Coenesthesia: Affect as an Aesthetic of Healing Through Hybrid Reality Art


An IAMD Thesis Exhibition by MFA candidate Wendy Whaley.

Reception: April 24, 2018, 4:00-7:00 PM

 
DateMonday, April 23, 2018 - 10:00am to Wednesday, April 25, 2018 - 6:00pm

Location

The Open Space Gallery, Black Box Lab, 49 McCaul St.

Coenesthesia pairs, a virtual reality (seen through an HTC headset) in which the immersant explores an organic space of internal body parts, spatialized sound and proprioceptive aesthetics (the aesthetic of one’s sense of embodiment, motion and position), with an interactive environment of projection in which a meditation pod acts as a tool for channelling positive energy into the virtual world, creating a positive feedback loop of affect. Coenesthesia aims at forming a connection between a VR immersant, their internal organs and their internal sense of self while enabling another player to connect to the system and the immersant. By incorporating key elements from cognitive neuro prosthetic studies, which include touch synchronisation, paired with visual and auditory synchronisation and proprioceptive alignment, the work explores the aesthetics of the senses and the roles of synaesthesia and analogy, interpreted through affect, this work explores how hybrid multi modal media art can enable the exploration and affective engagement with one’s embodied interiority?  It aims at empowering people to feel a connection with their internal physiological and psychological being. 



Coenesthesia
DateMonday, April 23, 2018 - 10:00am to Wednesday, April 25, 2018 - 6:00pm

Website Location

The Open Space Gallery, Black Box Lab, 49 McCaul St.

Thesis Exhibition for Interdisciplinary Art, Media and Design Masters Candidate Vanessa Lee Jackson
Please join the Faculty of Liberal Arts & Sciences and School of Interdisciplinary Studies for two Sabbatical Talks: “Extending the Meaning of “Genetic” in Medicine in Canada and Mexico to include ‘Related to Chromosomes and Genes’” by Dr. Bill Leeming and "Cinematic Life in the Anthropocene" by Dr. Selmin Kara. Tuesday, March 26th, 2019 from 3:00 p.m. to 5:00 p.m. in 205 Richmond St. W., Room 320.
OCAD University’s Faculty of Art, in collaboration with Another Story Bookshop, is pleased to present returning 2018 Global Experience Project artist-in-residence Maria Thereza Alves for the launch of her new book. With special guest Lisa Meyers.
Part of a two-year research project out of OCAD University that is looking at how we as citizens can make change happen to build community and turn forgotten places into vibrant spaces in Toronto. How can design and art support community-based place-making?
The Scarborough forum is set for March 26th from 6:00–8:00 pm. It will be held at the East Scarborough Storefront, 4040 Lawrence Ave E. Join in the conversation—share your story of how you made your community stronger.
Associate Professor Jean-Christian Knaff in our Illustration Program has been selected to part of the OSA 14th Annual Juried Exhibition.
Amanda Kung, Alexandru Stratulat, Micketty, and Robin Love present: side effects may include part of the SCIN 2019 Thesis Exhibitions 'For External Use Only', a special presentation highlighting graduating students from OCAD University’s Sculpture/Installation Program.
A brief introduction to research ethics at OCAD U: answering the 5Ws/1H of research ethics.
Join the Inuit Art Foundation, Onsite Gallery and Indigenous Visual Culture at OCAD University on Wednesday, March 27, 2019 for an Inuit Art Quarterly Profiles Edit-a-Thon
Laura Cone, Liza Konovalov, Eden Ison, and Bogdan Nicolau present: CMYK part of the SCIN 2019 Thesis Exhibitions 'For External Use Only', a special presentation highlighting graduating students from OCAD University’s Sculpture/Installation Program.
Monday, April 23, 2018 - 10:00am to Wednesday, April 25, 2018 - 6:00pm

Coenesthesia pairs, a virtual reality (seen through an HTC headset) in which the immersant explores an organic space of internal body parts, spatialized sound and proprioceptive aesthetics (the aesthetic of one’s sense of embodiment, motion and position), with an interactive environment of projection in which a meditation pod acts as a tool for channelling positive energy into the virtual world, creating a positive feedback loop of affect. Coenesthesia aims at forming a connection between a VR immersant, their internal organs and their internal sense of self while enabling another player to connect to the system and the immersant. By incorporating key elements from cognitive neuro prosthetic studies, which include touch synchronisation, paired with visual and auditory synchronisation and proprioceptive alignment, the work explores the aesthetics of the senses and the roles of synaesthesia and analogy, interpreted through affect, this work explores how hybrid multi modal media art can enable the exploration and affective engagement with one’s embodied interiority?  It aims at empowering people to feel a connection with their internal physiological and psychological being. 

Venue & Address: 
The Open Space Gallery, Black Box Lab, 49 McCaul St.
Coenesthesia
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