Call for Proposals: un-histories: art and the unconcluded


Contemporary Art, Design and New Media Art Histories Graduate Student Conference

 
DateThursday, November 2, 2017 - 3:15pm to Thursday, December 7, 2017 - 11:45pm

Email

ocadugraduateconference@gmail.com

Location

OCAD University, 100 McCaul Street, Toronto, Canada

CALL FOR PROPOSALS

un-histories: art and the unconcluded

Contemporary Art, Design and New Media Art Histories Graduate Student Conference

Proposal/Abstract Deadline: December 7, 2017

Announcement of Acceptance: December 15, 2017

Please submit proposals to: ocadugraduateconference@gmail.com

Conference Date: March 9-10, 2018

Location: OCAD University, 100 McCaul Street, Toronto, Canada

Within the term “history” lies a conceptual confinement—the presumption that the topics being written about remain consigned to the past. This conference seeks to counter history’s containment and to foreground its continuing relevance in the present. Through the notion of “un-histories,” conventional limits can be unsettled by prompting critical inquiries into how history functions: by re-organizing the composition of the past, by re-constructing methods of transmitting narratives, and by destabilizing the seeming linearity of events. Un-histories reimagine history as a practice for addressing the “unconcluded”— subjectivities and narratives previously considered spectral, disparaged, marginalized, erased, shamed, abashed, or localized. This call for papers seeks engagements in the writing of un-histories to rectify social and political injustices, to unpack the complexities of ontology, and to envision more inclusive, multifaceted futures.

The 2018 Contemporary Art, Design and New Media Art Histories Conference invites proposals for academic papers/practices from MA, PhD students, independent scholars, and artists.

Topics for discussion include, but are not limited to:

  • How can the contradiction of ‘contemporary history’ be resolved?
  • How are artists poised to engage the post-disciplinary? Can artworks incite un-history?
  • When does the contemporary start—does a rupture exist?
  • What does ‘contemporary’ suppress or finalize?
  • How are histories internalized or embodied?
  • What methods of transmission (epistemologies) can be engaged for the maintenance of existing knowledge? How does this compare to history as written?
  • How can histories and the archive be reconceived in the digital age?
  • How does nostalgia shape contemporary visual culture?
  • How do the private and public intersect with the local and global?
  • The presence of haunting, lingering or spectral histories
  • Problematizing the pedagogy of art histories and visual cultural histories
  • How can history be decolonized?
  • Archivable vs. unarchivable histories

What to submit: 250 word abstract about your paper/practice and a short biography.

Please submit texts as .doc or .pdf files.

Papers due: February 15, 2018

DateThursday, November 2, 2017 - 3:15pm to Thursday, December 7, 2017 - 11:45pm

Email

ocadugraduateconference@gmail.com

Website Location

OCAD University, 100 McCaul Street, Toronto, Canada

Join us for beer and pizza as we get inspired by industry makers! Creatives take the stage to walk us through their recent work in our Meet Your Maker speaker series hosted by ACIDO (Association of Chartered Industrial Designers of Ontario) and SEGD (Society for Experiential Graphic Design). Arrive early to grab a drink and slice before the talks and stay after for the social.  
We’ll get there fast and then we’ll take it slow examines the relationship between object and image through an experimental ethnographic approach. The exhibition explores the construction of tropical non-places – ones that exist only in the North American middle-class imaginary.
Open life drawing session offered by the OCAD U Alumni Association
A curatorial project by Lamont Abramczyk as part of his OCADU CRCP undergraduate thesis
Join Nicole Collins and the Toronto Shape-Note Singers for an introduction to shape-note singing from The Sacred Harp tradition that inspired the sound element in Furthest Boundless. The “sacred harp” is the human voice, which combines in this practice into a four-part acapella harmony of hymns and anthems, in an inclusive, non-denominational musical event.
Senate meetings are open to the university community. 
Are you looking to protect your ideas? The Office of Research and Innovation will be an hosting an intellectual property workshop 
Digital Futures: Summer Employment + For-Credit Placement
Empowering Creative Researchers at the Toronto Public Library with Irene Gotz, Librarian at TPL’s Toronto Reference Library. Learn about arts specific resources and services available at the Toronto Public Library. Bring your OCAD U ID and get signed up for a Toronto Public Library card!
Tony Matelli, an exhibiting artist in Onsite Gallery's exhibition, The Sunshine Eaters, will speak about his art practice.
2018 OCAD U CADN GRADUATE STUDENT CONFRENCE
Thursday, November 2, 2017 - 3:15pm to Thursday, December 7, 2017 - 11:45pm

CALL FOR PROPOSALS

un-histories: art and the unconcluded

Contemporary Art, Design and New Media Art Histories Graduate Student Conference

Proposal/Abstract Deadline: December 7, 2017

Announcement of Acceptance: December 15, 2017

Please submit proposals to: ocadugraduateconference@gmail.com

Conference Date: March 9-10, 2018

Location: OCAD University, 100 McCaul Street, Toronto, Canada

Within the term “history” lies a conceptual confinement—the presumption that the topics being written about remain consigned to the past. This conference seeks to counter history’s containment and to foreground its continuing relevance in the present. Through the notion of “un-histories,” conventional limits can be unsettled by prompting critical inquiries into how history functions: by re-organizing the composition of the past, by re-constructing methods of transmitting narratives, and by destabilizing the seeming linearity of events. Un-histories reimagine history as a practice for addressing the “unconcluded”— subjectivities and narratives previously considered spectral, disparaged, marginalized, erased, shamed, abashed, or localized. This call for papers seeks engagements in the writing of un-histories to rectify social and political injustices, to unpack the complexities of ontology, and to envision more inclusive, multifaceted futures.

The 2018 Contemporary Art, Design and New Media Art Histories Conference invites proposals for academic papers/practices from MA, PhD students, independent scholars, and artists.

Topics for discussion include, but are not limited to:

  • How can the contradiction of ‘contemporary history’ be resolved?
  • How are artists poised to engage the post-disciplinary? Can artworks incite un-history?
  • When does the contemporary start—does a rupture exist?
  • What does ‘contemporary’ suppress or finalize?
  • How are histories internalized or embodied?
  • What methods of transmission (epistemologies) can be engaged for the maintenance of existing knowledge? How does this compare to history as written?
  • How can histories and the archive be reconceived in the digital age?
  • How does nostalgia shape contemporary visual culture?
  • How do the private and public intersect with the local and global?
  • The presence of haunting, lingering or spectral histories
  • Problematizing the pedagogy of art histories and visual cultural histories
  • How can history be decolonized?
  • Archivable vs. unarchivable histories

What to submit: 250 word abstract about your paper/practice and a short biography.

Please submit texts as .doc or .pdf files.

Papers due: February 15, 2018

Venue & Address: 
OCAD University, 100 McCaul Street, Toronto, Canada
Email: 
ocadugraduateconference@gmail.com
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