Call for Proposals: un-histories: art and the unconcluded


Contemporary Art, Design and New Media Art Histories Graduate Student Conference

 
DateThursday, November 2, 2017 - 3:15pm to Thursday, December 7, 2017 - 11:45pm

Email

ocadugraduateconference@gmail.com

Location

OCAD University, 100 McCaul Street, Toronto, Canada

CALL FOR PROPOSALS

un-histories: art and the unconcluded

Contemporary Art, Design and New Media Art Histories Graduate Student Conference

Proposal/Abstract Deadline: December 7, 2017

Announcement of Acceptance: December 15, 2017

Please submit proposals to: ocadugraduateconference@gmail.com

Conference Date: March 9-10, 2018

Location: OCAD University, 100 McCaul Street, Toronto, Canada

Within the term “history” lies a conceptual confinement—the presumption that the topics being written about remain consigned to the past. This conference seeks to counter history’s containment and to foreground its continuing relevance in the present. Through the notion of “un-histories,” conventional limits can be unsettled by prompting critical inquiries into how history functions: by re-organizing the composition of the past, by re-constructing methods of transmitting narratives, and by destabilizing the seeming linearity of events. Un-histories reimagine history as a practice for addressing the “unconcluded”— subjectivities and narratives previously considered spectral, disparaged, marginalized, erased, shamed, abashed, or localized. This call for papers seeks engagements in the writing of un-histories to rectify social and political injustices, to unpack the complexities of ontology, and to envision more inclusive, multifaceted futures.

The 2018 Contemporary Art, Design and New Media Art Histories Conference invites proposals for academic papers/practices from MA, PhD students, independent scholars, and artists.

Topics for discussion include, but are not limited to:

  • How can the contradiction of ‘contemporary history’ be resolved?
  • How are artists poised to engage the post-disciplinary? Can artworks incite un-history?
  • When does the contemporary start—does a rupture exist?
  • What does ‘contemporary’ suppress or finalize?
  • How are histories internalized or embodied?
  • What methods of transmission (epistemologies) can be engaged for the maintenance of existing knowledge? How does this compare to history as written?
  • How can histories and the archive be reconceived in the digital age?
  • How does nostalgia shape contemporary visual culture?
  • How do the private and public intersect with the local and global?
  • The presence of haunting, lingering or spectral histories
  • Problematizing the pedagogy of art histories and visual cultural histories
  • How can history be decolonized?
  • Archivable vs. unarchivable histories

What to submit: 250 word abstract about your paper/practice and a short biography.

Please submit texts as .doc or .pdf files.

Papers due: February 15, 2018

DateThursday, November 2, 2017 - 3:15pm to Thursday, December 7, 2017 - 11:45pm

Email

ocadugraduateconference@gmail.com

Website Location

OCAD University, 100 McCaul Street, Toronto, Canada

NBBPC featured speaker is Faculty of Design's Dean, Dori Tunstall!
10 of Anson Liaw's illustration images got selected by the judges for print & online exhibition for the COW (Center of The World) International Design Festival ILLUSTRATION 2018.
The Office of Research & Innovation presents the Research Lounge, open on November 16th 2018, December 14th 2018, and January 18th 2019 from 2:00-3:00pm.
Undergraduate students are invited to attend this information session to learn more about exchange opportunities and hear from students who participated in the program last year.
Please join us from 3:00pm - 5:00pm November 19th, 2018 in 205 Richmond St. West Room 420 for two Sabbatical Talks: "Working with Emotions in Architectural History" by Dr. Keith Bresnahan and "Traces and Talismans: Reflections on Witnessing and the Performing of Memory" by Dr. Dot Tuer.
An exhibition inspired by the OCAD University Drawing and Painting Trip to Awenda Provincial Park  Opening Reception: Thursday, November 22, 5-8pm
The Office of Research & Innovation presents a Research Rendezvous featuring the 2016/2017 recipient of OCAD U's Distinguished Research, Scholarship and Creativity Award,  Johanna Householder. This talk will cover research conducted for a project entitled "Holocene Days".  Coffee and light snacks will be served. 
Join us for a free performance and artist's talk by Ali Asgar
Brought to you by InterVarsity at OCAD U
Please join us for a discussion about Starting a Cooperative Work Space with experts, Samar Hejazi, Djuna Day and Frances Hahn on Wednesday, November 21st.  Akin founders Oliver Pauk and Michael Vickers will also be in attendance. 
2018 OCAD U CADN GRADUATE STUDENT CONFRENCE
Thursday, November 2, 2017 - 3:15pm to Thursday, December 7, 2017 - 11:45pm

CALL FOR PROPOSALS

un-histories: art and the unconcluded

Contemporary Art, Design and New Media Art Histories Graduate Student Conference

Proposal/Abstract Deadline: December 7, 2017

Announcement of Acceptance: December 15, 2017

Please submit proposals to: ocadugraduateconference@gmail.com

Conference Date: March 9-10, 2018

Location: OCAD University, 100 McCaul Street, Toronto, Canada

Within the term “history” lies a conceptual confinement—the presumption that the topics being written about remain consigned to the past. This conference seeks to counter history’s containment and to foreground its continuing relevance in the present. Through the notion of “un-histories,” conventional limits can be unsettled by prompting critical inquiries into how history functions: by re-organizing the composition of the past, by re-constructing methods of transmitting narratives, and by destabilizing the seeming linearity of events. Un-histories reimagine history as a practice for addressing the “unconcluded”— subjectivities and narratives previously considered spectral, disparaged, marginalized, erased, shamed, abashed, or localized. This call for papers seeks engagements in the writing of un-histories to rectify social and political injustices, to unpack the complexities of ontology, and to envision more inclusive, multifaceted futures.

The 2018 Contemporary Art, Design and New Media Art Histories Conference invites proposals for academic papers/practices from MA, PhD students, independent scholars, and artists.

Topics for discussion include, but are not limited to:

  • How can the contradiction of ‘contemporary history’ be resolved?
  • How are artists poised to engage the post-disciplinary? Can artworks incite un-history?
  • When does the contemporary start—does a rupture exist?
  • What does ‘contemporary’ suppress or finalize?
  • How are histories internalized or embodied?
  • What methods of transmission (epistemologies) can be engaged for the maintenance of existing knowledge? How does this compare to history as written?
  • How can histories and the archive be reconceived in the digital age?
  • How does nostalgia shape contemporary visual culture?
  • How do the private and public intersect with the local and global?
  • The presence of haunting, lingering or spectral histories
  • Problematizing the pedagogy of art histories and visual cultural histories
  • How can history be decolonized?
  • Archivable vs. unarchivable histories

What to submit: 250 word abstract about your paper/practice and a short biography.

Please submit texts as .doc or .pdf files.

Papers due: February 15, 2018

Venue & Address: 
OCAD University, 100 McCaul Street, Toronto, Canada
Email: 
ocadugraduateconference@gmail.com
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