓄᖑᑉᐸᓪᓕᐊᓂᖏᑦᑐᓂᒃ, ᑎᔅᓯᓇᖅᑐᑦ ᐊᒻᒪᓗ ᐊᑐᕐᓗᒍ ᐊᓐᓇᒍᓐᓇᕐᓂᖅ, ᐊᒻᒪᓗ ᑕᒪᑦᑕ ᑲᑐᑎᓗᑎᒍᑦ ᐱᔭᒃᓴᕆᔭᕗᑦ ᐅᑭᐅᖅᑕᖅᑐᑉ ᐃᓅᓯᖓ ᐊᒻᒪᓗ ᓄᓇᖓ.

Among All These Tundras, a title taken from the poem ‘My Home Is in My Heart’ by famed Sámi writer Nils-Aslak Valkeapää, features contemporary art by Indigenous artists from around the circumpolar world. Together, their works politically and poetically express current Arctic concerns towards land, language, sovereignty and resurgence. Artists from throughout the circumpolar north share kinship with each other and their ancestors, love for their homelands, and respect for the land and its inhabitants. Yet they also share histories of colonialism and experience its ongoing legacies and are united in their desire to protect northern ecologies, languages, peoples and knowledge from the nefarious effects of climate change, encroaching industry and competition. These resistance efforts do not merely express, they give shape to a collective ecology of care, a “decolonial love” (in the words of Leanne Simpson and others) that is both generous and generative. These works invite viewers to contemplate relationships between textual and embodied Indigenous knowledges, innovation and sustainability, humour and resilience, and our collective responsibility to northern life and land.

ᐃᓄᒃᑎᑑᓕᖅᑕᖏᑦ ᕉᑕ ᖃᔮᕐᔪᐊᖅ
Translation by Rhoda Kayakjuak

 

Curator Biographies

Dr. Heather Igloliorte is the University Research Chair in Indigenous Circumpolar Arts at Concordia University in Tiohtiá:ke/Montreal, where she also leads the Inuit Futures in Arts Leadership SSHRC Partnership Grant and Co-Directs the Initiative for Indigenous Futures Cluster (IIF) in the Milieux Institute for Arts, Culture and Technology with Professor Jason Edward Lewis. Igloliorte currently serves as the Co-Chair of the Indigenous Circle for the Winnipeg Art Gallery, working on the development of the new national Inuit Art Centre; on the Board of Directors for North America's largest Indigenous art historical association, the Native North American Art Studies Association; is Vice-President of the Inuit Art Foundation; and sits on the Faculty Council of the Otsego Institute for Native American Art History at the Fenimore Art Museum in Cooperstown, New York, among others.

Amy Dickson is an emerging curator and doctoral student in the Art History program at Concordia University. Her research focuses on the practice of Inuit artists within urban spaces and the role of art in the construction of place. Amy holds a BA and an MA in Art History, both from Carleton University. Her writing has been featured in Inuit Art Quarterly and esse arts + opinions.

Charissa von Harringa is a PhD Researcher in Art History at Concordia University in Montreal, Quebec. She holds a B.A. in Anthropology from New York University (2007) and an M.A. in Art History from Concordia University (2016). Von Harringa’s academic area of focus lies at the intersection of several fields including Circumpolar, Indigenous, Memory and Performance Studies. Through her doctoral work she examines the media-based practices, archival dispositions, and networked agencies of pan-Inuit and Sámi artists. These are analyzed as they engage past and present Arctic discourse, elaborate new functions of tradition and modernity, and clarify the ever-evolving nexus of theory and practice in contemporary art towards sovereign ends. She has several published essays and reviews in Inuit Art Quarterly and RACAR: revue d'art canadienne / Canadian Art Review, among others.

Artist Biographies

asinnajaq
Inukjuak, Nunavik and Montreal, Quebec

asinnajaq is an Inuit artist from Inukjuak, Nunavik. Her film, Three Thousand (2017), blends archival footage with animation to imagine her home community of Inukjuak from the past into the future. Three Thousand won Best Experimental film at the 2017 imagiNATIVE media arts festival, and was nominated for Best Short Documentary at the 2018 Canadian Screen Awards. She is a laureate of the REVEAL Indigenous Art Award in 2017 and the Toronto Film Critics Association’s Technicolour Clyde Gilmour Award in 2018. She is one of the curators of Tillitarniit, a three-day festival in Montreal which celebrates Inuit culture. asinnajaq was apart of the curatorial team that worked with Isuma on their representation of Canada at the 2019 Venice Biennial. She is also be on the curatorial team working on the inaugural exhibition of the Inuit Art Center opening in 2020.

Laakkuluk Williamson Bathory
Iqaluit, Nunavut

Laakkuluk Williamson Bathory is an artist that applies her study of uaajeerneq (Greenlandic mask dancing) and understandings of Inuit philosophies into many genres, from performance art and theatre to writing and curatorial work. Co-winner of the 2018 Dora Award for most outstanding play and of the inaugural Kenojuaq Ashevak Memorial Award from the Inuit Art Foundation, Laakkuluk is the first Artistic Director of Qaggiavuut, a nonprofit society in Nunavut supporting Inuit artists and advocating for a Nunavut performing arts centre. Laakkuluk lives in Iqaluit with her husband and three children.

Kablusiak
Mohkinstsis (Calgary), Alberta

Kablusiak is an Inuvialuk artist and curator based in Mohkinstsis and holds a BFA in Drawing from the Alberta University of the Arts. They are represented by Jarvis Hall Gallery, and their work has been acquired by public and private collections across so-called Canada. Kablusiak is a board member of Stride Gallery (2016-present). Awards include the Alberta Foundation for the Arts Young Artist Prize (2017) and the Primary Colours Emerging Artist Award (2018). A multi-disciplinary artist, they imbue a variety of mediums with their trademark ironic humour to address cultural displacement. The light-hearted nature of their practice extends gestures of empathy and solidarity; these interests invite a reconsideration of the perceptions of contemporary Indigeneity. Kablusiak, along with three Inuit curators, will be creating the inaugural exhibition of the new Inuit Art Centre in 2020, and they are shortlisted for the 2019 Sobey Art Award, representing the Prairies and the North.

Carola Grahn
Malmö, Sweden and Kittelfjäll, Sápmi

Carola Grahn is a Sámi visual artist based out Malmö, Sweden and Kittelfjäll in Sápmi. Grahn works primarily with materializations of text, installation strategies and sculptural media. Her affective text- and sound-based sculptural installations lend poetic dialogue to the contexts of place, labour, and identity that are attuned to the slippages of language and representation in art while complicating cultural and gendered social constructions of the North. Carola is an internationally-known artist in northern Scandinavia and abroad, whose work has been shown at Southbank Centre, 2017 (London, UK), Carleton University Art Gallery, 2017 (Ottawa), Art Gallery of Southwestern Manitoba, 2017 (Brandon), Office of Contemporary Art Norway, 2017, Tråante, 2017 (Nor), Havremagasinet, 2016 (Sweden), Art Centre KulttuuriKauppila, 2016 (Fin), Bildmuseet, Umeå (Swe), 2014, Galleri Jinsuni, Seoul, 2014 (South Korea) amongst other places. Grahn has been the guest editor of Hjärnstorm magazine 2017, she has written for Afterall (2017) and published the conceptual novel Lo & Professorn (2013). Grahn’s work is also represented in the Swedish Art Council’s collection.

Marja Helander
Utsjok and Helsinki, Finland

Marja Helander is a video artist and photographer based in Utsjok and Helsinki, Finland. Her multi-media practice draws from her Sámi and Finnish ancestry. Helander explores themes related to femininity, identity and the tension between traditional Sámi ways of life and modern Finnish society. Her recent work concentrates on post-colonial topics among Sámi including industry and resource extraction in the North with photography and video art that feature the Northern landscape and Sami issues of modernity through a tragicomic lens. Although originally trained as a painter, Helander decided to pursue her interest in photography, graduating from the University of Art and Design in Helsinki in 1999. Since then she has presented works in solo and group exhibitions both in Finland and abroad, with many shows in northern Scandinavia, Canada, South Africa, and Mali. Her video work Dolastallat won the Kent Monkman award at imagineNATIVE Film + Media Arts Festival in Toronto, 2016. In 2017, Helander was chosen as the Finnish Cultural Institute in New York’s artist-in-residency. Her recent short, Birds in the Earth won Risto Jarva Prize and the Main Prize in the National Competition in the Tampere Film Festival 2018 in Finland. Helander´s works are also included in collections in several Scandinavian museums and in the National Gallery of Canada. Helander has also made a public artwork So Everything Flourishesfor the Sámi Cultural Centre Sajos, in Inari.

Sonya Kelliher-Combs
Nome, Alaska

Sonya Kelliher-Combs is an Iñupiaq and Athabascan artist from the Alaskan community of Nome. Through her mixed media painting and sculpture, Kelliher-Combs offers a chronicle of the ongoing struggle for self-definition and identity in the Alaskan context. Her combination of shared iconography with intensely personal imagery demonstrates the generative power that each vocabulary has over the other. Similarly, her use of synthetic, organic, traditional and modern materials dissolves binaries of Western/Native culture, self/other and man/nature, to examine their interrelationships and interdependence while also questioning accepted notions of beauty. Kelliher-Combs’s work has been shown in numerous individual and group exhibitions, including the national exhibition Changing Hands 2: Art without Reservation and the inaugural Sakahàn quinquennial of Indigenous art at the National Gallery of Canada in 2013. Recent exhibitions include Hide: Skin as Material and Metaphor at the National Museum of American Indian Art in 2010 and the traveling exhibition THIS IS DISPLACEMENT: Native Artists Consider the Relationship Between Land and Identity in 2011.

Joar Nango
Alta and Tromsø, Norway

Joar Nango is a Sámi and Norwegian architect and visual artist, born in Alta, Norway, and who currently lives and works in Tromsø, Norway. His varied practices often involve site-specific performances and structural installations which explore the intersection of architecture and visual art, drawing from both his Sámi heritage and Western culture. Nango is a co-founder of the architecture collective FFB, who create temporary installations in urban settings. He has exhibited in Canada at Western Front (Vancouver, 2014) and Gallery 44 (Toronto, 2016) and internationally at 43SNA, Medellin (Colombia, 2013), and the Norwegian Sculpture Biennale at Vigelandsmuseet (Oslo, Norway, 2013). One of his recent projects was European Everything (2017) at Documenta 14 in Athens and Kassel, an extensive installation and performance which involved collaborations with Sámi and European artists, writers, poets and musicians.

Taqralik Partridge
Kuujjuaq, Nunavik

Taqralik Partridge is an Inuk artist, writer, curator, throatsinger, and spoken word poet. She is originally from Kuujjuaq in Nunavik, although she now splits her time between Canada and Kautokeino in northern Sápmi. Partridge’s writing focuses on both life in the north and on the experiences of Inuit living in the south. Partridge co-founded the Tusarniq festival held in Montreal. Her performance work has been featured on CBC radio one and she has toured with the Montreal Symphony Orchestra. Partridge has also worked as Director of Communications for the Avataq Cultural Institute. In 2010, her short story Igloolik won first prize in the Quebec Writing Competition and the same year she was a featured artist onstage at the 2010 Olympics in Vancouver. In 2018, Partridge was named as a finalist for the CBC Short Story Prize. Partridge is Editor-at-Large for the Inuit Art Quarterly. Her work will be featured as an official selection at the Sydney Biennale in Sydney, Australia in 2020.

Barry Pottle
Rigolet, Nunatsiavut and Ottawa, Ontario

Barry Pottle is an Inuk artist from Nunatsiavut in Labrador (Rigolet), now living in Ottawa, Ontario. He has worked with the Indigenous arts community for many years particularly in the city of Ottawa. Barry has always been interested in photography as a medium of artistic expression and as a way of exploring the world around him. Living in Ottawa, which has the largest urban population of Inuit outside the North, Barry has been able to stay connected to the greater Inuit community. Through the camera’s len, Barry showcases the uniqueness of this community. Whether it is at a cultural gathering, family outings or the solitude of nature that photography allows, he captures the essence of Inuit life in Ottawa. From a regional perspective, living in the Nation’s Capital allows him to travel throughout the valley and beyond to explore and photograph people, places and events, as well as articulate and interrogate the emergent identity of an “urban Inuk.” His projects have included the “Foodland Security”series which highlights the importance of access to country food in urban communities and the “Awareness” series which documents the history of the Eskimo ID tags and the elders who wore them. Mostly self-taught, his work is rooted in photojournalism. His work can be seen in the collections of the National Gallery of Canada, the Canadian Museum of History, and Indigenous and Northern Affairs Canada.

Inuuteq Storch
Sisimiut, Greenland and Copenhagen, Denmark

Inuuteq Storch is a Kalaallit visual artist, photographer, musician and author based in Copenhagen, Denmark and Sisimiut, Greenland. Storch received his photography certifications from the International Center of Photography in New York in 2016, and at Fatamorgana in Copenhagen in 2011. The artist’s practice in photography, film, video, music and installation, incorporates archival and contemporary images to comment on colonialism and the present day impacts and realities of modernization on Greenlandic communities. He is the author of Porcelain Souls (2018), a collection of family photos and letters from Greenland in the 1960s, and anticipates a forthcoming publication this December. Storch has participated in several festivals and major international solo and group exhibitions including: Old Films of the New Tale (Sisimiut Culture House, Greenland, 2017) and Run Away For Mother Earth (Katuaq, Nuuk Culture house, 2012). His group shows include Chirts & Cloves (Nuuk Kunst Museum and Sisimiut Culture House, 2018), Notas Al Futuro (Espacio El Pasajero, Bogota, Colombia, 2017), and the Pop Up Archive Exhibition, MANA (New Jersey, 2017).

Couzyn van Heuvelen
Iqaluit, Nunavut and Toronto, Ontario

Couzyn van Heuvelen is an Inuit artist born in Iqaluit but who has lived most of his life in Southern Ontario. His artistic practice blends modern fabrication techniques with Inuit tradition to create “hybrid” objects that explore both cultural tensions and synchronicities. Van Heuvelen holds a BFA from York University and an MFA from NSCAD University. His work has been included in several group exhibitions across Canada. Recently, van Heuvelen created an aluminum qamutiik sculpture at the Southway Inn in Ottawa, Ontario for the Lost Stories Project commemorating the historical significance of the hotel being a landing point for Inuit traveling south for school, employment and medical care. In 2017, van Heuvelen was chosen as the Sheridan College Temporary Contemporary Artist in Residence and the subsequent work, Nitsiit (2017) was featured at Sheridan’s Hazel McCallion Campus in Mississauga.

Allison Akootchook Warden
Kaktovik and Fairbanks, Alaska

Allison Warden is an Iñupiaq interdisciplinary visual and performance artist who raps under the name AKU-MATU. She was born in Fairbanks, Alaska with close ties to Kaktovik, Alaska and is now based in Anchorage. Warden’s practice weaves together Iñupiaq narratives and traditions from the past, present, and imagined futures. She is the creator of one-woman show, “Calling All Polar Bears” which in 2011 was part of a National Performance Network residency. Her most recent work is Unipkaaġusiksuġuvik (the place of the future/ancient) at the Anchorage Museum in Alaska in 2016, featured an extensive performative installation piece in which she was present in the gallery for 390 hours over two months. As AKU-MATU, she performed at the Riddu Riddu Music Festival in 2018 as part of the Inuit Circumpolar Hip-Hop Collaboration. In 2018, Warden was awarded the Rasmuson Individual Artist Fellowship in the new genre category.

 

Produced and circulated by: Leonard & Bina Ellen Art Gallery, Concordia University
Patron Sponsor: Birch Hill Equity Partners
Supported by: Canada Council for the Arts, Conseil des arts et des lettres du Québec, Social Sciences and Humanities Research Council (Mobilizing Inuit Cultural Heritage), Initiative for Indigenous Futures and Nexus Investments

 

Onsite Gallery is the flagship professional gallery of OCAD U and an experimental curatorial platform for art, design and new media. Visit our website for upcoming public events. The gallery is located at 199 Richmond St. W, Toronto, ON, M5V 0H4. Telephone: 416-977-6000, ext. 265. Opening hours are: Wednesdays from noon to 8 p.m.; Thursdays and Fridays from noon to 7 p.m.; Saturdays and Sundays from noon to 5 p.m. Free admission.

Onsite Gallery acknowledges that the new gallery construction project is funded in part by the Government of Canada's Canada Cultural Spaces Fund at Canadian Heritage, the City of Toronto through a Section 37 agreement and Aspen Ridge Homes; with gallery furniture by Nienkämper. Onsite Gallery logo by Dean Martin Design.

 

Image: Marja Helander, Dolastallat (To have a campfire), 2016. Video still. Courtesy of the artist.

Venue & Address: 
Onsite Gallery (199 Richmond St. West)
Email: 
onsite@ocadu.ca
Phone: 
416-977-6000 x265
Cost: 
Free
Image: Marja Helander, Dolastallat (To have a campfire), 2016. Video still. Courtesy of the artist.

Arts & Crafts Garden Visit

Sunday, June 9, 2019 - 2:00pm

Arts & Crafts Garden Visit
Sunday, June 9, 2019
2 p.m.

Limited availability; advance registration required
Tickets available on Onsite Gallery’s Facebook page as of Friday, May 24 at noon

Co-presented with the Toronto Botanical Garden

Join T.M. Glass, Onsite Gallery and the Toronto Botanical Garden for a special visit to T.M. Glass’ traditional Arts & Crafts Garden. The artist and the Toronto Botanical Garden will lead a tour of the garden and speak about the flowers in bloom, gardening and the history of Arts & Crafts Gardens.

 

T.M. Glass: The Audible Language of Flowers
May 8 to August 18, 2019

Curated by Francisco Alvarez, Dorene & Peter Milligan Executive Director, OCAD U Galleries

T.M. Glass: The Audible Language of Flowers presents recent series of images by lens-based artist T.M. Glass that feature blooms and vessels from unique gardens across the globe. Glass' distinct photographic style is characterized by extensive digital embellishment of textures and colours to enhance the emotion and geometry of flowers. Recently, the artist’s large-scale flower images expanded into the third dimension through advanced 3-D printing technology. Inspired by 17th century European flower paintings, the artist contends that contemporary digital photographers are also painters who work with pixels instead of oils.

T.M. Glass is a digital artist based in Toronto, whose practice explores the historical, technological, and aesthetic conditions of photography to stretch it beyond its traditional definition. The works have been showcased in multiple solo exhibitions and held in private collections in the Canada, the United States, Britain, France, and Australia. Glass turned to photography as the primary mode of production after studying sculpture at the Ontario College of Art and Design and pursuing a distinguished career in writing and production for film and television. Glass uses rapidly advancing digital technology to celebrate the beauty of nature.

Onsite Gallery is the flagship professional gallery of OCAD U and an experimental curatorial platform for art, design and new media. Visit our website for upcoming public events. The gallery is located at 199 Richmond St. W, Toronto, ON, M5V 0H4. Telephone: 416-977-6000, ext. 265. Opening hours are: Wednesdays from noon to 8 p.m.; Thursdays and Fridays from noon to 7 p.m.; Saturdays and Sundays from noon to 5 p.m. Free admission.

Onsite Gallery acknowledges that the gallery construction project is funded in part by the Government of Canada's Canada Cultural Spaces Fund at Canadian Heritage, the City of Toronto through a Section 37 agreement and Aspen Ridge Homes; with gallery furniture by Nienkämper. Onsite Gallery logo by Dean Martin Design.

 

Image: T.M. Glass, Orchids in a Gold-Coloured Ceramic Vase, 2018, archival pigment ink on archival cotton rag paper fused to Dibond, 58" x 58". Courtesy of the artist.

Venue & Address: 
Address provided upon registration
Website: 
https://www.eventbrite.ca/e/arts-crafts-garden-visit-tickets-60709997236
Email: 
onsite@ocadu.ca
Phone: 
416-977-6000 x456
Cost: 
Free
Image: T.M. Glass, Orchids in a Gold-Coloured Ceramic Vase, 2018, archival pigment ink on archival cotton rag pape

Oil Infusion Workshop with Kat Mahon

Tuesday, July 9, 2019 - 6:30pm

Oil Infusion Workshop with Kat Mahon
Tuesday, July 9, 2019
6:30 p.m.

Onsite Gallery
199 Richmond St. West

Free event as part of Onsite Gallery's public event program for T.M. Glass: The Audible Language of Flowers.

Limited availability; advance registration required
Tickets available on Onsite Gallery’s Facebook page as of Tuesday, June 18 at noon


Join us for a presentation on flowers throughout history, highlighting the specific uses of certain flowers then and now for their medicinal and therapeutic purposes. This will be followed by hands-on workshop where participants create their own oil infusion. Everyone will leave with their artistic jar of flower-infused body oil to take home. All materials provided.

 

Kat Mahon is a Certified Aromatherapist with three years of experience working with natural plant medicines in a professional setting. During this time she cultivated a love for plants and their many benefits for the human body, creating useful and transformative products for clients. Her business Goddess of Beauty Cosmetics, reflecting her teaching and values, creates healthy, 100% plant derived and sustainable products that work wonders for the skin, hair, and mind. With inspiring energy, she loves to share her knowledge about the plants of our time and how beautiful and wonderful they truly are.

 

T.M. Glass: The Audible Language of Flowers
May 8 to August 18, 2019

Curated by Francisco Alvarez, Dorene & Peter Milligan Executive Director, OCAD U Galleries

T.M. Glass: The Audible Language of Flowers presents recent series of images by lens-based artist T.M. Glass that feature blooms and vessels from unique gardens across the globe. Glass' distinct photographic style is characterized by extensive digital embellishment of textures and colours to enhance the emotion and geometry of flowers. Recently, the artist’s large-scale flower images expanded into the third dimension through advanced 3-D printing technology. Inspired by 17th century European flower paintings, the artist contends that contemporary digital photographers are also painters who work with pixels instead of oils.

Onsite Gallery is the flagship professional gallery of OCAD U and an experimental curatorial platform for art, design and new media. Visit our website for upcoming public events. The gallery is located at 199 Richmond St. W, Toronto, ON, M5V 0H4. Telephone: 416-977-6000, ext. 265. Opening hours are: Wednesdays from noon to 8 p.m.; Thursdays and Fridays from noon to 7 p.m.; Saturdays and Sundays from noon to 5 p.m. Free admission.

Onsite Gallery acknowledges that the gallery construction project is funded in part by the Government of Canada's Canada Cultural Spaces Fund at Canadian Heritage, the City of Toronto through a Section 37 agreement and Aspen Ridge Homes; with gallery furniture by Nienkämper. Onsite Gallery logo by Dean Martin Design.

 

Image: Kat Mahon

Venue & Address: 
Onsite Gallery (199 Richmond St. West)
Website: 
https://www.facebook.com/events/480177892719408
Email: 
onsite@ocadu.ca
Phone: 
416-977-6000 x456
Cost: 
Free
Kat Mahon

OCADU Gallery Crawl

2019 Gallery Crawl - header
Saturday, March 23, 2019 - 2:00pm to 5:00pm

Visit the OCAD University art district for the second annual Gallery Crawl!
Featuring special programming at our eight galleries. Artists and curators will be present to introduce their work.
Join a free guided tour departing from the 100 McCaul St. lobby at 2pm, 3pm & 4pm. 
RSVP: tneuspiel@ocadu.ca

Gallery Crawl Locations:
The Great Hall, Ada Slaight Student Gallery 
and Anniversary Gallery (100 McCaul St.)
Learning Zone (113 McCaul St.)
Open Space Gallery (49 McCaul St.)
Graduate Gallery (205 Richmond St. W.)
Onsite Gallery (199 Richmond St. W.)
Ignite Gallery (165 Augusta Ave.)

 

Venue & Address: 
Tours meet in the 100 McCaul St. lobby at 2pm, 3pm & 4pm
Email: 
tneuspiel@ocadu.ca
Cost: 
FREE!
2019 Gallery Crawl - poster

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