Photo of Gabrielle Moser
gmoser@faculty.ocadu.ca
Photo of Gabrielle Moser
Gabrielle Moser
Assistant Professor
Faculty of Liberal Arts and Sciences, Graduate Studies
gmoser@faculty.ocadu.ca

Area(s) of Expertise

Art Criticism, Photography history and theory, Contemporary Art

Overview

Assistant Professor, Art History

Gabrielle Moser is a writer and independent curator. Her writing has appeared in venues including Artforum.com, Art in America, ARTnews, Canadian Art, Fillip, Journal of Curatorial Studies, Journal of Visual Culture, n paradoxa, Photography & Culture, and Prefix Photo. She has organized exhibitions for Access Gallery, Gallery TPW, the Morris and Helen Belkin Art Gallery, Oakville Galleries and Vtape. Moser has held fellowships at the Paul Mellon Centre for the Study of British Art, Ryerson Image Centre, the University of British Columbia and was a Fulbright Visiting Scholar in the department of Modern Culture and Media at Brown University in 2017. She holds a PhD in art history and visual culture from York University and is a member of the Toronto Photography Seminar, and a founding member of EMILIA-AMALIA feminist working group.

Education

PhD, York University, Art History and Visual Culture, 2014

MA, York University, Art History, 2009

Graduate Diploma, York University, Curatorial Studies in Visual Culture, 2009

BA, University of British Columbia, major Art History, minor Nineteenth Century Studies, 2006

Professional Experience

Assistant Professor, Art History, Faculty of Liberal Arts and Sciences and School of Interdisciplinary Studies, OCAD University, 2017–present

Fulbright Visiting Scholar, Modern Culture and Media, Brown University, Providence, RI, USA, 2017

Postdoctoral Fellow, Art History, University of British Columbia, 2016-2017

Adjunct Professor, Art History, Faculty of Liberal Arts and Sciences and School of Interdisciplinary Studies, OCAD University, 2016–2017

Acting Chair, Visual & Critical Studies BA program, OCAD University, 2015-2016

Lecturer, Art History, Faculty of Liberal Arts and Sciences and School of Interdisciplinary Studies, OCAD University, 2014–2016

Project Manager, The Photographic Situation Project, a three-year Social Sciences and Humanities Research Council of Canada (SSHRC)-funded partnership grant between the Toronto Photography Seminar (Toronto, ON), The Developing Room (Rutgers, NJ) and the Durham Centre for Advanced Photography Studies (Durham, UK), 2011–2013

Assistant Editor, Canadian Art magazine, Toronto, ON, 2007–2010

Selected Exhibitions

Curator (forthcoming) Developing Historical Narratives, Gallery 44 Centre for Contemporary Photography and Critical Distance, Toronto, ON, 2018 

CuratorPropped, Oakville Galleries, Oakville, ON, 2017

Co-Curator (with Lorna Brown), Sites of Assembly, The Morris and Helen Belkin Art Gallery, University of British Columbia, Vancouver, BC, 2017 

Director, No Looking After the Internet, an out-loud looking group that meets in Toronto, ON, London, UK and in Montreal, QC, 2012–present

Curator, in Residence, Coming to Encounter, series of panel discussions, screenings and publications at Gallery TPW, Toronto, ON, 2012–2013 

Curator, Always Working, group exhibition, Access Gallery, Vancouver, BC, 2012

Curator, This is uncomfortable, group exhibition (co-curated with Arpi Kovacs), Gallery TPW, Toronto, ON, 2010

Assistant Curator, The Leona Drive Project, group exhibition of public art installations curated by Janine Marchessault and Michael Prokopow, Toronto, ON, 2009

Curator, Term Projects, group exhibition, XPACE Cultural Centre, Toronto, ON, Aug 14-23, 2008

Curator, Animator Statement, curated screening as part of Vtape's Curatorial Incubator v. 5, VIDEO ANIMATION: –What's Up, Doc?–, V tape, Toronto, 2008

Curator, Sleepwalker Project 5 | Private Viewing, group exhibition (co-curated with Shaun Dacey), Sleepwalker Projects window gallery, Toronto, ON, 2007

Awards \ Grants

Principal Investigator, Picturing race and citizenship: photography and belonging in Canada, 1900-1948, SSHRC Insight Development Grant, OCAD University, $41,000, 2016-2018

Collaborator, Family Camera, Social Sciences and Humanities Research Council (SSHRC) Partnership Development Grant, Principal Investigator: Thy Phu, Western
University, 2016-2018

Postdoctoral Fellowship, Social Sciences and Humanities Research Council (SSHRC), University of British Columbia, $40,500/year for two years, 2016-2017

Fulbright Canada Visiting Scholar Award, $12,500, 2017

Elaine Ling Research Fellowship, Ryerson Image Centre, $2,000, 2016

Canada Council Travel Grants to Professionals in the Visual Arts, $1,500, 2015

Nominee, Non-Tenured Award for Teaching Excellence, OCAD University, 2015

Institutional Support Grant, Social Sciences and Humanities Research Council (SSHRC), OCAD University/Social Sciences and Humanities Research Council, $2,500, 2014

Nominee, Dissertation Prize, Faculty of Graduate Studies, York University, 2014

eLearning Curricular Innovation Grant, York University, $5,000, 2014

Provost Dissertation Scholarship, York University, $23,000, 2014

Junior Fellowship, the Paul Mellon Centre for Studies in British Art, to support a three-month research stay in the United Kingdom, £7,500, 2013

St. George Society of Toronto Endowment Fund, York University and the St. George Society, $12,500, 2013 (awarded but not held)

Canada Council Grant to Professional Independent Critics and Curators Program, Project grant for the exhibition Always Working, $7,000, 2012

Zdenka Volovka Research Fellowship, York University, $6,000/year, 2011/2012

Michael Smith Foreign Study Supplement, Social Sciences and Humanities Research Council, $6,000, 2010

Canada Graduate Scholarships Program Doctoral Scholarship, Social Sciences and Humanities Research Council, $35,000/year for three years, 2009–2012

Selected Publications

BOOKS
Book manuscript (in review), Picturing Imperial Citizenship: tphotography and belonging in the British Empire (Penn State University Press)

Encyclopedia entry (forthcoming), “Differencing Vancouver,” Histories of Photography in Canada, Martha Langford and Sara Angel, eds. (Art Canada Institute)

Book chapter (peer-reviewed), "Developing Historical Negatives: the Colonial Photographic Archive as Optical Unconscious," Photography and the Optical Unconscious, Sharon Sliwinski and Shawn Michelle Smith, eds. (Durham, NC: Duke University Press, 2017)

Book chapter, “Exhaustive Images: surveillance, sovereignty and subjectivity in Jon Rafman’s The Nine Eyes of Google Street View,” Jon Rafman: Nine Eyes, Kate Steinmann, ed. (Los Angeles: New Documents, 2016)

Book chapter, “Literary Supplement: a Brief and Incomplete Atlas of Drawn & Quarterly’s Petits Livres,” Drawn & Quarterly’s 25th Anniversary Publication, (Montreal: Drawn & Quarterly, 2015)

Book chapter, “Photographic Traces of Presents Past,” Emergence: Contemporary Canadian Photography, Sarah Parsons, ed. (Toronto: Gallery 44/Ryerson University, 2009)

ARTICLES
Journal article (co-authored with Helena Reckitt), "Feminist Tactics of Citation, Annotation, and Translation: Curatorial Reflections on the Now You Can Go programme,"On.Curating 27 (May 2016)

Journal article, "Chromophobia: race, colour and visual pleasure in Richard Mosse's The Enclave,"Prefix Photo 32 (Winter 2015)

Journal article, "Exhaustive Images: surveillance, sovereignty and subjectivity in Google Street View," commissioned as part of the series "Photography in the Age of Biopolitics: Apparatus, Capture, Trace," Fillip, 15 (Fall 2011)

Journal article (peer-reviewed), "Phantasmagoric places: local and global tensions in the circulation of Stan Douglas's 'Every Building on 100 West Hastings,'" Photography & Culture, 4:1 (March 2011)

Journal article, "Working-through public and private labour: Sophie Calle's 'Prenez soin de vous,'" n.paradoxa, 27 (January 2011)

REVIEWS
Event review, "The Flood of Rights,"Journal of Visual Culture 13.2 (August 2014): 236-240

Review, "Critics"Pick: CounterIntelligence,"Artforum.com, Feb 2014

Book review, "'Raising Frankenstein: Curatorial Education and its Discontents' and 'Curating and the Educational Turn,'" Journal of Curatorial Studies, 1:1 (Spring 2012)

Book review, "Kenneth Hayes's 'Milk and Melancholy,'" Invisible Culture: An Electronic Journal for Visual Culture, University of Rochester, NY (Winter 2010)

Feature, "Abbas Akhavan: Every artwork is a trap," Canadian Art (Winter 2016)

Feature, "Lenscraft: Jessica Eaton asks us to think about how we see," Canadian Art (Winter 2012)

Catalogue essay, "All Apologies,"On Apology, CCA Wattis and the California College of the Arts, April 2012

Feature, "Do Curators Need University Curatorial Programs?" C magazine, 100 (Winter 2008)

Professional Affiliations / Boards / Juries

Board of Directors, Mercer Union, 2016-2017

Advisor, Publications, Gallery 44, Toronto, 2014–2016

Selection Committee, Faculty & Curriculum Development Centre Inspired Teaching Awards, OCAD University, 2015

Juror, Aimia | AGO Photography Scholarship, Art Gallery of Ontario, 2015

Juror, Scotiabank CONTACT Photography Festival, BMW Exhibition Prize 2009–2014

Member, International Association of Art Critics (AICA), 2014

Member, Toronto Photography Seminar, 2012–present

Board of Directors, C magazine, 2012-2016

Mentor, Supporting Our Youth (SOY)'s Click One-on-One mentoring program, 2011–present

Member, College Art Association, 2010–present

Member, Universities Art Association of Canada (UAAC), 2008–present