Sepia photo of two male snake charmers sitting on marble steps
Tuesday, March 12, 2019 - 4:00pm to 5:00pm

The Office of Research and Innovation and Faculty of Liberal Arts & Sciences and School of Interdisciplinary Studies are pleased to present a talk by Assistant Professor Gabrielle Moser, recipient of the 2018/2019 OCAD University Award for Excellence in Early Stage Research, Scholarship and Creative Activity.

Tuesday, March 12th
4:00pm – 5:00pm
100 McCaul St., Room 258
(George Reid Wing Community Room)


This talk meditates on the research methods and archival strategies that developed out of a multiyear project on the Colonial Office Visual Instruction Committee: an unusual scheme sponsored by the British government that used a series of lantern slide lectures combining geography education and photography to teach schoolchildren around the world what it meant to look and to feel like an imperial citizen. Reflecting on the modes of looking
deployed by the viewers of these original lectures and the kinds of looking that are required by a contemporary archival researcher, the talk will introduce some of the themes addressed in Moser’s new book, Projecting Citizenship, which elucidates the impact of this vast collection of photographs that circulated around the British Empire between 1902 and 1945 in classrooms from Canada to Hong Kong, from the West Indies to Australia.

About Gabrielle Moser

Dr. Gabrielle Moser is a writer and independent curator. Her writing has appeared in venues including Artforum, Art in America, ARTnews, Canadian Art, Fillip, Flash Art, Journal of Curatorial Studies, and the Journal of
Visual Culture
. She is the author of Projecting Citizenship: Photography and Belonging in the British Empire (Penn State UP, 2018). She has organized exhibitions for Access Gallery, Gallery TPW, the Morris and Helen Belkin Art Gallery, Oakville Galleries and Vtape. Gabrielle has held fellowships at the Paul Mellon Centre for the Study of British Art, Ryerson Image Centre, the University of British Columbia and was a Fulbright Visiting Scholar in
the department of Modern Culture and Media at Brown University in 2017. She is a member of the Toronto Photography Seminar, and a founding member of EMILIAAMALIA feminist working group.


This talk coincides with the launch of Dr. Moser’s recent book, Projecting Citizenship: Photography and Belonging in the British Empire, (Penn State University Press, 2018).

Venue & Address: 
100 McCaul St., Room 258 (George Reid Wing Community Room)
Sepia photo of two male snake charmers sitting on marble steps; Talk description

Call For Submissions: The OCAD U Journal of Visual and Critical Studies

Wednesday, January 16, 2019 to Friday, February 8, 2019



The Journal of Visual & Critical Studies collects and celebrates some of the best undergraduate academic writing at OCAD University. Comprising of exhibition and performance reviews, critical essays, and thesis abstracts, this anthology challenges the boundaries of art history and visual studies in order to produce innovative relationships between art, design, and academia at OCAD U and beyond. Contributors will be invited to the Journal’s launch as a part of GradEx 2019.

We encourage students to submit work that they have written for courses and would feel proud to share with the OCAD U Community. The Editorial Committee is seeking submissions from all current OCAD U students in the following formats:

Exhibition and Performance Reviews [250 to 500 words]
Reviews of exhibitions, performances or art-related events that happened after April 2018. We welcome reviews that are local, national, or international in scope.

Critical Essays [1000 to 2000 words]
We publish academic essays about art, design, and visual studies. We are open to a wide range of methods and analyses, including experimental writing on aesthetic experiences and interdisciplinary research. We can accept excerpts from larger essays.

Abstracts of Thesis Projects [150 to 250 words]
Art or design students may submit up to 3 images of their works to contextualize their abstract. Images provided should be 300 DPI.

Submission Guidelines:
Submissions should be sent either as an email attachment, or as a link to a Google Drive file to Writing should be submitted as a Word Document (.doc or .docx) and Chicago style citations are encouraged.

In your submission email please provide a 1 to 2 sentence biography that includes your name, your program, the year of your program (for ex: 3rd year student), and a few details about your research interests and/or studio practice.

To learn more about the Journal of Visual & Critical Studies and to read past volumes, please visit

DEADLINE: Friday, February 8th, 2019

Venue & Address: 
100 McCaul St.
JVCS Call for Submissions: Text in description above on a white background