Phases of Dance - IAMD Thesis Exhibition by Iveta Karpathyova


Hand-drawn over the course of two months, this three minute bachata dance animation is made up of 2070+ individual drawings. These thousands of frames will be lined up for viewing in the Open Space Gallery. 

 
DateFriday, March 31, 2017 - 6:00pm to 9:00pm

Cost

FREE

Website

http://www.ivetaka.com/animated-animator

Location

Open Space Gallery, 49 McCaul Street

Opening Reception: March 31,  6 - 9 pm

Phases of Dance:
Traditional animation rotoscoping design for dance technique in bachata.

Phase
noun \ˈfāz\
1 :  a part or step in a process : one part in a series of related events or actions
2 :  an aspect or part under consideration

Origin and Etymology of phase
New Latin phasis, from Greek, appearance of a star, phase of the moon, from phainein to show (to appear).

Screened inside the Black Box, Phases of Dance is a classical animation that opens up with an appearance of a star that transforms into a dancer. Hand-drawn over the course of two months, this three minute bachata dance animation is made up of 2070+ individual drawings. These thousands of frames will be lined up for viewing in the Open Space Gallery. 

The production explored traditional animation as a design tool for documenting embodied knowledge in my dance practice. In manually rendering body movement at 12 frames per second, I approached rotoscoping as systematic process that allowed me to analyze and communicate aspects of bodily expression and technique in bachata. In this process, I was experimenting with a variety of hand-drawn effects that placed emphasis on movement, expression, performance and musicality.

Phases of Dance was made with the technique of Rotoscoping that is perhaps most widely recognized from A-ha's music video Take On Me. It uses live-action film as a base for drawing, whereby the animator traces over the footage, one frame as a time. As such, the production began with a filmed bachata choreography performed by my dance partner Pavlo Farmakidis and I. The edited video was exported the rate of 12 frames per second – the length of time each drawing frame is visible when projected –  providing a base for 2,100 hand-drawn frames that I was illustrating consecutively on daily basis in two months. Some of the production process was captured on my website: http://www.ivetaka.com/animated-animator.

 

More on the Interdiciplinary Master's in Art, Media and Design program: http://www.ocadu.ca/academics/graduate-studies/art-media-design-masters.htm

DateFriday, March 31, 2017 - 6:00pm to 9:00pm

Cost

FREE

Website

http://www.ivetaka.com/animated-animator

Location

Open Space Gallery, 49 McCaul Street

OCAD U's Centre for Emerging Artists & Designers is excited to partner with Tridel, one of Canada’s leading developers, and PATCH, a social enterprise operated by the award-winning STEPS Initiative, to feature the work of students and alumni in a high-profile public display of art across the construction hoarding bordering Tridel's FORM condominium on McCaul St (adjacent to OCAD U). As creative talent in the fields of art and design, we request your submissions for this unique paid exhibition opportunity. Submission deadline - Nov. 24th, 11:59pm
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Friday, March 31, 2017 - 6:00pm to 9:00pm

Opening Reception: March 31,  6 - 9 pm

Phases of Dance:
Traditional animation rotoscoping design for dance technique in bachata.

Phase
noun \ˈfāz\
1 :  a part or step in a process : one part in a series of related events or actions
2 :  an aspect or part under consideration

Origin and Etymology of phase
New Latin phasis, from Greek, appearance of a star, phase of the moon, from phainein to show (to appear).

Screened inside the Black Box, Phases of Dance is a classical animation that opens up with an appearance of a star that transforms into a dancer. Hand-drawn over the course of two months, this three minute bachata dance animation is made up of 2070+ individual drawings. These thousands of frames will be lined up for viewing in the Open Space Gallery. 

The production explored traditional animation as a design tool for documenting embodied knowledge in my dance practice. In manually rendering body movement at 12 frames per second, I approached rotoscoping as systematic process that allowed me to analyze and communicate aspects of bodily expression and technique in bachata. In this process, I was experimenting with a variety of hand-drawn effects that placed emphasis on movement, expression, performance and musicality.

Phases of Dance was made with the technique of Rotoscoping that is perhaps most widely recognized from A-ha's music video Take On Me. It uses live-action film as a base for drawing, whereby the animator traces over the footage, one frame as a time. As such, the production began with a filmed bachata choreography performed by my dance partner Pavlo Farmakidis and I. The edited video was exported the rate of 12 frames per second – the length of time each drawing frame is visible when projected –  providing a base for 2,100 hand-drawn frames that I was illustrating consecutively on daily basis in two months. Some of the production process was captured on my website: http://www.ivetaka.com/animated-animator.

 

More on the Interdiciplinary Master's in Art, Media and Design program: http://www.ocadu.ca/academics/graduate-studies/art-media-design-masters.htm

Venue & Address: 
Open Space Gallery, 49 McCaul Street
Website: 
http://www.ivetaka.com/animated-animator
Cost: 
FREE
Keywords: 
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