MARTK'D Sneaker Design Tournament

Wednesday, October 12, 2016 - 3:00pm to 7:00pm

OCAD University is proud to collaborate with MARTK’D which celebrates art on sneakers.  The partnership was formed to execute a creative engagement initiative in the form of a sneaker design tournament.  The tournament will give 40 of Toronto’s up-and-coming high school artists from the Toronto District School Board and the Toronto Catholic District School Board the opportunity to showcase their creative skills through live competition in front of an audience. Artists will use VANS sneakers as a blank canvas and Sharpies to create their own designs, to be judged by audience members and special guests.

 

The format is as follows:

Two qualifying rounds will consist of 20 artists each, 40 artists in total.

The top four artists from each round, voted on by the crowd, will advance to the finals.

The eight finalists will compete to become named the ‘Sneaker Design Tournament’ champion!

The MARTK’D ‘Sneaker Design Tournament’ champion will receive an educational scholarship + merch.

 

WHAT: MARTK’D- Sneaker Design Tournament  

WHEN: Wednesday October 12th 2016, 11:00am – 3:00pm

WHERE:  OCAD University, Great Hall, 100 McCaul Street, Toronto, ON

Venue & Address: 
OCAD University, Great Hall, 100 McCaul Street, Toronto, ON
Email: 
admissions@ocadu.ca
Phone: 
416-977-6000 ext. 4869
Cost: 
Free
40 Artists. 10 Schools. 3 Rounds. 20 Mins to Create. 1 Champion. Poster with event info and sponsors

Veronika Szkudlarek, Teaching Intensive Stream, Lecturer

Veronika Szkudlarek is interested in the interdisciplinary and innovative possibilities of paint and digital imaging. She uses traditional analogue material like oil paints with animation software like Cinema 4D, After Effects, Dragonframe and Photoshop.  She looks to areas of growth, including technology and expanded practices for inspiration most recently using VR technology to make 3D paintings.  

Drawing as a weapon of mass creation

Tuesday, June 12, 2018 - 11:00am

"El dibujo como arma de creacion masiva" translates to "Drawing as a weapon of mass creation" in english and will be presented by Coco Guzman at the University Miguel Hernandez, in the Fine Arts Department in Spain on June 12th.

Venue & Address: 
University Miguel Hernandez, Fine Arts Department, Altea (Spain)
Drawing poster

A Sketchbook Overview

Backyard Sketch by Sam Bertram
Classic Florals by Sam Bertram
Lazy Unicorn by Sam Bertram

So what do you include in your sketchbook if you aren't drawing from the infinite lists found online? Everything is the short answer. As an illustrator your interests need to expand past visual art, artists and designers. You need to be a collector of information and things. This means you must be interested in everything from politics to the environment, to pop culture, and even historical facts. Becoming a curator of information, will help you in creating those sketches. Be sure to be observing the world around you. Go to your local coffee shop, train station, or mall and draw. Draw the elderly man drinking a coffee, the tourists waiting for their 3 o'clock train, or the children running through the mall food court. All of these things show that you are observing and taking in the information surrounding you. It is this information which will allow you to convey the solutions to the problems proposed to you from potential clients. 

Don’t forget, as an illustrator you are essentially a problem solver, an image maker and a designer. Your goal is to help your prospective client navigate their current problem, while producing a clear solution, using the imagery you create as the key communication tool. Whether this is through traditional mediums, such as oil paintings, or digital mediums using Photoshop or Illustrator your imagery must start with a rough piece. This is one of the reasons a sketchbook is so important. You're work will evolve and change as you weed out the less relevant concepts for your final illustrations. This is where your sketchbook will be used as a form of process or idea book. Whether it be rough sketches, composition drawings, or colour roughs, your sketchbook is where all of these ideas should start to take form. Showing this process in your sketchbook, gives those viewing it a look into your creative process, which is what universities such as OCAD U are looking for.

Finally, remember to use your sketchbook to explore and have fun. Although your expected to be using your sketchbook for rough work and concepts, you should also be using your sketchbook as an outlet to explore new mediums, express silly ideas, and draw what you are interested in. A sketchbook can be an expression of yourself, where all ideas, good or bad begin. Don’t be afraid to use a strange new color palette on a silly doodle of a unicorn riding a dragon. Or to make a tape drawing out of the new colored tape you found in the crafts isle of the art store. Make sure you enjoy the time you spend in your sketchbook. Schools, like OCAD University are looking to the sketchbook to see your thought process, and your experimentation. They want to see someone who is constantly observing and consistently creating.

Use your sketchbook as a tool to create, to observe, to retain information, and to experiment with new techniques, tools, and to express yourself and your works. Using some of these will create an excellent example of your work and yourself as a creator.

Author: 
Samantha Bertram
Template: 
Standard Template

Marked

Rudolf Bikkers

Becoming an artist I consider not so much a career choice as the recognition of an inner compulsion: one is aware that creating art is and always will be an essential, vital part of oneself. Those artists who throughout history have defined a certain culture have traditionally learned their craft from experts as students or apprentices. Discussion and the exchange of ideas with their teachers and peers has helped shape their artistic views and philosophies.

Nicole Collins

Nicole Collins' artistic practice focuses on the effect of time, accumulation, force and heat on visceral materials, through painting, drawing, installation, intervention, video, and sound. Since 1994 she has exhibited extensively including solo exhibitions at The Koffler Art Gallery, Toronto (2018), The University of Waterloo Art Gallery (2013), The Art Gallery of Ontario (2013) and The Embassy of Canada in Tokyo (2001) and group exhibitions in Toronto, Hamilton, St. Johns, New York, Miami, London, Venice and Zurich.

Luke Painter

Luke Painter is an artist working in Toronto. Recent exhibitions of his work include: Modern Wand at Cambridge Galleries (solo 2017), The Teasers and the Tormentors at Galerie Clark in Montreal (solo 2016), Ways of Something at the Whitney Museum of American Art (group 2016) and Five Years of Contemporary Canadian Drawing at the Sudbury Art Gallery (group 2016). Luke has been recently nominated in 2018 for the K.M.

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