OCAD University

Commissions

Public Art/Commissions, Awards and Related Activities 2007: National Magazine Award, Silver Award for the Newspaper Series as presented in Prefix Magazine, Toronto, Ontario 2006: The Murano on Bay, Toronto, Ontario. (I have been awarded a public art project that incorporates colour photographic imagery on 217 exterior windows on the building. Completed May 2010) Private Commission, Present Tense: Generational Projection Flashlight Commission for the Christian Keesee Collection, The Keesee Library, Oklahoma City, OK. (This is a series of electrified suspended projection flashlights that project faces of a variety of people on the floor in the site-specific custom-built room.) 2005: New Loblaws Headquarters, Brampton, Ontario. (I created a series of three site-specific photographic murals for the atrium space.) Scale: 6? x 15? each. Medium: Digital output on canvas. Completed: October 2005 2003-2005: The new Canadian Embassy in Berlin, Germany. (I designed an image to be applied to the glass tower surrounding the Great Timber Hall.) 2000-2004: Centre For Jewish Campus Life, University of Toronto. (In collaboration with Susan Friedrich Architect Inc., I designed the etched glass windows which encompass the spiritual room and act as a signifier for the identity of the building.) Completed May, 2004. 1999: The Portal Project, Baycrest Centre for Geriatric Care, Toronto, site-specific photo murals for two series of six residence entrances. 1995: Simcoe Place Public Art Project, Cadillac Fairview Corporation, Toronto, Tribute, photographically etched glass interior sculpture.

Selected Publications

SELECTED BIBLIOGRAPHY (Reviews, Articles, and Books)

2017                 Holubizky, Ihor, Living, Building, Thinking: Art and Expressionism, Belton, Robert,

                            Dietmar, Elger, Heller, Reinhold Heller and Holubizky, Ihor. McMaster Museum of Art, ABC Art

                            Books Canada, 2017, p. 5-6, p. 162-163.

2016                Knelman, Sara. “Barbara Astman, Corkin Gallery, Toronto, Canada.” FRIEZE, https://www.frieze.com/article/barbara-astman, June 3.

                        Knelman, Sara. “Barbara Astman, Corkin Gallery, Toronto, Canada.” FRIEZE,

                        No.181, 25th anniversary issue, September, pg. 176.

                        Whyte, Murray. “For Contact, Paul Butler at Division, Barbara Astman at Corkin.”

                        Toronto Star, Entertainment, Visual Arts, May 3

                        https://www.thestar.com/entertainment/visualarts/2016/05/03/for-contact-...

                        Adams, James. “The Contact Photography Festival exhibits the experts can’t wait to see.” The Globe and Mail, Globe Arts, April 29, p. R3, http://www.theglobeandmail.com/arts/art-and-architecture/the-contact-pho...

                        Fasche, Melanie. “The Artful City: Interview with Barbara Astman.” Spacing Magazine, http://spacing.ca/toronto/2016/02/18/the-artful-city-interview-with-barb...

                        Broda, Maggie. “Interview with Artist and OCAD U Professor: Barbara Astman.”

                        Fleck Contemporary Art Magazine. Vol. 8, Issue 1, Toronto, Ontario, Spring/Summer,

                        p. 20-21.

2015                Sackler, Elizabeth A. Center for Feminist Art at the Brooklyn Museum, New York, http://www.brooklynmuseum.org/eascfa/feminist_art_base/barbaraastman

                        KhipuZ. Peru’s Contemporary Cultural Magazine, PARC: A Cultural Phenomenon. April, http://www.khipuz.com/parc-a-cultural-phenomenon/

                        Morsch, Mike. The Vinyl Dialogues Volume II: Dropping the Needle. Biblio Publishing, Columbus Ohio, p. 239-248.

                        Whyte, Murray. “On the Wall, I as Artifact.” Toronto Star, Section E, September 1,

                        p. E4.

                        Cooley, Alison. “Review: Modernism and Postmodernism Find

                        Camaraderie,” The Double Bind. Art Gallery of Alberta, Edmonton, Canadian Art, Spring, http://canadianart.ca/reviews/the-double-bind-review-modernism-and-postm... camaraderie/

2014                Clarke, Bill. ARTnews, Reviews: International. Barbara Astman, Corkin Toronto, Volume 113, Number 4, New York, April, p. 110.

                        Israelson, David. “Modern art lovers make pilgrimage to Texas Desert Town.”

                        The Globe and Mail. December 16, http://www.theglobeandmail.com/life/travel/destinations/modern-art-lover...

                        Errett, Benjamin. “It’s all about style.” The National Post, Arts & Life, January 27, p.1.

                        Islander, Martin (producer). Online video profile, OCAD University, Toronto, Ontario

                        http://www.youtube.com/watch?v=2HBz7drlEYE

                        Lewington, Jennifer, “School’s out- and reinvented spaces are in.” The Globe and Mail,

                        November 13, p. B15.

                        Uhlyarik, Georgiana. “A Movie for One.” Canadian Art, Spring, p. 110-116.

2013                Aang, Ashley. “One-on-One with Barbara Astman.” Lomography International Magazine, Toronto, Ontario.

                        Anon. “Fit to Print.” Flare, Vol. 35 / NO 10, Localist, Toronto, October, p. 38.

                        Cooley, Alison. “Old School is New Again in Artscape’s Latest Revamp.”

                        Canadian Art Online.

                        Jager, David. “Che on the body.” NOW Magazine, Art Reviews, July 4-11, Volume 32,

                        Number 44, p. 48.

                        McNamara, Rea, Blouin, “Barbara Astman Collaborates with Jonathan+Olivia on

                        “Newspaper” Scarves.” ARTINFO, Monday, Silhouettes, http://blogs.artinfo.com/silhouettes/2013/10/17/barbara-astman-collabora..., October 21.

                        Schecter, Fran. “Library love, Koffler fetes its school connection.” NOW Magazine,

                        Issue 1655, Vol. 33, No. 16, December 19-25, p. 62.

                        Uhylarik, Georgiana. Highlights from the Collection of the Art Gallery of Ontario.

                        Art Gallery of Ontario, ed. Jim Shedden, p. 289.

                        Whyte, Murray, “Downtown, an uptown gallery finds a home.” Toronto Star, p E1+ E2, Monday November 18, Section E.

2012                Leong, Melissa, “SOLD, what three artists would buy at the important Canadian Art

                        Auction at Sothebys.” National Post, May 24, Visual Arts, p. AL 3.

                        Schecter, Fran. “Fresh mashups, Collage persists in the digital age,” NOW Magazine, Vol. 31 No. 52, August 23-30.

                        Van de Ven, Lisa. “Framing the evolution of Photography.” Globe and Mail,

                        January 7, p. 8.

                        Whyte, Murray. “Freedom of Assembly, Oakville Galleries.” Toronto Star,

                        online edition, July 7.

                        Wylie, Liz. “Barbara Astman.” Canadian Art, Spring, p. 120.

2011                Moser ,Gabrielle. “Barbara Astman, Corkin Gallery.” Artforum.com/critics’ pick, ARTFORUM, October.

                        Priegert, Portia. “Barbara Astman: Feature Preview,” Galleries West, Summer,

                        Volume 10, Number 2, p. 30.

                        Wylie, Liz. “Astman takes a dance with che,” Kelowna Capital News, Kelowna,

                        British Columbia, April 27, p. B7.

2010                Marr, Garry. “Art of the build,” National Post, June 5, p. 4.

2009                Blaikie, Fiona. CANADIAN ART/WORKS: A Resource for Primary, Junior,

                        Intermediate and Senior Teachers. Thunder Bay: Lakehead University,

                        Canadian Society for Education through Art, p. 73, 114, 195.

                        Dault, Gary Michael. “Barbara Astman and Sharon Switzer at the Corkin Gallery.”

                        The Globe and Mail, December 5, p. R17.

                        Kostoff, Larissa. “Astman Opens AGO, Completes Major Public Art Project,”

                        Sketch (newsletter of Ontario College of Art and Design University), January, p. 18-19.

                        Liss, David, and Bonnie Rubenstein. Still Revolution: Suspended in Time.       

                        Toronto: Museum of Contemporary Canadian Art, Contact Catalogue, p. 16-33.

                        Saint-Jacques, Rosanne. “Process of Development,” National Post, April 30, p. AL8.

                        Uhylarik, Georgiana. Highlights from the Collection of the Art Gallery of Ontario. Ed.

                        Jim Shedden, Art Gallery of Ontario, Toronto, Ontario, p. 289.

                        Van de Ven, Lisa. “Home is where the art is,” National Post, January 24.

                        Whyte, Murray. “Barbara Astman’s Wonderland at Jane Corkin.” Toronto Star,

                        online edition, November 16.

                        Whyte, Murray. “Contact 2009, Photographic free-for-all finally gets some respect,”

                        Toronto Star, April 30, p. E1; E6.

                        Whyte, Murray, “Beautiful Fictions,” Toronto Star, November, 5.

2008                Goddard, Peter. “The lost art of portraits,” The Toronto Star, February 9, p. E15.

                        Glick, Julie. Online Interview, MAG Publication, (Mass Art Guide), Toronto,

                        WWW.MASSARTGUIDE.COM, April.

                        Graham, David. “Instant History: Developing into a thing of the past … Fade to Black,”

                        Toronto Star, April 3, L1, 3.

2007                Cramp, Beverly. “Artworks in the law office: not just decoration,” The Lawyers Weekly, Vol. 27, No.13, August 10, p. 21.

                        Rhodes, Richard. “Toronto NOW.” Canadian Art, Volume 24, Number 4,

                        Winter/December, p. 67-68.

                        Sandals, Leah. “Questions &Artist, the better way to recycle newspaper.” National Post,

                        April 19, p. 5.

2006                Canadian Portraits. Ed. Sharona Adamowicz-Clements, McMichael Canadian

                        Art Collection, Kleinburg, Ontario.

                        Carte Blanche Photography 1. Toronto: The Magenta Foundation, p. 14-15.

                        Dault, Julia. “A light on survival, loss and the future.” National Post, January 12,

                        p. AL 10.

                        Holubizky, Ihor. The Clementine Suite. Toronto: Koffler Gallery, January.

                        Jordan, Betty Ann. “Barbara Astman,” Toronto Life, February, Vol. 40, No. 2, p. 100-1

                        Mays, John Bentley. “Canadian Embassy in Berlin.” Canadian Architect, February,

                        Volume 51, Number 2, p. 33-38.

                        Ramulkan, Camille. “The Art for Heart for Casey House,” Luxe Magazine, Vol. 1,

                        Issue 1, Nov. 2.

2005                Chalykoff, Leighann. “Photographer’s work creates a shadowy universe,”

                        The Whitehorse Star, May 6, p. 41.

                        De Georgio.Lorianna. “Finding Colour in Blackness,” North York Town Crier,

                        December, p. 9.

                        Garmet. Eldon. Impulse Archaeology. Toronto: University of Toronto Press, p. 266-67.

                        Keevil, Genesee. “Celebrating the ordinary,” The Yukon News, May 2, p. 12.

                        Langford, Martha. “Image & Imagination.” Montréal: le Mois de la Photo à Montréal,

                        p. 185-190.

                        Papoff, Lawrence. “Susan Friedrich, Designs for Living,” Lifestyles, Vol.33, No. 195,

                        p. 38-40.

                        Vaughan, RM. “The Big Picture.” National Post, April 30, p. TO 11.

2004                Browne, Kelvin. “It isn’t a snap”, National Post, February 7, SP, 1, 9

                        Brunet, Carrie. “UJA Federation of Toronto host first annual artist awards”

                        Annex Guardian (Toronto), Oct. 15, p. 3

                        Enright, Robert. “Three Photographers: Barbara Astman, Ruth Kaplan, Lori Newdick.”

                        Border Crossings, Volume 23, Number 1, p. 44-50.

                        Grant, Vanessa. “The life and inspiration behind the photos of Barbara Astman.”

                        Centre of the City (Toronto), Volume 1, Number 5, November/December, p. 89-91.

                        Martin, E.Sandra, “Living the Dream”, MoneySense, February/March. Vol.6, No. 1,

                        p. 47.

                        Wright, David. “On Sabbatical,” Sketch (newsletter of the Ontario College of Art and

                        Design University), Spring, cover & p. 7-8.

2003                Wylie, Liz. “Barbara Astman.” Canadian Art, Fall, Volume 20, Number 3, p. 139. 

2002                Walker, Susan. “Art by Numbers,” Toronto Star, June 1, p. K6.

2001                Black, Debra, Mentors help crack the glass ceiling, International Women's Week,

                        Toronto Star, Monday, March 5, p. C1 & C8.

                        Mays, John Bentley. “The secret life of picture postcards.” National Post, September 8,

                        p. F8.

2000                Coleman, A.D. “Letter from Toronto/New York, No. 86.” Photo Metro, Volume 18,  Issue 157, San Francisco, California, p. 30-31.

                        Henighan, Tom. The Maclean’s Companion to Canadian Arts and Culture.

                        Vancouver: Raincoast Books, p. 84; 90.

                        Outstanding People of the 20th Century. Cambridge, England: International

                        Biographical Centre.

                        Penaloza, Si Si. “Toronto, An Art Scene Not to Be Missed.” Art News (New York),    

                        Volume 99, Number 9, October, p. 113-120.

                        Sykes, Claire. “Barbara Astman, Insider Profile.” Photo Insider, New Jersey,

                        Volume 21, November /December, p. 36-39.

1999                2000 Outstanding Intellectuals of The 20th Century. Cambridge, England:

                        International Biographical Centre.

                        2000 Outstanding Artists and Designers of the 20th Century. Cambridge, England:

                        International Biographical Centre.

                        Canadian Who’s Who. Toronto: University of Toronto Press.

                        Dictionary of International Biography, Twenty-Eighth Edition. Cambridge, England:

                        International Biographical Centre.      

                        Murray, Joan. Canadian Art in the Twentieth Century. Toronto, Dundurn Press,

                        p. 167-170.

                        Penaloza, Si Si. “Beautiful Blasphemy,” NOW, (Toronto), Vol. 18, Number 37,

                        May 13-19, p. 40

1998                Holubizky, Ihor. “Barbara Astman-Jane Corkin Gallery.” art/text, Australia,

                        Number 60, February-April, p. 97.

                        Mastin, Catharine M. Changing Spirits: Canadian Art of the 1960s and 70s. Kamloops:

                        Kamloops Art Gallery, Kamloops, 1998, p. 8; 31-32.

1997                Bourduas, Céline. “LE MCPC, Une Vitrine Pur la Photographie Canadienne

                        Contemporaine,”  Photo Selection Magazine, Dec 97/Jan 98. Volume 18, numero 1,

                        Québec, p. 43-45.

                        Jordan, Betty Ann. “Gallery Going: Barbara Astman and Eadweard Muybridge at

                        Jane Corkin,” Globe and Mail, October 4, p. C13.

                        Jordan, Betty Ann. “Gallery Going: Narrative at Archive,” Globe and Mail, March 22,          

                        p. C11.

                        Saunders, Douglas. “Contemporary art’s corporate dividends,” Globe and Mail,

                        January 18.

1996                Liss, David. “Montréal, Copy Art: What Happened To The Pioneers?” artfocus, Winter,

                        Volume 4, Number 2, p. 20-23.

                        Lypchuk,Donna. “The Scene is Dead,” eye (Toronto), November 14, Vol. 6, Issue 5, p. 9.

                        Siebert, Sherrill. “Artist Astman gets personal with persona.” Sight lines,

                        Loops Magazine, February.

                        Soodeen, Jeanine. “Performance ties works together,” Kamloops This Week, January 24, p. 27.

1995                Anon., “Barbara Astman: Personal/Person”, Insights, Spring, Volume 7, No. 1.

                        Anon., “Barbara Astman: Personal/Persona” Kitchener -Waterloo Art Gallery Calendar,

                        Newsletter, Summer, Vol. X11, Number 2.

                        Bowen, Lisa Balfour. “Simply Red,” The Sunday Sun(Toronto), April 16,

                        Contemporary Photographers. Detroit: St. James Press.

                        Bowen, Lisa Balfour. “The Artful City,” The Sunday Sun (Toronto), August 27, p. 10.

                        Fulford, Robert. “Photography and its discontents.” Canadian Art, Spring, Volume 12,

                        Number 1, p. 56-65.

                        Gooderham, Mary. “Work in Progress (97),” Globe and Mail, April 14, p. A13.        

                        Hlynsky, David. “Like Smoke through a Keyhole: Symbolism and Metaphor in

                        Contemporary Photography.” BLACKFLASH, Summer, Volume 13, Number 2.

                        Klages, Gregory “Explore Yourself.” id Magazine, May 25 – June 7, Volume 4,

                        Number 15, p. 32.

                        Kosowan, Gene and E. Susan Witwicki. “Turn Her Loose,” Vue Weekly (Montréal),

                        October 5-11, Issue # 3.

                        Mahoney, Jeff. “Barbara Astman,” The Spectator (Hamilton, Ontario), June 6,          

                        Section B, p. 1.

1994                Anon., “Exhibitions reveal views on the nature of perception,” Western News,

                        November 3, p. 9.

                        Swain, Robert. Hidden Values, Contemporary Canadian Art in Corporate Collections.

                        Introduction by R. Fulford. Toronto/Vancouver: Douglas & McIntyre, p .84, 141.

1992                Tippet, Maria. By a Lady: Celebrating Three Centuries of Art by Canadian Women.

                        Toronto: Penguin Books Canada Limited, p. 171-172.

1990                Hanna, Deirdre. “Astman’s fruitful metaphor probes the beauty of aging,”

                        NOW Magazine (Toronto), September 6.

1989                Howell-Koehler, Nancy. The Creative Camera. Worcester, Mass.:

                        Davis Publications Inc., p. 8, and colour insert.

1988                Mays, John Bentley, “Barbara Astman at the Sable Castelli Gallery,” Globe and Mail, April 22.

                        Weiner, Gary. “Barbara Astman: an Olympian Artist,” Irondequoit Press, New York, February 9.

                        Wylie, Liz. “Astman’s slick photos unveil myths of romance,” NOW Magazine,

                        Toronto, Ontario, April 14, p. 49.

1986                Perdue, Jane. “Astman’s Travels,” NOW Magazine (Toronto), March 13.

1985                Canadian Encyclopedia, The. (entry by Karyn Elizabeth Allen) Edmonton:

                        Hurtig Publishers, Vol. I, p. 110.

                        Dowbiggin, Anna. “Instant Art,” Wardair World, January, p. 40-41.

1984                Bayer, Fern. The Ontario Collection. Toronto: Ontario Heritage Foundation and

                        Fitzhenry & Whiteside, p. 275, 297, 298.

                        Bennett, Bryan, and Constance P. Hall, Discovering Canadian Art, Learning the

                        Language. Toronto: Prentice Hall Canada Inc., p. 57.

                        Mays, John Bentley, “Astman gives plastic new meaning,” Globe and Mail, March 22,

                        p. E-7.

                        Murray, Joan. “Astman’s Stepping Out,” The Art Post (Toronto), Vol. 2, No. 1, June/July, p. 9.

                        National Film Board of Canada: Contemporary Canadian Photography from the

                        Collection of the National Film Board. (Foreward by Hugh MacLennan, Introduction by

                        Martha Langford) Edmonton: Hurtig Publishers, p 110.

                        Turner, Ralph. “Art Exhibition from Ontario now at Canada House Gallery,”

                        Canada Today/D’aujourd’hui, No. 6. London, England (Canadian High Commission),

                        p. 15-16.

1983                Anon., “Art and Architecture,” Alberta Association of Architects’ Newsletter (Calgary), Vol. 2, No. 3, July, p. 11.

                        Burnett, David and Schiff, Marilyn. Contemporary Canadian Art. Edmonton:

                        Hurtig Publishers, p. 207-208.

                        Tousley, Nancy. “Linoleum resurfaces – in the form of art,” Calgary Herald, June 23.

                        White, Stephanie. “Michael Hayden, Barbara Astman. Calgary: Nickle Arts Museum,”

                        Vanguard, Vol. 12, No. 7, September, p. 53-54.

1982                Anon. “Camera art exposed at Center,” The Paris Free Voice (Paris, France), Vol.5,

                        No.4, April, p. 1.

                        Anon. Untitled short notice, Écoute Voir (Paris, France), No. 3, April, p. 12.

                        Mays, John Bentley, “Old linoleum gets new life,” Globe and Mail, June 12.  

                        Parkin, Jeanne. Art in Architecture. Toronto: Visual Arts Ontario, p. 125.

1981                Anon. “Barbara Astman: experimenting with communication” Stages Magazine, Lethbridge, Alberta, Vol. 1, No. 3, Fall, p. 20-21.

                        Bowen, Lisa Balfour. “Artist is red, black and fine,” Toronto Star, April 5.      

                        McDougall, Arthur. “Barbara Astman, Southern Alberta Art Gallery, Lethbridge,

                        September 5 to 27,” Vanguard, Vol. 10, No. 9, November, p. 40.       

                        Saint-Jacques, Rosanne. “Barbara Astman: Peut-Être un “Body Art” Photographique,”

                        Parachute, Spring, No. 22, p. 40-41.

1980                Abbot, Louise. “Words and Images,” Afterimage (Rochester, N.Y.), November, p. 18.

                        Astman, Barbara. Untitled artist’s statement, Photo-Communiqué, Vol. 2, No. 3, Fall,

                        p. 40-41.

                        Burf, Kay. “Art: The Summer Show at the Still Photo Gallery: pictures to open our    

                        minds,” Ottawa Revue, July 6, p. 5.

                        Carroll, Nancy. “Barbara Astman, Sable-Castelli Gallery,Toronto, January 5 to 19,    

                        Vanguard, Vol. 9. No. 2, March, p. 30.

                        Dault, Gary Michael. “Barbara’s blow-up ...,” Toronto Star, January 12, 1980, p. F-7. 

                        Freedman, Adele . “Portrait: Toronto,” Portfolio Magazine, April/May Vol. II, No. 2,

                        p. 100-104.

                        Hazelgrove, Nancy. “Barbara Astman – Sable-Castelli Gallery,” Artists’ Review,          

                        Toronto, Ontario, Vol. 3, No. 4.

                        Kieran, Michael. “Machine made for office allows copyart freedom,” Globe and Mail, December 1.

                        Langford, Martha. “The Wordworks of Barbara Astman,” Canadian Women’s Studies, Vol. 2, No. 3, p. 70-73.

                        Mays, John Bentley, “Xerography: the art of the stat,” Globe and Mail, May 31, p.11.

                        “Notices: Exhibits.” Afterimage (Rochester, NY), Vol. 7, No. 6, January, p. 19.

                        Pawlenko, Lydia. “Barbara Astman, Sable-Castelli Gallery Ltd., January 5-19,” artscanada, Vol. XXXVII, No. 1, April/May, p. 39-40.

                        Purdie, James. “Gallery reviews,” Globe and Mail, January 12.

                        Purdie, James. “Through their Eyes,” City Woman, Fall, p. 55-61.

                        Reeves, John. “Art in a snap: SX-70 expressionism,” Toronto Life, June, p. 54-57.

                        Scholl, Jane D. “Press the button – and out comes art,” Smithsonian, Vol. II, No. 7, October.

1979                Canning, Barbel. “Survey shows being a woman no handicap in photography – it may even be a plus,” Canadian Photography Magazine, Vol. 9, No. 12, January, p. 21-23.

                        Dault, Gary Michael. “Artist gets bound up in her work,” Toronto Star, January 9.

                        Freedman, Adele. “Gallery reviews,” Globe and Mail, March 10, p. 38.

                        Freedman, Adele  “Janus is the foder of the artworld”, Fanfare, August 4, p.9.

                        Freedman, Adele. “Creating with Xerox's 6500” Globe and Mail.

                        Kritzwiser, Kay. “Postcards return, thanks to xerography,” Globe and Mail, July 24.

1978                Dault, Gary Michael. “Photography: the impure narratives of Barbara Astman,”

                        Saturday Night Magazine, Vol. 93, No. 5, June, p. 56-7.

                        Firpo, Patrick, Lesler Alexander, Claudia Katayangi, and Steve Ditlea. Copy Art.

                        New York: Richard Marek Publishers, pp. 48-49.

                        Oxorn, Pearl. “NFB Exhibition: Photography – a “magic” medium,” Ottawa Journal,

                        July 8, p. 30.

                        Wade, Kent. Alternative Photographic Processes. New York: Morgan and Morgan Inc.,         

                        colour insert.

1977                Haskell, Molly and Danielle B Hayes. Women Photograph Men. New York:

                        William Morrow and Co. Inc., p. 118.

                        McWillie, Judith. “Exploring electrostatic print media,” Print Review (New York,

                        Pratt Graphics Center), No. 7, p. 75-81.

                        Nations, Opal L. “The Man Who Entered Pictures, Barbara Astman at Sable-Castelli,”

                        Only Paper Today, Vol. 4, No. 7, October, p. 6.

                        Zemans, Joyce. “Colour Xerography, Art Gallery of Ontario, October 26 - November 2,

                        1976,” artscanada, Vol. XXXIV, No. 1, March/April, p. 62-63.

1976                Bodolai, Joe. “Six Exhibitions; Barbara Astman: Deja Vu Gallery of Photographic Art, January 6 - February 5” artscanada, Vol. XXXIII, No. 1, April/May, p. 64.

                        Richardson, J.E. “Toronto: Colour Xerography Show at the AGO,” artmagazine, Vol. 8, No. 30, December 1976/January, 1977, p. 19-22.

                        Teres, Rosemary. “Three artists take modern look at the human figure,”

                        Rochester Times-Union, June 12-19.

1975                Art Gallery of Ontario (with Gage Publishing Ltd.), Toronto. Exposure: Canadian Contemporary Photographers, p. 114.

                        National Film Board of Canada. The National Film Board Salutes International

                        Women’s Year, 1975, reprinted as Monk, Lorraine, The Female Eye/Coup d’oeil

                        féminin, Ottawa: National Film Board of Canada.

                        Van Dusen, Ray. “Photos and other Media” (undated review clipping from 1975),

                        The Ottawa Citizen (on file at CMCP).

1974                Dault, Gary Michael. “Young Artist’s Sense of Humour comes through in Xerox

                        Prints,” Toronto Star, November 8.

1973                Martin, Robert. “Two Picasso shows cover wide range” (review), Globe and Mail, September 8, p 28.

1966                Canadian Encyclopedia Plus, The. (entry by Karyn Elizabeth Allen) Toronto,

                        McCelland and Stewart, CD ROM.

 

 

EXHIBITION CATALOGUES

 

2017                  Kunard, Andrea, Photography in Canada 1960 -2000, Canadian Photography Institute of

                          the National Gallery of Canada, Ottawa, Ontario, p. 31-32. , ABC Art

                          Books Canada

2106                  Valente, Francesca, Out of the Bush Garden, Contemporary Artists from Central-Eastern

                          Canada, Imago Mundi, Luciano Benetton Collection, pg 56-57.

2014                McIntosh Gallery, Western University, London, Ontario, Barbara Astman I as artifact, essays by Catherine Elliot Shaw and Georgiana Uhlyarik.

                        Deutsche ArtWorks, 60 Wall Gallery, Herland, Deutsch Bank, NYC, New York 2014 essay by Liz Christensen, Senior Curator/Director.

2013                Art Gallery of Peterborough/McMaster Museum of Art, Ontario. Flowers and Photography, curated by Carla Garnet, essays by Edward Colless, Sally McKay and Carla Garnet.

                        Museum of Contemporary Canadian Art, Toronto, Ontario. Barbara Astman dancing with che: enter through the gift shop, essay by Liz Wylie.

2012                McIntosh Gallery, Western University, London, Ontario. Some Things Last a Long Time, essay by Matthew Ryan Smith.

2011                Art Gallery of Mississauga, Ontario. Art at Work: Corporate Collecting Practices Today, essay by Geraldine Davis.

                        Kelowna Art Gallery, Kelowna, British Columbia. Barbara Astman dancing with che: enter through the gift shop, essay by Liz Wylie.

                        Nicol, Heather. Art School Dismissed. Toronto, Ontario: Lakeview Press.

2007                Kelowna Art Gallery, Kelowna, British Columbia. Nexus: Histories and Communities, essay by Liz Wylie.

2006                Koffler Gallery, Toronto, Ontario. The Clementine Suite, essay by Ihor Holubizky.

2005                Image & Imagination, Le Mois de la Photo a Montréal, Montréal, essay by Martha Langford.

2000                Maison des Arts de Laval, Québec. Photo Géniques, essay by Monique B.Weinmann.

                        Stacey, Robert. Into The Deep End, The Art of Mentoring at the Ontario College of Art & Design. Toronto: Lieutenant Governor's Suite, Queen’s Park.

1995                Art Gallery of Hamilton, Hamilton, Ontario. Barbara Astman: Personal/Persona A 20-Year Survey Exhibition, essay by Liz Wylie.

1990                The Koffler Gallery, Toronto. Rock, is there something you’re not telling me?,, essay by Ihor Holubizky.

1989                Art Gallery of Hamilton, Hamilton, Ontario. Seventy-Five Years (1914-1989).

                        George Eastman House, Rochester, New York. Electroworks, essay by Marilyn McCray.

London Regional Art and Historical Museums, London, Ontario. Selections from the John Labatt Limited Collection.

1988                Lavalin, Montréal. Scripta Manent, essays by Léo Rosshandler and Céline Mayrand

1985                Direction des affaires culturelles de la Ville de Paris, Paris Audiovisuel. Génération Polaroid.

                        Third Eye Centre, Glasgow, Scotland: Visual Facts, essay by Michael Tooby.

1984                Canada House Cultural Centre Gallery, London, England. Art by Design.

1983                Art Gallery of Peterborough, Peterborough, Ontario: Photographic Sequences, introduction by Jann Bailey.

                        Nickle Arts Museum, Calgary, Alberta: Barbara Astman: Places, essay by Karyn E. Allen.

                        Stacey, Robert. The Hand Holding the Brush: Self Portraits by Canadian Artists. London: London Regional Art Gallery, p. 116-117.

1982                Art Gallery of Peterborough, Peterborough, Ontario: Barbara Astman.

Centre culturel canadien, Paris. Barbara Astman: Rouge/Red, exhibition catalogue, essay by Karyn Allen.

Ontario House, Paris, France. Aperçu de l’art de l’Ontario (Ontario Art on View).

1981                Art Gallery of Hamilton, Hamilton, Ontario. Viewpoint: Twenty-Nine by Nine, essay by Glen E. Cumming.

                        Macdonald Stewart Art Centre, Guelph, Ontario. Realism: Structure and Illusion, curated by Judith and David Nasby.

                        National Film Board of Canada, Ottawa. Portraits.

                        Southern Alberta Art Gallery, Lethbridge, Alberta. Barbara Astman: Red, essay by Adele Freedman.

1980                Alberta College of Art Gallery, Calgary, essay by Val Greenfield.

                        Art Gallery at Harbourfront. The Eye of the Beholder, essay by Anita Aarons.

McIntosh Gallery, University of Western Ontario, London, Ontario: Barbara Astman, essay by Joyann Saunders.

            National Film Board of Canada, Ottawa. Words and Images.

Ontario College of Art, Toronto. Experimental Faculty, (includes an interview with Astman by Shelagh Alexander).

1979                Herbert F. Johnson Museum of Art, Cornell University, Ithaca, New York. Translations: Photographic Images with New Forms.

                        George Eastman House, Rochester, New York. Electroworks, essay by Marilyn McCray.

                        Herbert F. Johnson Museum of Art, Cornell University, Ithaca, New York. Translations: Photographic Images with New Forms.

                        Italia/Canada Committee for Cultural Exchange, Toronto. “20 x 20” Italia-Canada.

                        Winnipeg Art Gallery, Winnipeg, Manitoba: The Winnipeg Perspective, essay by Karyn Allen. 

1978                Alberta College of Art Gallery, Calgary. First Canadian Bienniale of Prints and Drawings.

Edmonton Art Gallery. Sweet Immortality: A Selection of Photographic Portraits, curated by Doug Clark.

Edmonton Art Gallery. Sweet Immortality: A Selection of Photographic Portraits, 1978, curated by Doug Clark.

London Regional Art Gallery, London, Ontario. Young Contemporaries.

1977                Art Gallery of Ontario, Toronto. 100 Years: Evolution of the Ontario College of Art.

1976                Art Gallery of Ontario, Toronto. Colour Xerography, curated by Karyn Allen.

                        Central Washington State College, Ellensburg, Washington. New Photographics 76.

                        Royal Canadian Academy of Arts. Spectrum Canada.

1975                National Film Board of Canada, Ottawa: Photography 1975.

 

 

REPRODUCTIONS (No text, includes artist’s designed photo inserts)

 

2016                N+1 Literary publication, I as artifact# 12, p.108, Issue 25, Spring 2016, New York City, New York

2015                Keeping Reflections Fresh: Top Educators Share Their Innovations in Health Professional Education, Kent State University Press, Editors Allan Peterkin and Pamela Brett-MacLean

2008                Marche, Stephen. “Capitalism Taking Scalps,” Toronto Star, April 12, Ideas, ID4, image only.

2006                Prefix Photo, Volume 7, Number 2, November, p. 50-55.

2003                ShotBox (Toronto), Secrets, Postcard Set.

2002                Saturday Night, Volume 117, Number 2, May, p. 7.

2000                Toronto Life, Volume 34, Number 12, August, p. 92-93.

1999                Canada: A Portrait, Ministry of Industry, Statistics Canada, p. 40

1996                Desperate Act 3, (Rochester, New York), Winter, cover art.

1986                C Magazine, # 9, Spring, Toronto, p. 28-32.

1981                Impulse (Toronto), Vol. 9, No.1, Spring, p. 11-12.

1980                Fireweed, No. 5 & 6, Winter, 1979/80, Spring, Toronto, p. 43-45.

1975                Impulse (Toronto), Vol. 4, No. 2, Spring, p. 12-14.

                        OVO Photo, No. 19, Jan/Feb. p. 10.

1974                Impressions, (Ottawa: National Film Board of Canada) p. 92, 9, 1974.

                        Impulse (Toronto), Vol. 4, Nos. 4/5, Summer, p. 55.

                        OVO Photo, No. 17/18, Sept/Oct., p. 67.

Image Nation, Toronto: Coach House Press, (n.d. ca mid 1970's), No. 12, p. 10, 27-29

Image Nation 15, Toronto: Coach House Press, Hylnsky, David, Editor, (n.d. ca mid 1970's), No. 15, p. 4; 42.

Image Nation 16, Toronto: Coach House Press, Puckering, Shirley, Editor, (n.d. ca mid 1970's), No. 16, p. 6-12