Resilient

In this ongoing research, we aim to enhance training of surgical residents and support ongoing performance development of surgical teams through the development of practical training tools using a serious games approach. This work will complement the Surgical Performance team at St Michael’s hospital, Toronto and OR BlackBox. We will refine translations of theoretical models of resiliency to develop high fidelity serious games.  Enhancing and testing a three level serious game for developing resiliency behaviors among surgical teams.  We will continue to refine existing prototypes for offline physical games and integrate these with existing OR BlackBox and SST software tools for surgical performance.

Creator: 
Photograph of hand with blue marker sketching design.
Wednesday, June 20, 2018 - 2:30pm
Lab Member: 
Kate Sellen

Geoffrey Shea performing in: Tethered Together Pageant

photo of musicians outdoors
Saturday, December 9, 2017 - 1:00pm

Tethered Together Pageant: Livestream

Saturday, December 9, 2017 at 1:00pm

 

The Interference Ensemble Sauntering Band will be performing in the Holstein Christmas Parade and live-streaming to Facebook and the Durham Art Gallery in a cyber-folk mashup. If you're not in Holstein, come to the Gallery and hear singer Heather Saumer perform a libretto over the live event!

Each musician is pulling a float in the non-motorized parade, carrying a sculpted passenger. Original music composed by Doug Tielli.

The livestream will be at:

https://www.facebook.com/AkimboArt

The Interference Ensemble Sauntering Band includes: William Bossi, Grace Bridgman, Dave Dunn, Jim Grant, Basha Mayo, Steve Morel, Chris Palmer, Jenny Parsons, Robin Rich, Heather Saumer and Doug Tielli. The Ensemble is led by Tony Massett and Geoffrey Shea.

 

Generous support has been provided by the Ontario Arts Council, Akimbo Art Promotion and the Durham Art Gallery.

 

Venue & Address: 
Holstein Christmas Parade and live-streaming to Facebook and the Durham Art Gallery
Website: 
https://www.facebook.com/AkimboArt

QUIPUCAMAYOC

Quipucamayoc is an interactive art and technology project that merges a range of contemporary art forms – including 3D gaming, electroacoustical music, dance, experimental theatre, and wearable design – to construct a prototype communication network. This network is not based in text or language but is instead embodied, performative, and sensorial.

The network joins two Andean communities: one in Cusco, Peru, the former capital of the Incan empire, and another in Buenos Aires, Argentina, which has a large expatriate community of Peruvian Andean migrant workers. The network is activated through wearable technology inspired by quipucamayoc, the data keepers of the Incan court who recorded information about life in the empire using a complex string and knot notation system which they wore around their bodies. Body sensor arrays, which serve simultaneously as game controllers and musical instruments, are worn by movement artists to co-create live interactive generative narratives, imagery and music. The result is a public performance which reconnects two communities through interactive gameplay based in their common histories.

This project was inspired by the Huarochiri Manuscript, a 16th century written compilation of pre-colombian Andean religious rites, which offers a complex and fragmented narrative structure as well as rich visual and sound passages. Quipucamayoc was developed and presented by a collective of over 35 artists, historians, cultural theorists and technical experts in Peru, Argentina and Canada.

The audiovisual materials listed below are the result of a series of workshops held in Cusco and Buenos Aires between 2012 and 2016, and the final performance which was streamed live online in December 2016. The Quipucamayoc documentary can be viewed here.

Quipucamayoc also produced a series of 2D digital prints on canvas, adapted from 3D virtual environments. These prints were exhibited in a group show of the Faculty of Art Summer Institute from September 18 to 22nd, 2017 in the Ada Slaight Galleries at 100 McCaul. 

AUDIO AND VIDEO:
QUIPUCAMAYOC SOUNDCLOUD (audio)
QUIPUCAMAYOC WORKSHOP IN CUSCO (video)
QUIPUCAMAYOC WORKSHOP IN BUENOS AIRES (video)

ARTICLES OF INTEREST:
David McIntosh Receives SSHRC Funding for QUIPUCAMAYOC
Site-Specific Interview with David McIntosh

For more information please visit: http://quipucamayoc.com/

Quipucamayoc es una investigación de arte y tecnología que combina varios formatos artísticos contemporaneous – videojuego 3D, música electroacústica, danza, teatro experimental, diseño textil, sensores vestibles – con el objetivo de construir una red de comunicación que no es textual o linguística, sino corporal, performativa, sensorial. Esta red reune Cusco, Perú, y Buenos Aires, Argentina a través de artístas de movimiento usando trajes como controladores de juego e instrumentos musicales, por lo que los bailarines serán los cocreadores de música, de imágenes 3D y de una narrativa generativa/interactiva en vivo.
La inspiración de este proyecto es el manuscrito del Huarochirí, texto del siglo XVI que recopila ritos y mitología andina prehispánica, reconocido por su narrativa fragmentada, compleja, por sus pasajes riquísimos en imágenes visuales y sonoras. Quipucamayoc fue desarrollado y presentado por el colectivo de más de 35 artístas, teóricos y técnicos peruanos, argentinos y canadienses.
Los materiales audiovisuales presentados han sido producidos durante una serie de talleres en Cusco y Buenos Aires entre 2012 and 2016, y el performance final que fue transmitido en línea en vivo en Diciembre 2016.

 

This research was supported by the Social Sciences and Humanities Research Council of Canada.

 

SSHRC Logo

 

Creator: 
Digital illustration of a distorted face
Photograph collage of dancers performing Quipucamayoc
Digital illustration, a screen grab from Quipucamayoc
Split screen photo of dancers performing while their in-game characters move
Digital image from Quipucamayoc - two figures dancing over clouds
Photograph of Quipucamayoc team in Cusco
Digital image from Quipucamayoc - Incan figures dancing
Friday, September 29, 2017 - 2:15pm
Lab Member: 
David Mcintosh
Judith Doyle
Emma Westecott

Red Slam, Music With a Message: We Are Still Here

RedSlam
Friday, September 8, 2017 - 7:30pm to 8:30pm

Red Slam in collaboration with the Faculty of Design and the Indigenous Visual Culture Student Centre at OCAD University humbly presents: WE ARE STILL HERE an immersive one-hour live concert connecting the public to a celebration of indigenous resiliency and re-imagining our future together through live music, live art, audience interaction and positive vibrations.

All those with an open mind and heart are welcome, let's kick off a new school year with a renewed sense of purpose and solidarity.

__
 

Artist Bio:

Red Slam Collective, a TD~Toronto Arts Foundation Diversity Arts Award Finalist is an indigenous hip hop fusion arts movement formed in 2009 and based in Tkaronto; whose 4Directions Urban Arts workshops, musical projects, artist residencies and audience engaged performances uplift, self-identify and promote unity through Spoken, Lyricism which Arranges Meaning (SLAM). Red Slam known as the #1 Protest Musical Performance Group in Tkaronto has performed in places like: Port Credit, Kingston, Montreal, Ottawa, Hamilton, Brantford, Six Nations, Akwesasne, Manitoulin Island, Victoria BC, Vancouver BC, and New Mexico. Opening for such notable artists as: Tanya Tagaq, Martha Redbone, Veronica Johnny and the Johnny’s, Plex, Inter-Tribal, Kinnie Starr, Digging Roots and most recently Hip Hop Legends Main Source. 2016 they performed at AGO in Long Dragon House; Summer Works in Intent City and Headlined at UNITY HipHop Festival. 2017 they released Right Level a mash-up of lyricism, HipHop beats; live music, and oral telling of today’s indigenous way. You can catch Red Slam next as the headlining opening musical act for the 2017 Nuit Blanche Festival at Nathan Phillips SQ  Sept 30th 7pm.

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We Are Still Here Collective Contributors:

Mahlikah Awe:ri Enml'ga't Saqama'sgw (The Woman Who Walks In The Light) is a Haudenosaunee Mohawk/Mi'kmaw drum talk poetic rapologist; poet, musician, hip-hop MC, arts educator, radio host, curator, facilitator, Director of Programming for Neighbourhood Impact for the TD Centre of Learning Regent Park and TAC Cultural Leaders Lab Fellow. Vocals, Hand Drum, Shaker. 

Skratchwon, Dene from Alberta. About a year and a half ago Skratch won founded Indagenius a hiphop crew about social awareness through lyricism and clothing designs, and skate boards. Skratch won also facilitates hiphop education workshops through Sketch and does Murals across Turtle Island. Vocals, Beat Box, Beats.

Ruben “Benny” Esguerra, Indigenous from Bogota, Colombia is a musician, poet, educator, activist and the current P.E.A.C.H: Programme Coordinator and Instructor in the Jane and Finch Community. As the lead creative behind the New Traditions Project Ruben has released two recording projects which explore indigenous-afro identity within South America and the Condor and Eagle prophecies of alliance of the South and the North. Percussion's and Flute.

William Charbonneau, songwriter, musical composer, and multi instrument musician (Guitar, Bass and Keys). He is currently the Public Service Assistant and occasional Branch Head, at both Centennial Library and Toronto Public Library. Guitar, Vocals.

Venue & Address: 
100 McCaul Street, Auditorium (MCA190)
Website: 
https://www.facebook.com/events/135148193764155/?acontext=%7B%22ref%22%3A%223%22%2C%22ref_newsfeed_story_type%22%3A%22regular%22%2C%22feed_story_type%22%3A%22117%22%2C%22action_history%22%3A%22null%22%7D
Cost: 
Free
Red Slam @ OCAD U
Embed Video: 
Digital Screen: 

Francisco-Fernando Granados

Francisco-Fernando Granados is a Toronto-based artist. His multidisciplinary critical practice spans performance, installation, cultural theory, digital media, public art, curatorial and community-based projects. He has presented work in galleries, museums, theatres, artist-run centres and non-traditional sites since 2005.

Milena Tomic

Milena Tomic received her PhD from University College London where her research explored re-enactment in contemporary art. Her current research on appropriation art has a dual emphasis on practices from Eastern Europe and the United States.

Jim Drobnick

Jim Drobnick is a critic, curator and Associate Professor of Contemporary Art and Theory at OCAD University. He has held research affiliations at the University of Manchester and the National Gallery of Canada, and served as editor at Parachute for thirteen years. His writings on performance, sound, the senses, and postmedia artistic practices have appeared in journals such as Angelaki, High Performance, Performance Research, Public, and Senses & Society, where he is now an editor. His books include Aural Cultures (2004) and The Smell Culture Reader (2006).

Derek Liddington

Derek Liddington is a professional artist and curator working in Toronto, Ontario. He holds an MFA from the University of Western Ontario and BFA from the Nova Soctia College of Art and Design. In his practice forms of mimicry, appropriation and translation are displaced in an attempt to deconstruct contemporary narratives - those close to him call him a pomo. Derek has received project support from the Canada Council for the Arts, Ontario Arts Council, Toronto Arts Council and the London Community Foundation.

Monstrum

Monday, December 5, 2016 - 5:00pm to Thursday, December 8, 2016 - 11:00pm

Monstrum is a performative painting exhibition that ‘demonstrates’ how one can artistically subvert all kinds of moral degradation associated with the demonization of other. The exhibition highlights a first-hand perspective of recent dramatic political events involving excessive cruelty. Oncu utilizes the monster as a metaphor to problematize the clashing of extremes by introducing it as a third party to antagonistic conflicts of various kinds. Her monsters resist any classification built on hierarchic dual oppositions, and thereby confront any categorization based on moral judgment.

OCAD U Student Gallery's is holding an artist talk with Yasemin Oncu on December 8th at 2:30pm.

yaseminoncu.com

Venue & Address: 
52 McCaul Street Student Gallery
Website: 
http://yaseminoncu.com
Email: 
studentgallery@ocadu.ca
Phone: 
(416)977-6000 ext263
Cost: 
Free
Monstrum

Creator Within: A Gathering of Indigenous Artistic Expressions Festival

Creator Within
Wednesday, November 19, 2008 - 5:00am to Sunday, November 23, 2008 - 5:00am

The Association for Native Development in the Performing & Visual Arts (herein referred to as ANDPVA) mandate is to provide access, stimulate and promote creativity in the arts for artists/creators/producers of Native ancestry working in any discipline - by facilitating workshop & training opportunities, programming events, information services and networking opportunities, by advocating for Native art and Native artists, creators and producers, by rendering experienced and informed counsel, and by providing professional opportunities - to ensure Native art and artists a place of integrity within the Native and non Native community.

ANDPVA presents "Creator Within: A Gathering of Indigenous Artistic Expressions Festival", including participation by Faculty of Liberal Studies Instructor Tannis Neilsen.

Festival takes place at various locations in Toronto, please visit the website for a complete schedule.

Email: 
events@andpva.com
Cost: 
Free

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