2016 Sculpture/Installation Thesis Exhibitions' Series: Complicit Settler
ALL AT ONCE, 2016 SCULPTURE/INSTALLATION THESIS EXHIBITIONS' SERIES PRESENTS: COMPLICIT SETTLER BY KAREN PILOSOF
Website
http://webspace.ocad.ca/allatonce/
LocationCREEDS COFFEE BAR 390 Dupont Street Mon- Fri, 7:30 am - 7 pm Saturday, 8 am – 6 pm creedscoffeebar.com
Complicit Settler_ Karen Pilosof evite
all_at_once_f_web-poster_front.pdf all_at_once_f_web-poster_back.pdf
ALL AT ONCE, 2016 Sculpture/Installation Thesis Exhibitions' Series presents: Complicit Settler by Karen Pilosof
Opening: Thursday March 31, 7 – 9 pm
OCAD University's Sculpture/Installation Program is presenting a series of seventeen exhibitions featuring the multi-media artworks of its 4th-year Thesis students in professional galleries in Toronto. This series is made possible by the generous support of the Nora Vaughan Bequest to the Sculpture/Installation program and of the Faculty of Art Innovation Fund.
What does it mean to be Canadian? What memories serve in building a narrative as a Canadian? What new knowledges are changing that perception? How can we express views without harming others, but succeed in opening doors to new conversations? How can we leave the past and enter a future where colonialism is only part of our collective history, not our present and not our future? Where do we begin?
Website
http://webspace.ocad.ca/allatonce/
LocationCREEDS COFFEE BAR 390 Dupont Street Mon- Fri, 7:30 am - 7 pm Saturday, 8 am – 6 pm creedscoffeebar.com
ALL AT ONCE, 2016 Sculpture/Installation Thesis Exhibitions' Series presents: Complicit Settler by Karen Pilosof
Opening: Thursday March 31, 7 – 9 pm
OCAD University's Sculpture/Installation Program is presenting a series of seventeen exhibitions featuring the multi-media artworks of its 4th-year Thesis students in professional galleries in Toronto. This series is made possible by the generous support of the Nora Vaughan Bequest to the Sculpture/Installation program and of the Faculty of Art Innovation Fund.
What does it mean to be Canadian? What memories serve in building a narrative as a Canadian? What new knowledges are changing that perception? How can we express views without harming others, but succeed in opening doors to new conversations? How can we leave the past and enter a future where colonialism is only part of our collective history, not our present and not our future? Where do we begin?
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