MMMMM…. Gendai Kitchen: A deliciously innovative curatorial concept

In the summer of 2016, Gendai Gallery — a Toronto institution with a focus on the intersection of East Asian perspectives and diverse cultures— launched the experimental culinary project MMMMM… Gendai Kitchen. This initiative presents programming that aligns itself with the seasons and focuses on a different natural food source in each iteration, or case in point: spring featuring sugar, summer featuring rock, fall featuring seed, and winter featuring salt. Two artists have been assigned to produce content for each season, and with OCAD U alumni including Myung-Sun Kim, Lisa Myers and Stuart Sakai on board, the results have been delectable.

 Summer: Lisa Myers with Myung-Sun Kim, miijim for time beings, 2016. Photo by Morris Lum. 

The program’s curators, Emily Fitzpatrick and Maiko Tanaka, have brought something refreshingly original to Toronto’s art scene. The concept includes more familiar offerings, such as artist-hosted meals, but also a subscription service. Subscribers receive an artist’s multiple for every season of the year, delivered right to their front doors! The multiples are created as collaborative pairings with the artist-hosted presentations in order to highlight and explore the multiple, which enhances the presentation, and vice-versa. For example, in the winter iteration of the project, Mitchell Akiyama’s multiple Elements of Exchange — a collection of synthetically crafted salts mimicking those found in bodily fluids, such as sweat and tears — was used in the food prepared by Stuart Sakai in his workshop Salt of the Body.


Fall: Diane Borsato, ALL OUR FLOURISHING IS MUTUAL, 2016. Photo by Morris Lum. 

The subscription, limited to just 50, is enticingly exclusive, and yet accessible. The price tag for this four-piece artwork delivery service is a mere $250. Furthermore, if the cost of a year-long membership is still out of reach, the programming around the multiples is free to all. Not only are the events free, but they also take place in various locations such as Artscape Gibraltar Point and the Theatre Centre, which engage and bring together different communities from across the city.


Winter: Mitchell Akiyama, Elements of Exchange, 2017. Photo by Jacob Pojar.

Beyond its creative and accessible format, MMMMM… Gendai Kitchen is also vanguard because of the ideas it tackles. The five Ms of MMMMM… Gendai Kitchen function as both a clever onomatopoeia and acronym. According to the prospectus, the Ms stand for Mapping, Myth, Mobility, Magic and Migration, and together act as “maxims for a deeper, complicated and historical engagement with contemporary food politics, economy and place.” For example, Diane Borsato’s event ALL OUR FLOURISHING IS MUTUAL (BREAD AND HONEY) at The Drake Hotel served up a sampling of five honeys produced throughout the GTA, which revealed distinct flavour variations among products from different neighbourhoods and beekeepers. The presentation encouraged visitors to reflect on the movements of flora and fauna throughout the city, the potential to integrate oneself into the ecosystem in a healthy way, and what one can learn from eating locally.


Winter: Mitchell Akiyama, Elements of Exchange, 2017. Photo by Jacob Pojar.

Although three seasons have already passed, it’s not too late to experience spring with Gendai Kitchen. The upcoming season will celebrate the motif of sugar with an event by Lesley Loksi Chan, and a multiple by Karen Tam. For more information please visit


By Emily Cluett, MFA, Criticism and Curatorial Practice, 2017
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International Research: Focus on Asia

Monday, November 10, 2008 - 5:00pm to 6:30pm

The Office of Research would like to
invite you to come out and learn more about the fascinating research projects
of some of our faculty. Speaking at the November 10th event will be: _

Judith Doyle

In January 2008 Doyle was a Visiting Lecturer at the Central Academy of Fine Arts (CAFA - Digital Media Program) in Beijing, and at Tongji University's College of Architecture and Urban Planning in Shanghai. Doyle delivered a Memorandum of Understanding co-signed by the presidents of OCAD and CAFA, opening doors for future academic cooperation. She will show pictures and share information about these schools._

Lynne Milgram

Milgram's presentation will explore the work of Filipina entrepreneurs in Baguio City, Philippines who have developed a branch of the global trade in secondhand clothing between Hong Kong and the Philippines. Building on kinship networks of women working in Hong Kong, these entrepreneurs navigate formal government and informal economic and cultural channels to operationalize a transnational trade that straddles legal-illegal practice in both locales. Milgram argues that Filipina entrepreneurs’ transnational activism in the Hong-Kong-Philippine used clothing trade reconfigures the market to unsettle essentialist categories of economy, class, value and legality. By crafting global, feminized circuits of commodities and using multiply migrant communities these traders situate local initiatives within wider negotiations of meaning and agency to challenge the common exclusion of actions on the edge from analyses of destabilizing political and global forces.-_


Soyang Park

Park’s research deals with contemporary South Korean society, culture and art viewed through a postcolonial perspective. This builds on her previous research on anti-authoritarian democratization movement and art of 1980s and early 90s but moves the focus on changes in Korean society since the transformation of an authoritarian regime to a civilian, democratic one after 1993. Her research identifies ways in which artists, cultural activists and the public themselves led and represented this societal transformation through their political, creative and discursive activities. In this talk, Park will introduce two interconnected research projects that have been undertaken in this context, entitled, 1.Postcolonial Aesthetics 2. Enacting Memory and Performing Community: Politics, Culture and Art in Post-Minjung South Korea (1993- 2006).

Venue & Address: 
Room 544 100 McCaul St., Toronto, Ontario