Area(s) of ExpertiseHistory of Architecture and Design, Histories of Emotion, Destruction of the built environment, Design and childhood
Currently, I serve as the Graduate Program Director for OCAD U.'s MA program in Contemporary Art, Design and New Media Art Histories. I am a cultural historian of architecture, urbanism, and design, with a particular research focus on the social and intellectual contexts of design; my ongoing research considers architecture and urban politics in 19th-century France, histories of architectural destruction, atmosphere and emotion, and designs for children. I also maintain interests in classical thought, graphic design and typography, and the traditions of critical theory. I'm presently completing two book projects: the first on sensationalism and architecture in 18th-century France, and the second on destruction and urban renewal in the aftermath of the Paris Commune.
1997: BA, Art History (University of Calgary)
2000: MA, Theory and Criticism (University of Western Ontario)
2007: PhD, Social and Political Thought (York University)
Awards \ Grants
Spring 2017: Visiting Research Fellow, Centre for the History of Emotions, Max Planck Institute, Berlin
2016-17: Visiting Fellow, Massey College, University of Toronto
Fall 2016: Camargo Foundation Residential Fellow, Cassis, France
2013/14: SSHRC Insight Development Grant, 4A status (recommended for funding)
Summer 2012: OCADU Seed grant for research in Paris, France
Fall 2011: Mellon Visiting Scholar, Quadrant Program, Institute for Advanced Study, University of Minnesota
2008-09: SSHRC Postdoctoral Fellowship, Faculty of Architecture, Landscape, and Design, University of Toronto
2001-05: Social Sciences and Humanities Research Council of Canada (SSHRC) Doctoral Fellowship, York University
1999-2001: Ontario Graduate Scholarship
The Production of Atmosphere: Architecture and Sensibility in Eighteenth-century France (Book manuscript in-progress);
On the Commune's Ruins: Emotion and Spatial Violence in Late 19th-Century Paris (Book manuscript in-progress)
Co-editor (with JoAnne Mancini, National University of Ireland) Architecture and Armed Conflict: The Politics of Destruction (Routledge, 2014)
Book chapters: "On Revolutionary Vandalism," in Spatial Violence, ed. Andrew Herscher and Anooradha Iyer Siddiqi (Routledge, 2016).
"Remaking the Bastille: Architectural destruction and revolutionary consciousness in France, 1789-94," in Architecture and Armed Conflict (Routledge, 2014)
"Design and Kenosis, or, the architect's abdication," in Architecture is All Over, ed. Marrikka Trotter and Esther Choi (Columbia Books on Architecture, 2017)
Edited journals: Co-editor (with Martin Racine and Brian Donnelly), "Design Studies in Canada: The State of the Field", special issue of RACAR (Revue d'art canadienne/Canadian Art Review), 2015.
"On Revolutionary Vandalism," Architectural Theory Review Vol. 19 (2014)
"Day for Night: staging 'nature' in the contemporary interior," Interiors: Design, Architecture, Culture, 3. 1-2 (Spring 2012): 85–106;
"'An Unused Esperanto': internationalism and pictographic design, 1930–1970," Design and Culture 3.1, March 2011, pp. 5–24; Housing Complexes: Neurasthenic Subjects and the Bourgeois Interior," Space and Culture. Vol. 6, no. 2, May 2003, pp. 169–177.
Review of Tamar Zinguer, Architecture in Play: Intimations of Modernism in Architectural Toys (U. Virginia Press, 2015), JSAH: Journal of the Society of Architectural Historians, March 2019
Review of Amy Ogata, Designing the Creative Child (U. Minnesota Press, 2012), Buildings and Landscapes, 2014
Review of Charlie Hailey, Camps: A Guide to 21st-Century Space (MIT Press, 2009), Design and Culture, 2010;
Review of Anthony Vidler, Histories of the Immediate Present: Inventing Architectural Modernism (MIT Press, 2008). RACAR, Winter 2009;
Review of Sylvia Lavin, Form Follows Libido: Architecture and Richard Neutra in a Psychoanalytic Culture (MIT Press, 2005). RACAR, June 2006.
Professional Affiliations / Boards / Juries
Editorial Board member, RACAR (Revue d'art canadienne/Canadian Art Review);
co-founder, Canadian Design Studies Network
Member, Design Studies Forum; Design History Society; Society of Architectural Historians; Universities Art Association of Canada; Society for French Historical Studies