ED/3D


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DateMonday, March 3, 2008 - 5:00am to Friday, March 7, 2008 - 5:00am

Cost

Free

Location

Great Hall 100 McCaul St., Toronto, Ontario

ed/3d

models and environmental design

in environmental design we design environments. we make spaces that frame the experiences of daily life –

we start with concepts and move to diagrams, we develop these three dimensionally and then, gradually we develop the shape of space and

imagine its material aspects. every decision either layers the

central idea with complexity and harmony or incrementally diminishes the power and clarity of that idea. every decision carries with it the baggage of agenda – what are the political, ethical, social, ecological concerns we as designers bring with us and how are they challenged within the structure and perceived limitations of any program?

these models (from a variety of second and third year environmental design studios) represent only one aspect of the work within environmental design – that of three-dimensional model making. they are the tip of the iceberg. we are not seeing the research or the sketches, plans, sections, elevations and perspectives let alone the virtual computer modeling of the building.

the range, scale and complexity of our programs and our imagined worlds are vast but models give us something material and measurable.

they represent the physical manifestation of creative thought and creative process in the shaping of our built environments.

stuart m. reid curator
february 2008

DateMonday, March 3, 2008 - 5:00am to Friday, March 7, 2008 - 5:00am

Cost

Free

Website Location

Great Hall 100 McCaul St., Toronto, Ontario

Bronwen Wallace Memorial Award-winning poet SONNET L’ABBE returns with her third collection in which a mixed-race woman decomposes her inheritance of Shakespeare.
Debunking the Bauhaus - Reflecting on 100 years of design education by Professor Jay Rutherford, Bauhaus-Universität Weimar. 
Legal Intersections is a four-part series addressing legal issues of importance to artists, designers, and cultural workers. The series is presented in collaboration with the Artists’ Legal Advice Services, the Centre for Emerging Artists and Designers at OCAD University, and the Edward P. Taylor Library & Archives at the Art Gallery of Ontario.
ERASING A COUNTRY: AN ON-GOING SERIES OF RESEARCH ARTIST TALK by JULIUS PONCELET MANAPUL
Open life drawing session offered by the OCAD U Alumni Association
Have you ever wished you could have ten minutes for advice or conversation with someone working in advertising and design?
OCAD U’s Faculty & Curriculum Development Centre and its Indigenous Education Speaker Series is proud to announce its first guest speaker of the year: DR. MARIE BATTISTE
Undercurrents is a billboard exhibition created for The Bentway’s Community Incubation Program, curated by current CCP students, Courtney Miller & Valérie Frappier. 
Join Heather Igloliorte, Amy Dickson and Charissa von Harringa for a curatorial tour of ᐊᕙᑖᓂᑦ ᑕᒪᐃᓐᓂᑦ ᓄᓇᑐᐃᓐᓇᓂᑦ / Among All These Tundras.
Open life drawing session offered by the OCAD U Alumni Association
Monday, March 3, 2008 - 5:00am to Friday, March 7, 2008 - 5:00am

ed/3d

models and environmental design

in environmental design we design environments. we make spaces that frame the experiences of daily life –

we start with concepts and move to diagrams, we develop these three dimensionally and then, gradually we develop the shape of space and

imagine its material aspects. every decision either layers the

central idea with complexity and harmony or incrementally diminishes the power and clarity of that idea. every decision carries with it the baggage of agenda – what are the political, ethical, social, ecological concerns we as designers bring with us and how are they challenged within the structure and perceived limitations of any program?

these models (from a variety of second and third year environmental design studios) represent only one aspect of the work within environmental design – that of three-dimensional model making. they are the tip of the iceberg. we are not seeing the research or the sketches, plans, sections, elevations and perspectives let alone the virtual computer modeling of the building.

the range, scale and complexity of our programs and our imagined worlds are vast but models give us something material and measurable.

they represent the physical manifestation of creative thought and creative process in the shaping of our built environments.

stuart m. reid curator
february 2008

Venue & Address: 
Great Hall 100 McCaul St., Toronto, Ontario
Cost: 
Free
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