This cross-disciplinary area with direct experience of studio-based learning, is the first undergraduate program in Canada.

"title:______________" (to be defined by you)

Friday, June 21, 2019 - 5:00pm

WAYFINDING AND COMPUTER PROGRAMMING FOR THE BLIND.
PROMOTING INCLUSIVE ENVIRONMENTS AND NAVIGATIONAL SYSTEM FOR CHILDREN'S TREATMENT CENTRES.
PROMOTING COMPASSION IN PEDIATRIC ONCOLOGY CLINICS.
AFFECTIVE COMMUNICATION THROUGH NON-WESTERN TYPOGRAPHIES.
REDISCOVERING THE EDUCATIONAL VALUE OF CURSIVE INTHE DIGITAL AGE.
ACTIVITYTRACKING FOR THE DIABETIC COMMUNITY.

Venue & Address: 
OCAD U Graduate Gallery 205 Richmond St. W.
Cost: 
Free
WAYFINDING AND COMPUTER PROGRAMMING FOR THE BLIND. PROMOTING INCLUSIVE ENVIRONMENTS AND NAVIGATIONAL SYSTEM FOR CHILDREN'S TREAT
Keywords: 

Sha Hwang, in conversation

Sha Hwang
Wednesday, June 19, 2019 - 6:30pm to 8:30pm

Sha is the COO and a co-founder of Nava, a public benefit corporation formed during efforts to help fix HealthCare.gov. Nava partners with government agencies to improve critical public services, and now works across several projects in the US on programs including Medicare, Medicaid, Veterans Affairs, and SNAP. Pairing a strong service design and user research centered approach with rigorous experience in building scalable and resilient public infrastructure, Nava has helped tens of millions of people enroll in and manage their benefits, streamlined processes to save decades of labour years, and saved government agencies hundreds of millions of dollars.

An architect by training and an entrepreneur by accident, previous to co-founding Nava Sha worked for clients including the New York Times, Harvard's Library Lab, CNN, Flickr, and Adobe. A frequent speaker, Sha has spoken at events and institutions around the world including the Eyeo Festival, Webstock, The Conference, Visualized, and the White House Datapalooza.

The event is co-presented by the Digital Futures Graduate Program at OCADU and Civic Hall Toronto

Please contact Josh Paglione (jpaglione@ocadu.ca) if you require any accomodations.

Thanks to our community partners:

 

 

Venue & Address: 
100 McCaul St. Room 190
Website: 
https://www.eventbrite.ca/e/sha-hwang-in-conversation-tickets-63380217938
Email: 
jpaglione@ocadu.ca
Cost: 
Free
Keywords: 

Congratulations to the GradEx 104 Medal Winners!

GradEx MEda Winners
Wednesday, May 15, 2019 - 2:15pm

The creative works of over 800 emerging artists were showcased at the 104th annual GradEx. During opening night festivities, OCAD U Medal Winners were honoured by all attendees, including their families and friends. Congratulations goes out to all exhibitors on a successful show and to the winners of the OCAD U Medal and President's Awards:

 

Graduate Medal Winners: 

Interdisciplinary Master’s in Art, Media and Design – Philip Sparks

Digital Futures – Kylie Caraway

Strategic Foresight and Innovation – Rachelle Bugeaud

Inclusive Design – Uttara Ghodke

Criticism & Curatorial Practice – Panya Clark Espinal

Contemporary Art, Design and New Media Art Histories – Katherine Walker

Design for Health – Molly McGovern

Asia-Global-Cultural-Studies-Forum (AGCSF)  Inaugural Event

Friday, May 17, 2019 - 1:00pm to 6:00pm

The inaugural event

Date: Friday, May 17, 2019

Time: 1:00 p.m. - 6:00 p.m.

Venue: 205 Richmond St. West, Room 115

Facilitated by professor Soyang Park (Liberal Studies)

3 tiers of presenters: Students, professors, and professionals

Participatory forum: Presenters, discussants, and the audience

Ongoing forum: regularly from September 2019: open for public submission of ideas: email to: spark@faculty.ocadu.ca.

 

List of Presentations

Dr. Soyang Park (OCAD U), A Cosmopolitan Remapping of East Asia and the Asia-Global: Notes Towards Asia-Global-Cultural Studies Forum(AGCSF)

Leon Hsu (OCAD U), Reinventing Tradition Beyond Cultural Paradigm: A Brief Discussion of Cai Guo-Qiang’s Pyrotechnic Ephemera Works

Christine Carriere (OCAD U), Returning the Gaze: Contemporary Asian Female Artists Responding to (Techno) Orientalism

Richard Luong (OCAD U), Directing Orientalism: The Scent of Green Papaya (1993)

Jessica Liu (OCAD U), Painting My Own Being in the World, Falling in and out of Past and Contemporary

Christine Li (OCAD U), Manuel Ocampo and Colonial Legacy: Trauma, Multidirectional Memory, and Redemption

Ema Dan (OCAD U),  Idol, Not Celebrity: K-Pop, K-Pop Fans, and their Symbiosis

Yilong Liu (OCADU), Confronting Ambiguity: The Intersection of Racial and Sexual Repression and Marginalisation in Rex vs Singh and Seeking Single White Male

Florence Yee (OCADU), Bad Forgeries Make for Good Originals: A Studio-Research Project into Cantonese-Canadian Issues of Authenticity, Belonging and Diaspora Subjectivities Working with Text-based Art

Yujia Shi (University of Toronto), From One-Child to Two-Child: Understanding Birth Planning Policies in China’s Population Governance

Hannia Cheng(TeaBase), Tea Base: Against the Displacement and Gentrification of Chinatowns

 

What is Culture

Culture is the shared value system and code of conducts that exist in interconnected and contingent differences across communities, cultures, and nations.

Culture in all its manifestations – conventional, popular, emergent, marginal, and resistant – are constantly shaped by and are (re-)shaping our status quo, ways of thinking, and visions.

Culture is not fixed but constantly shifts through the intersecting influences of politics, economy, populations, migrations, and even environment.

The study of culture is empirical as well as theoretical, and most importantly, it is an interdisciplinary endeavor. The set of questions, analyses, and evaluations it involves itself in interacts with other fields of study such as the study of economy and politics; social studies, ethnic studies; cultural anthropology and media studies; identity, gender, sexuality, class, and ideology studies.

     

What is a Forum

A gathering place for exchanges of ideas and views. It is also the agora (Greek), a proto-site of democracy.

The ethos of AGCSF:

  • A syncretic forum of all levels of researchers (students, professors, and professionals)
  • Merit- and contents-based (not rank or prestige).
  • No ethnocentric/regional chauvinism or hegemonic nationalism.
  • Cosmopolitanism and exploration of difference and alternative epistemologies.
  • Non-hierarchical organizational model for the promotion of a culture of open discussion.
  • Participatory forum: The participants will consist of the presenters, the discussants, and the audience whose participation is to be equally valued to bring about diverse and multidirectional discussions.
  • The Discussants are an important category of this forum. They are the generators of discussion as well as latent presenters. Those who are interested in presenting are recommended to participate as the discussants first. The discussants – along with the audience – who have previously participated in the forum and substantially contributed to the discussions will be considered with priority as the presenters for the following event.
  • Embodied participation is implied in its growth model based on merit and contribution (rather than on rank or prestige). AGCSF hopes to make this forum truly an intellectually viable place for lively exchange and discussion of ideas and visions, a lively intellectual fora filled with genuine curiosity and openness to different perspectives.
  • Embodied and experiential knowledge: AGCSF values embodied and experiential knowledge, research, and ideas rather than the overly academicized outcomes short of the conductive power to generate grounded and real conversations.
  • ESL students are the most welcome. You are the holders of up-to-date global knowledge. If you have any ideas to share but the only thing that makes you hesitate is your English, please bring a translator or discuss the ideas with us.

*Everyone is welcome to participate in this forum/become a presenter in future events.

*AGCSF does not support any form of ethnocentric or regional chauvinism or hegemonic nationalism unfit for our vision for the future. It solely focuses on promoting cosmopolitan learning and exploration of cultures and multi-directional decolonization.

*AGCSF supports the emergence of other cosmopolitan research groups and fora at OCAD U - based a non-hierarchical and non-exclusionary notion of regional, national, ethnic, and cultural identities.

*For further information: find the “Asia-Global Cultural Studies Forum” (AGCSF) event page  on Facebook.

Or visit our website: https://asiaglobalculturalstudiesforum.wordpress.com

Venue & Address: 
OCAD University, 205 Richmond St. W., Room 115
Website: 
https://www.facebook.com/events/170324180578290/
Email: 
lliu@faculty.ocadu.ca
Cost: 
FREE
"AGCSF" in black text on a flat pink background

Artist Talk: Anouk Wipprecht, FASHIONTECH: Rethinking Fashion in the Age of Digitalisation

Thursday, May 2, 2019 - 1:00pm

Dutch FashionTech designer Anouk Wipprecht creates designs ahead of her time; combining the latest in science and technology to make fashion an experience that transcends mere appearances. She wants her garments to facilitate and augment the interactions we have with ourselves and our surroundings. Her Spider Dress is a perfect example of this aesthetic, where sensors and moveable arms on the dress help to create a more defined boundary of personal space while employing a fierce style. Partnering up with companies such as Intel, AutoDesk, Google, Arduino, Microsoft, Samsung, Adobe, Adidas, Cirque Du Soleil, Audi, Disney, Swarovski, and 3D printing company Shapeways she researches how our future would look as we continue to embed technology into what we wear, and more importantly – how this will change our perspective on how we will interface with technology.

Lecture will be followed by a short Question and Answer.

www.anoukwipprecht.nl

https://www.hollandtradeandinvest.com/key-sectors/creative-industries

www.dfthesis.com

Presented by the Digital Futures Graduate Program and the Consulate General of the Kingdom of the Netherlands

Venue & Address: 
Room 322 (3rd Floor) at 230 Richmond St. W. Toronto, M5V 1V3
Cost: 
Free!
The 3D printed Spider Dress by Anouk Wipprecht [Source: Anouk Wipprecht]

Winner of the OCAD U 3MT Three Minute Thesis competion announced !

Uttara Ghodke
Slide
3MT
Wednesday, April 3, 2019 - 5:00pm

On April 2nd 2019, four OCAD U Graduate students presented their research in three minutes or less, competing for the top prize in this year’s Three Minute Thesis (3MT) competition. After long and thoughtful deliberation, our panel of guest judges declared the winners:

1st Place $750 Winner: Uttara Ghodke
Inclusive Design

The Cross-Sensory Globe: Co-designing a 3D Audio-Tactile Globe Prototype for Blind and Low-Vision Users to Learn Geography

2nd Place $300 Winner: Alana Boltwood
Strategic Foresight and Innovation

Making and using large models of complex systems: The Poverty Reduction Model

People’s Choice: $100 Winer: Uttara Ghodke

Uttara Ghodke will go on to represent OCAD U at the 2019 Provincial Finals 3MT Competition at McMaster University on Wednesday, April 17th, 2019. Uttara will receive $850 and travel support to attend the provincial finals.

Honourable mentions to all of the OCAD U 3MT competitors:

Jad Rabbaa
Digital Futures

MRsive: Enhancing Navigation and Engagement in Museums

Yiyi Shao
Digital Futures

RABBOT - Exploring Shared Awareness in Virtual Reality

Many thanks to our panel of judges:

Richard Fung
David McIntosh
Suzanne Morrissette

And many thanks to Dean Ashok Mathur and David Bateman

Three Minute Thesis (3MT) Competition @ OCAD U - APPLY NOW!

Tuesday, April 2, 2019 - 1:00pm

Three Minute Thesis (3MT™) is a research communication competition which challenges graduate students to present a compelling oration on their thesis (or major research project) and its significance in just three minutes in language appropriate to a non-specialist audience. 3MT is an exercise in consolidating and clarifying research discoveries in a clear and compact manner.

OCAD University’s 3MT competition is an excellent opportunity for the OCAD U community to hear about the dynamic work of graduate students at OCAD U. Students will present concise summations of the research they are conducting for their thesis or MRP and how they are pushing the limits of traditional art, design and academia.

The competition will start at 1PM on Tuesday, April 2nd 2019 in Room 322 at 230 Richmond St. W. The top presenter will also represent OCAD University at the third annual, province-wide 3MT™ competition on Wednesday, April 17th, 2019 at McMaster University in Hamilton, Ontario. We hope to see you then!

1st Place: $750

2nd Place: $500

People’s Choice: $100

 APPLY NOW ---> Download application form here

For competition rules, eligibility, judging criteria & prizing ---> Download pamphlet here

Want to watch ? Join us as an audience member and cheer on your colleagues !

Venue & Address: 
Room 322 at 230 Richmond St. W.
Website: 
https://www.ocadu.ca/academics/graduate-studies/current-students/3-m-t.htm
Email: 
gradstudies@ocadu.ca
Cost: 
Free
OCAD U 3MT
Embed Video: 
Keywords: 

in(Living)between: Performing the Hyphen

Keiko Hart Exhibition
Monday, March 18, 2019 - 9:00am to Thursday, March 21, 2019 - 9:00am

The multiracial individual occupies the space of the in(-)between—a frontier of perennial opportunities for progressive resistance. It is neither here nor there, not the occident or the other, but both: the hyphen. Expectations exist that if a visible indicator of someone's identity is not immediately present, it should manifest conspicuously. When the hyphen performs, it does so from an in(-)between space that is observable when written out, yet invisible when spoken aloud. But that does not mean it does not exist. in(Living)between is a stream-of-consciousness writing-on-the-walls performance live-streamed from a contained room that seeks to enact hyphenated identity through lived experiences of (mis)interpretations, (mis)pronunciations and (mis)identifications.

 

While the Graduate Gallery where the show is taking place will be closed off during the performance, the adjacent media room will project a live-stream of what is taking place inside that may be viewed there or accessed from anywhere in the world. The performance room will be revealed at the catered reception on March 21 in collaboration with Common Room where refreshments and snacks will be provided. The room will be left open for display with a recorded projection of the performance in the media room over the following weekend.

 

LIVE STREAM: https://www.twitch.tv/keikohart

FACEBOOK EVENT: https://www.facebook.com/events/765878817119303/

INSTAGRAM: @inlivingbetween

 

 

Keiko Hart is a graduate candidate in criticism and curation at OCAD University where they were awarded the President’s Scholarship. They work in artistic direction and program management at various non-profits that promote collaborative practices between dynamic arts innovators.

Venue & Address: 
Graduate Gallery
Website: 
https://twitch.tv/keikohart
Keywords: 

Resisting Extractivism, Performing Opposition

9 greyscale photos of protests and activists
Friday, March 1, 2019 - 5:00pm to Saturday, March 2, 2019 - 6:00pm

Resisting Extractivism, Performing Opposition
1-2 March 2019

OCAD University
100 McCaul St.
Toronto, ON
M5T 1W1
Canada

*OCAD University is an accessible space.

Please note: all events are FREE and open to the public, but require an RSVP for refreshments; please RSVP at https://goo.gl/forms/EDxC3KYX4YAmmXVq2 by Friday 15 February.

The Canadian Consortium on Performance and Politics in the Americas, York University’s Graduate Program in Theatre and Performance Studies and Sensorium: Centre for Digital Arts and Technology, and OCAD University’s Faculty of Liberal Arts and Sciences & School of Interdisciplinary Studies, with the support of the Contemporary Art, Design and New Media Art Histories and Criticism and Curatorial Practice graduate programs and Art and Social Change student volunteers, welcome you to the Resisting Extractivism, Performing Opposition symposium, taking place at OCAD University, 1-2 March 2019.

This interdisciplinary symposium invites activists, scholars, artists, community organizers, and cultural workers to explore collective strategies of embodied and performed resistance to extractivism. While extractivism commonly refers the logic of reducing nature to commodities, and the resultant hyper-exploitation of the mining, oil, and gas industries, we can also think of extractivism as an ideology fundamental to colonialism and capitalism at their most endemic. Resisting Extractivism, Performing Opposition asks: How is (anti)extractivism performed? How have mining-impacted communities and solidarity groups alike mobilized their dissent through creative interventions? How can we, as scholars and artists, perform research that does not similarly extract community/Indigenous knowledge for our own cultural capital? How can we ethically and productively engage communities as co-researchers and collaborators without succumbing to an exploitative model of knowledge and labour extraction?

Resisting Extractivism, Performing Opposition explores extractivism as a vital issue that concerns all Canadians: resource extraction informs Canadian domestic and foreign policy, mandatory investments, and is inherent in how we conceptualize Canadian identities, mythologies, and exceptionalism. Canada’s place in the Americas is inherently tied to extractivism, and we will explore this through creative and innovative research methods, mobilized in conversations across disciplines that reach publics outside of the academy, convening artistic, activist, and scholarly communities.

The symposium begins on Friday evening 1 March 2019 from 5-7 pm with the opening of the exhibition Educate, Advocate, Agitate: The Mining Injustice Solidarity Network’s Creative Interventions. The exhibition documents the Toronto-based grassroots mining justice group’s performative actions and creative interventions, and a recent collaboration with JODVID (Jóvenes Organizados en Defensa de la Vida/Youth Organized in Defense of Life), a youth group based in Mataquescuintla, Guatemala that uses performance and creative tactics to resist Canadian-owned Tahoe Resources’ Escobal silver mine on their territory. The exhibition is realized through the curatorial support of Valerie Frappier, an MFA student in the Criticism and Curatorial Practice graduate program at OCAD University.

Following the gallery opening, at 7:30 pm, we will present Beyond the Extractive Zone, a film screening and discussion co-programmed with the re:assemblage collective and presented with the support of OCAD’s Culture Shifts, that explore anti-extractivism from Indigenous perspectives.

Kiruna – Rymdvägen (Liselotte Wajstedt, Sweden, 2013, 52 minutes, documentary)
The town Kiruna is to be moved. The mining activities underground threaten its foundation. Houses will be moved, or torn down, and new quarters will be built on another site. The director grew up on the Company Site and is in a hurry to catch up with her past, for soon its physical reminders will be gone.

Screening with:
The Case of Gran Colombia Gold - Crude Gold
(Monica Gutierrez, Colombia/Canada, 2014, 10 minutes, documentary)
To Stop Being a Threat and To Become a Promise (Carolina Caycedo, Colombia/UK, 2017, 8 minutes, two channel documentary)

On Saturday 2 March 2019 we open the symposium at 9:30 am with the Indigenous Environmental Justice project. Based at Osgoode Hall Law School at York University, IEJ works to works to develop a distinctive environmental justice framework that is informed by Indigenous knowledge systems, laws, concepts of justice and the lived experiences of Indigenous peoples.

At 10am we welcome Macarena Gómez-Barris, author of The Extractive Zone: Social Ecologies and Decolonial Perspectives (Duke University Press, 2017) and the founder and Director of the Global South Center at Pratt Institute. Gómez-Barris will present a keynote address, “Living and Dying in Extractive Zones,” considering the spaces of ruin in the aftermath of extractive capitalism through discussion of three sites within the Americas, and asking: How does mining, hydroelectricity, oil extraction, tourism, and monoculture disproportionately impact Indigenous territories in the Americas? How do social ecologies find alternative sources of living within the space of catastrophic death? What forms of refusal and social and decolonial praxis find solutions?

The keynote is followed by lunch at 11:30am catered by NishDish (RSVP required) and two panel sessions from 12:30-4:30 pm.

The first panel (12:30-2pm), “Animating Objects, Performing Justice,” features Toronto-based Argentine visual artist Dana Prieto, artist and organizer Maggie Flynn, and Winnipeg-based writer, filmmaker, photographer and professor Warren Cariou, who will share their respective visual art and performance practices. It is moderated by MISN member Merle Davis (PhD candidate, Anthropology, University of Minnesota).

The second panel (2:30-4pm), “Legal Discourse as Performative Resistance,” features Anishinaabe actor and playwright Shandra Spears BombayMarion de Vries, playwright of The Last Walk of Adolfo Ich, and Isabel Davila of JCAP (the Justice and Corporate Accountability Project). It is moderated by Sydney Lang, MISN member and law student at McGill University.

The symposium concludes with a keynote address at 4:30 pm by Kirsty Robertson, Associate Professor of Contemporary Art and Museum Studies at Western University (London, ON) and author of the forthcoming Tear Gas Epiphanies: Protest, Culture, Museums (McGill-Queen's University Press, Spring 2019).

For more information, please contact:
Zoë Heyn-Jones, PhD
Postdoctoral Fellow, Canadian Consortium on Performance and Politics in the Americas
zheynjones@gmail.com

Venue & Address: 
OCAD University, 100 McCaul St.
Website: 
http://www.akimbo.ca/akimbos/?id=127597&fbclid=IwAR2PDyxwG5IL_Mw9q4w_NFJWIJy3KfHSivOCu8x1E5FFfFIgFLvHgdVq5Ak
Email: 
zheynjones@gmail.com
Cost: 
Free, RSVP Required
Sponsor logos for OCAD U, York U, SSHRC/CRSH, AMPD, Sensorium, Mining Injustice Solidarity Network

CCP & CADN Speaker’s Series Event – Jenn Goodwin, February 26th

Jenn Goodwin: Tender SkeletonsBrandy Leary inEphemeral Artifacts.Part ofall our days are full of breath: a record of momentum,cu
Tuesday, February 26, 2019 - 3:30pm to 5:00pm

Jenn Goodwin: Tender SkeletonsBrandy Leary inEphemeral Artifacts.Part ofall our days are full of breath: a record of momentum,curated by Jenn Goodwin at The Art Museum, 2017.Photo: Henry Chan

Jenn Goodwin is a curator, producer, dance artist, and filmmaker.She has worked with Toronto’sNuit Blanchesince its inception in 2006 as a producer and programmer, and has curated performances and exhibitions for the Art Bank, Summerworks Festival, The Drake Hotel, and Harbourfront Centre. Over the past 20 years her dance work and short films have been shown across Canada and internationally from St. John’s Newfoundland, The Canada Dance Festival in Ottawa, Tangente and Studio 303 in Montreal, The Next Wave in Melbourne, Australia, Brussels, Amsterdam, New York City, Vancouver and extensively in Toronto. Goodwin is onehalf of the art bandMORTIFIEDwith Camilla Singh, a band that uses choreography, drum kits, tap dancing, and cheerleading as its instruments. She has written for theCanadian Theatre Review,Journal for Curatorial StudiesandThe Dance Current.She is a graduate of the Master of Visual Studies-Curatorial Studies program at the University of Toronto.https://www.jenngoodwin.ca/

This talk is part of Amish’s Morrell’s CCP graduate Seminar, CRCP6009: Inside Curatorial Practice.

Venue & Address: 
Room 514, 205 Richmond St. West
Cost: 
Free
Keywords: 

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