Scotiabank Nuit Blanche at OCAD


Make OCAD your destination during Scotiabank Nuit Blanche

 
DateSaturday, September 29, 2007 - 11:00pm to Sunday, September 30, 2007 - 11:00am

Cost

Free

Location

Ontario College of Art & Design 100 McCaul St., Toronto, Ontario

Make OCAD your destination during Scotiabank Nuit Blanche, an all-night city-wide celebration of exhibitions, live performances and creative programs throughout Toronto. The event runs from dusk to dawn starting at 7:03 pm on September 29.
TESTBED
Curated by David McIntosh
Assistant Curator, Patricio Davila
TESTBED is an exhibition of new media works that converts OCAD's landmark tabletop building into an interactive platform for intensive artistic research, experimentation, prototyping and testing of real-time simulation models where virtual and material worlds collide to produce new meaning. The six installations that comprise TESTBED are all new works, most of them commissioned specifically for this exhibition, some of them new site-specific iterations of the artists' ongoing research and creation activities for the OCAD exhibition space.
All part of the OCAD community, as former students or as current or former OCAD faculty, the TESTBED artists have created works that explore the technological, philosophical and experiential tensions and resonances between immersive virtual digital 3D installation and the more traditional physical presence of material 3D installation. As a group, the works express a range of new forms of interfacing and translating across the narrowing 3D virtual/material divide. These works also test the limits of our understanding and occupation of our built environment ' our houses, our homes ' transforming them into powerful virtual memory structures. And it is important to note that these works are not simply structural investigations of hard and software linkages between material place and virtual space; they engage a range of social, political and aesthetic contexts that give the virtual/material discourse new directions.
Judith Doyle's Long Crescent : House Transformer offers a navigable performative virtual house, inhabited simultaneously by human presences and virtual avatars, that rests on her strong emotional and memory links to the represented house as her own childhood home. Robert Houle's Do not open until you get home brings his perspective as an abstract painter and First Nations artist, writer and curator to his reluming of horrific human and viral histories in a digital context. Lorena Salom''s Closeness embeds autonomous technologies inside kinetic sculptures to probe temporality, randomness and mutual destruction. Simone Jones and Julian Oliver's Unprepared Architecture invites us to play and to consider the philosophical relationship between the particularity of material space and the universality of virtual space, as well as the implications of new forms of remote control. Brenda Goldstein and Alissa Firth-Eagland's spin builds a dialogue concerning fate from virtual myths and embodied human undertakings, while Noam Gonick's Precious Blood models a physical site of social control ' a prison ' to serve as the surface for the projection of multiple insurrectional desires.
The TESTBED artists have employed a range of creative methods, from spontaneous, provisional and analogic imaginings to experiential, metaphoric and heuristic improvisations to create prototypical, evolving, immersive art that operates interdependently with the public. We invite the exuberant and engaged Nuit Blanche public to intersect, interact and experiment with us and with TESTBED all night long.
Currents
Curated by William Hodge
In welcoming back OCAD's Material Art & Design, Applied Art & Design, Material Arts alumni for a weekend of programming, OCAD presents an exhibition of work by alumni and faculty in OCAD's Great Hall, curated by Professor William Hodge. During Scotiabank Nuit Blanche, demonstrations will take place in the ceramic, jewellery and fibre studios until midnight.
Currents features the work of Beth Alber, Mildred Avendano, Patricia Bentley, Lois Betteridge, Carolynn Bloomer, Suzanne Carlsen, Ruth Chambers, Ying-Yueh Chuang, Ian Chung, Alissa Coe and Carly Waito, Marta Dal Farra, Jocelyn De Backere, Angelo di Petta, Michael Doxey, Martina Edmonson, Eva Ennist, William Hodge, Kate Jackson, Michael Jaroszewicz, Arounna Khounnoraj, Chung-Im Kim, Margaret Lim, Susan Low-Beer, Rory MacDonald, Michelle Mendlowitz, Dorie Millerson, Robert Mitchell, Julie Moon, Joni Moriyama, Kathleen Morris, Ken Nicol, Michele Perras, Anrea Piller, Greg Sims, Greg Sloane, Don Stuart, Mary Jane Varro, Ken Vickerson, Sarah Washbush Byrne, Laurie Wassink, Andr'e Wejsmann, Robert Wylie, Lily Yung, Susan Warner Keene, and Cybele Young.
An exhibition reception will be held Saturday, September 29 starting at 4 pm ($15 unless previously registered for weekend reunion events, cash bar. Tickets can be reserved online at https://secure.ocad.ca/currents/). Currents is presented in conjunction with Craft Year 2007.
Nomadic Residents: Rirkrit Tiravanija
Closing reception: reopening the OCAD Professional Gallery
Remarks from 7 to 7:30 pm; open all night
The OCAD Professional Gallery closes its inaugural exhibition. Last April, internationally acclaimed artist Rirkrit Tiravanija erected walls barring the entrance and exit to the gallery space. Now, the walls will come down and the exhibition's final component will be revealed.
Globe and Mail art critic Sarah Milroy describes Tiravanija's work as "'exemplar of 'relational aesthetics''or 'service-based art''work that intends to provoke new social relations in response to contradictions set up by the artist". OCAD Associate Professor Jim Drobnik describes this installation as "a radical change in Tiravanija's practice, and a renegotiation of his relationship to the art world."
World So Small
OCAD's Student Gallery presents an exchange exhibit between ceramic students from OCAD and the University of Regina in which they employ the material qualities and associative meanings of clay to investigate how we engage with others and the world. Previously shown at the 5th Parallel Gallery in the University of Regina, the exhibition is held in conjunction with Craft Year 2007 and continues until October 6.
Concept to Commodity
OCAD's Transit Space presents an exhibition of work by third- and fourth-year Material Art & Design students working in ceramics, fibre and jewellery. The exhibit focuses on the process of design from initial conception through to the creation of the finished object. The exhibition continues until October 5.

DateSaturday, September 29, 2007 - 11:00pm to Sunday, September 30, 2007 - 11:00am

Cost

Free

Website Location

Ontario College of Art & Design 100 McCaul St., Toronto, Ontario

Open life drawing session offered by the OCAD U Alumni Association
Look Inside Canada’s largest university of art and design. Bring your friends, family and supporters and take a studio tour, watch students as they work, or talk with faculty and staff. OCAD University will provide a glimpse of emerging trends, and where art and design practice is making new connections.
Visit the lobby of 100 McCaul from October 21 to 25 to browse hundreds of gently-used art and design books and more! All proceeds support the library.
OCAD University’s Faculty of Art is hosting a group exhibition focusing on climate justice, opening October 21, and culminating in a panel titled “Creative action during climate crisis,” on November 1. The submission-based exhibition, co-curated by Michelle Beck and Dana Snow, focuses on the idea of a multispecies interconnectivity that makes every organism necessary to one another in their surrounding environs. Messmates are companions – in Latin “cum panis” – who share bread and rely on each other for survival. 
A workshop rooted in oral history and community collaboration, Talking Treaties artfully shares local Indigenous history and awareness.
feelSpace is seeking artworks for our inaugural online exhibition that deals with connections and relationships in digital spaces. Submissions are due on October 21st!
Interested in applying for CGS-M (SSHRC, NSERC) and/or an Ontario Graduate Scholarship (OGS)? This session will provide students with further information about competitions, timelines and best practices. These are prestigious awards, and all full-time graduate students are encouraged to apply.
Join us in the Learning Zone for grOCAD Plant Propagation Workshop
OCAD U Professor Robert Lear and Illustrator Doug Martin are putting on a show featuring their work that is being shown from October 23 - November 3, 2019.  Wed-Fri : 12 - 4:30 pm Sat-Sun: 12- 4:00 pm   
Alumni social at OCAD U's Onsite Gallery
Scotiabank Nuit Blanche
Saturday, September 29, 2007 - 11:00pm to Sunday, September 30, 2007 - 11:00am

Make OCAD your destination during Scotiabank Nuit Blanche, an all-night city-wide celebration of exhibitions, live performances and creative programs throughout Toronto. The event runs from dusk to dawn starting at 7:03 pm on September 29.
TESTBED
Curated by David McIntosh
Assistant Curator, Patricio Davila
TESTBED is an exhibition of new media works that converts OCAD's landmark tabletop building into an interactive platform for intensive artistic research, experimentation, prototyping and testing of real-time simulation models where virtual and material worlds collide to produce new meaning. The six installations that comprise TESTBED are all new works, most of them commissioned specifically for this exhibition, some of them new site-specific iterations of the artists' ongoing research and creation activities for the OCAD exhibition space.
All part of the OCAD community, as former students or as current or former OCAD faculty, the TESTBED artists have created works that explore the technological, philosophical and experiential tensions and resonances between immersive virtual digital 3D installation and the more traditional physical presence of material 3D installation. As a group, the works express a range of new forms of interfacing and translating across the narrowing 3D virtual/material divide. These works also test the limits of our understanding and occupation of our built environment ' our houses, our homes ' transforming them into powerful virtual memory structures. And it is important to note that these works are not simply structural investigations of hard and software linkages between material place and virtual space; they engage a range of social, political and aesthetic contexts that give the virtual/material discourse new directions.
Judith Doyle's Long Crescent : House Transformer offers a navigable performative virtual house, inhabited simultaneously by human presences and virtual avatars, that rests on her strong emotional and memory links to the represented house as her own childhood home. Robert Houle's Do not open until you get home brings his perspective as an abstract painter and First Nations artist, writer and curator to his reluming of horrific human and viral histories in a digital context. Lorena Salom''s Closeness embeds autonomous technologies inside kinetic sculptures to probe temporality, randomness and mutual destruction. Simone Jones and Julian Oliver's Unprepared Architecture invites us to play and to consider the philosophical relationship between the particularity of material space and the universality of virtual space, as well as the implications of new forms of remote control. Brenda Goldstein and Alissa Firth-Eagland's spin builds a dialogue concerning fate from virtual myths and embodied human undertakings, while Noam Gonick's Precious Blood models a physical site of social control ' a prison ' to serve as the surface for the projection of multiple insurrectional desires.
The TESTBED artists have employed a range of creative methods, from spontaneous, provisional and analogic imaginings to experiential, metaphoric and heuristic improvisations to create prototypical, evolving, immersive art that operates interdependently with the public. We invite the exuberant and engaged Nuit Blanche public to intersect, interact and experiment with us and with TESTBED all night long.
Currents
Curated by William Hodge
In welcoming back OCAD's Material Art & Design, Applied Art & Design, Material Arts alumni for a weekend of programming, OCAD presents an exhibition of work by alumni and faculty in OCAD's Great Hall, curated by Professor William Hodge. During Scotiabank Nuit Blanche, demonstrations will take place in the ceramic, jewellery and fibre studios until midnight.
Currents features the work of Beth Alber, Mildred Avendano, Patricia Bentley, Lois Betteridge, Carolynn Bloomer, Suzanne Carlsen, Ruth Chambers, Ying-Yueh Chuang, Ian Chung, Alissa Coe and Carly Waito, Marta Dal Farra, Jocelyn De Backere, Angelo di Petta, Michael Doxey, Martina Edmonson, Eva Ennist, William Hodge, Kate Jackson, Michael Jaroszewicz, Arounna Khounnoraj, Chung-Im Kim, Margaret Lim, Susan Low-Beer, Rory MacDonald, Michelle Mendlowitz, Dorie Millerson, Robert Mitchell, Julie Moon, Joni Moriyama, Kathleen Morris, Ken Nicol, Michele Perras, Anrea Piller, Greg Sims, Greg Sloane, Don Stuart, Mary Jane Varro, Ken Vickerson, Sarah Washbush Byrne, Laurie Wassink, Andr'e Wejsmann, Robert Wylie, Lily Yung, Susan Warner Keene, and Cybele Young.
An exhibition reception will be held Saturday, September 29 starting at 4 pm ($15 unless previously registered for weekend reunion events, cash bar. Tickets can be reserved online at https://secure.ocad.ca/currents/). Currents is presented in conjunction with Craft Year 2007.
Nomadic Residents: Rirkrit Tiravanija
Closing reception: reopening the OCAD Professional Gallery
Remarks from 7 to 7:30 pm; open all night
The OCAD Professional Gallery closes its inaugural exhibition. Last April, internationally acclaimed artist Rirkrit Tiravanija erected walls barring the entrance and exit to the gallery space. Now, the walls will come down and the exhibition's final component will be revealed.
Globe and Mail art critic Sarah Milroy describes Tiravanija's work as "'exemplar of 'relational aesthetics''or 'service-based art''work that intends to provoke new social relations in response to contradictions set up by the artist". OCAD Associate Professor Jim Drobnik describes this installation as "a radical change in Tiravanija's practice, and a renegotiation of his relationship to the art world."
World So Small
OCAD's Student Gallery presents an exchange exhibit between ceramic students from OCAD and the University of Regina in which they employ the material qualities and associative meanings of clay to investigate how we engage with others and the world. Previously shown at the 5th Parallel Gallery in the University of Regina, the exhibition is held in conjunction with Craft Year 2007 and continues until October 6.
Concept to Commodity
OCAD's Transit Space presents an exhibition of work by third- and fourth-year Material Art & Design students working in ceramics, fibre and jewellery. The exhibit focuses on the process of design from initial conception through to the creation of the finished object. The exhibition continues until October 5.

Venue & Address: 
Ontario College of Art & Design 100 McCaul St., Toronto, Ontario
Cost: 
Free
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