FIVE PHOTOGRAPHY GRADS RECEIVE GALLERY 44 CAREER LAUNCHER PRODUCTION MEMBERSHIPS

Monday, September 24, 2018 - 12:00pm

Morgan Sears-Williams, SOFT, 2017. Image Courtesy of the Artist.

Morgan Sears-Williams, SOFT, 2017. Image Courtesy of the Artist.

 

Gallery 44 and the Centre for Emerging Artists & Designers are excited to announce the Gallery 44 Career Launcher recipients of 2018-2019. Congratulations to: 

Mary Chen 

Andrew Harding 

Jessy Kitchen

Cameron Lamothe 

Morgan Sears-Williams

Founded in 1979, Gallery 44’s mandate is to provide a context for meaningful reflection and dialogue on contemporary photography. This exclusive membership opportunity for OCAD U photography graduates provides access to Gallery 44 production facilities, equipment rentals and programming for one year to support their upcoming exhibitions and projects. Additionally, recipients will also receive studio credits valued at $500, and opportunities to participate in G44 member’s exhibitions, workshops and events. 

As part of the Centre for Emerging Artists & Designers, the Career Development office supports the professional development of emerging OCAD U creative talent. The Career Launchers program offers unique, high-profile opportunities developed in partnership with industry leaders in order to help senior students and new graduates start their professional practice after school. 

PARTNERS/SPONSORS

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Call for Applications - Career Launcher: Gallery 44 Production Memberships 2018

Gallery 44 and the Centre for Emerging Artists & Designers are excited to announce the Gallery 44 Career Launcher providing Production Memberships to five (5) OCADU recent graduates with access to Gallery 44 production facilities, equipment rentals and programming for one (1) year starting October 2018 to support the graduates’ upcoming exhibitions and professional opportunities. 

Call for Applications - Career Launcher: Gallery 44 Production Memberships 2018

Call for Applications Career Launcher Gallery 44 Production Memberships
Tuesday, August 14, 2018 - 2:30pm

OPPORTUNITY DESCRIPTION

Gallery 44 and the Centre for Emerging Artists & Designers are excited to announce the Gallery 44 Career Launcher providing Production Memberships to five (5) OCADU recent graduates. This exclusive membership opportunity will provide access to Gallery 44 production facilities, equipment rentals and programming for one (1) year starting October 2018 to support the graduates’ upcoming exhibitions and professional opportunities.

Additionally, recipients will also receive studio credits valued at $500, and opportunities to participate in G44 member’s exhibitions, workshops and events. G44’s facilities include: 

  • Black and White Darkroom 
  • Film Developing Station
  • Imacon 949 iMac Station
  • Epson V700 iMac Station 
  • Shooting Studio
  • Resource Centre 
  • Print Finishing Area
  • HP Z3200 Printing.
  • Equipment Rentals

 

QUALIFICATIONS

  • Must have graduated from OCADU in Spring 2017 or later. 
  • Must have a continuous photography-based practice.

 

DEADLINE

Tuesday, September 4, 2018 

 

PARTNER

Gallery 44 - Centre for Contemporary Photography

www.gallery44.org

Suite 120, 401 Richmond St West. Toronto, ON, Canada

 

SUBMISSION REQUIREMENTS 

  • Full contact information (Name, phone, and email) and a current CV.
  • Online portfolio or an attached PDF portfolio.
  • A statement of interest (250 words) that contextualizes your intent to use the facility, outlines the significance of the opportunity to your practice, and demonstrates how the opportunity will be used to enhance your professional development.
  • Written confirmation of the conditions (see Qualifications). 

 

SUBMISSION INSTRUCTION 

Please submit all written components in one (1) PDF and with separate image attachment to the attention of Tak Pham. tpham@ocadu.ca

Venue & Address: 
Gallery 44 Centre for Contemporary Photography Suite 120, 401 Richmond St West. Toronto, ON, Canada
Website: 
https://careerlaunchers.format.com/2018-g44-production-membership
Email: 
tpham@ocadu.ca
Phone: 
(416) 977-6000 x 361
Cost: 
N/A

Community

Thursday, April 26, 2018 - 5:00pm to Thursday, June 7, 2018 - 5:00pm

Nino Ardizzi, Lori Beckstead, Myra Burney, Kevin Cherry, Gerardo Correa, Prerana Das, Sylvia Galbraith, Anne Hanrahan, Megan Irwin, Caroline Scott-Charles, John Severino, Ann Marie Stasiuk, Karin Tang, Stephanie Thompson, Aina Tilups, Bahar Toussi

Venue & Address: 
Continuing Studies Gallery 285 Dundas Street West
Website: 
https://continuingstudies.ocad.ca
Email: 
continuingstudies@ocadu.ca
Phone: 
416-977-6000 x 2321
Poster - Community Exhibition

New Generation Photography Award Panel Talk

New Generation Photography Award
Wednesday, May 16, 2018 - 7:00pm

New Generation Photography Award Panel Talk
Wednesday, May 16 at 7 p.m.

Onsite Gallery
199 Richmond St. W.

Join us for a panel talk with the three inaugural recipients of the New Generation Photography Award: Elisa Julia Gilmour, Meryl McMaster and Deanna Pizzitelli. Moderated by Bonnie Rubenstein, Artistic Director, Scotiabank CONTACT Photography Festival and Francisco Alvarez, Dorene & Peter Milligan Executive Director, OCAD U Galleries. Welcoming remarks by Dr. Duke Redbird.

 

View an exhibition of the winners' work at Onsite Gallery from May 5 to June 17, 2018 as part of the Scotiabank CONTACT Photography Festival. More info here.

 

About the Prize
The inaugural New Generation Photography Award prize was awarded by Scotiabank in partnership with the Canadian Photography Institute of the National Gallery of Canada. The prize, designed to support the careers of young artists and to help them reach their infinite potential, recognizes three young Canadians working in lens-based art: Elisa Julia Gilmour (Toronto), Meryl McMaster (Ottawa), and Deanna Pizzitelli (Ottawa).

Each winner will receive a cash prize of $10,000 and be featured in a group exhibition at the Canadian Photography Institute PhotoLab, located at the National Gallery of Canada in Ottawa, from April 13 to August 19, 2018. A second exhibition will follow, at OCAD University's Onsite Gallery, during the Scotiabank CONTACT Photography Festival in Toronto, from May 5 to June 17, 2018.

Award recipients will also be included in education programming and present artist talks on May 5, 2018 at 1 p.m. at the National Gallery of Canada. In 2015, Scotiabank became the Founding Partner of the Canadian Photography Institute of the National Gallery of Canada with a $10 million gift, the largest in the Bank's history. The New Generation Photography Award is part of the gift's continued legacy.

For more information about the New Generation Photography Award, presented by the Canadian Photography Institute and Scotiabank, please visit: http://www.scotiabank.com/arts.

 

2018 New Generation Photography Award Recipient Bios:

Elisa Julia Gilmour is an emerging Canadian artist producing still and moving images. Her work engages with the notion of ephemerality through gestural storytelling. Her most recent project, Éperdument (Madly) (2016), which included a three-channel video installation and a publication of short stories, investigates how a Corsican mythological figure has enlivened a contemporary sense of identity. She has exhibited at the Art Museum at the University of Toronto, the Ryerson Image Centre and the Art Gallery of Mississauga.

Meryl McMaster is a Canadian-based artist and photography graduate from the Ontario College of Art and Design. She was born and raised in Ottawa and is of Plains Cree/European decent. Her work explores questions of identity, representation, perception, myth, memory and the environment. Her distinct approach to photographic self-portraiture has been influenced by her experiences working in and exploring remote Canadian landscapes, as well as by contemplations over the complexities of her family heritage. Her solo exhibition Confluence (Curated by Heather Anderson and originating at Carleton University Art Gallery) is travelling to four more venues across Canada.

Deanna Pizzitelli is a Canadian photo-based artist and educator. She completed her BFA in Photography at Ryerson University, and her MFA at the University of Arizona. With an emphasis on the emotional landscape, Pizzitelli uses analogue processes to explore themes of fantasy, desire, longing and loss. Her practice is motivated by the act of travel, the visual residue of her many intersections with landscape, wildlife and culture. Pizzitelli's work was recently exhibited at AIPAD: The Photography Show, New York, and Paris Photo, 2017. She has attended residencies in Canada, Iceland and Portugal. She is represented by Stephen Bulger Gallery in Toronto.

 

About Scotiabank:
At Scotiabank, we aim to support organizations that are committed to helping young people reach their infinite potential. Young people are our future leaders and Scotiabank's goal is to help ensure that they have the necessary skills and resources they need to support their success. Together with our employees, the Bank supports causes at a grassroots level. Recognized as a leader for our charitable donations and philanthropic activities, in 2017, Scotiabank contributed more than $80 million to help our communities around the world.

Scotiabank is Canada's international bank and a leading financial services provider in North America, Latin America, the Caribbean and Central America, and Asia-Pacific. We are dedicated to helping our 24 million customers become better off through a broad range of advice, products and services, including personal and commercial banking, wealth management and private banking, corporate and investment banking, and capital markets. With a team of more than 89,000 employees and assets of over $923 billion (as at January 31, 2018), Scotiabank trades on the Toronto (TSX: BNS) and New York Exchanges (NYSE: BNS). For more information, please visit www.scotiabank.com and follow us on Twitter @Scotiabank.

 

About the Canadian Photography Institute:
The Canadian Photography Institute (CPI) of the National Gallery of Canada is a creative and innovative centre dedicated to sharing, collecting, and questioning photography in all its forms. It brings people and communities together at the museum, online, and around publications to see, appreciate, and study photography.

The Canadian Photography Institute was established in 2015 and officially launched in October 2016. Its collections build upon the National Gallery's Photographs Collection. The Institute benefits from the unprecedented support of CPI's Founding Partner Scotiabank, the Archive of Modern Conflict - the Gallery's partner, and the National Gallery of Canada Foundation. For more information, visit: gallery.ca/cpi and follow CPI @canadianphotoinstitute.

 

About the National Gallery of Canada:
The National Gallery of Canada is home to the most important collections of historical and contemporary Canadian art. The Gallery also maintains Canada's premier collection of European Art from the 14th to the 21st centuries, as well as important works of American, Asian and Indigenous Art and renowned international collections of prints, drawings and photographs. Created in 1880, the National Gallery of Canada has played a key role in Canadian culture for well over a century. Among its principal missions is to increase access to excellent works of art for all Canadians. For more information, visit gallery.ca and follow us on Twitter @NatGalleryCan.

 

About Onsite Gallery:
Onsite Gallery, the flagship professional gallery of OCAD University, offers powerful, thought-provoking exhibitions of art, design and digital media to stimulate conversations on critical issues facing Toronto and the world.

 

Image (left to right): Elisa Julia Gilmour, Meryl McMaster and Deanna Pizzitelli.

Venue & Address: 
Onsite Gallery (199 Richmond St. W.)
Email: 
onsite@ocadu.ca
Phone: 
416-977-6000 x456
Cost: 
Free
Elisa Julia Gilmour, Meryl McMaster and Deanna Pizzitelli

DEPTH OF FIELD: A SHOWCASE OF STUDENT WORK

black and white close shot of cactus like plant
Thursday, March 15, 2018 - 10:45am to Monday, March 26, 2018 - 10:45am

Associate Professor Ron Wood is pleased to showcase another set of student work from my B&W - Camera & Darkroom (Intro Black & White Photo class) (Ron Wood, Associate Professor). This 2nd assignment is called “Depth of Field”. The students use analogue cameras, develop their own film and work in wet labs to produce their own prints. For most of the students, this class is their 1st time in the darkroom. The originals of this work are showing in the display cases 4th floor, Photography Department, 100 McCaul Street until March 26th.

Link included to the work on FLICKR.

https://flic.kr/s/aHsmehaJ2P

 

Venue & Address: 
OCAD University 100 McCaul Street 4th floor, Photography Department, the display cases in the corridor leading to Photography Toronto, ON
Website: 
https://flic.kr/s/aHsmehaJ2P

New Generation Photography Award Exhibition

New Generation Photography Award
Saturday, May 5, 2018 - 12:00pm to Sunday, June 17, 2018 - 5:00pm

New Generation Photography Award Exhibition
Elisa Julia Gilmour, Meryl McMaster and Deanna Pizzitelli

May 5 to June 17, 2018

Onsite Gallery
199 Richmond St. W.

Onsite Gallery is pleased to partner with the Canadian Photography Institute of the National Gallery of Canada and the Scotiabank CONTACT Photography Festival to present an exhibition of works by the inaugural winners of the New Generation Photography Award.

New Generation Photography Award Exhibition

New Generation Photography Award Panel Talk
Wednesday, May 16 at 7 p.m.

Join us for a panel talk with the three inaugural recipients of the New Generation Photography Award: Elisa Julia Gilmour, Meryl McMaster and Deanna Pizzitelli.

About the Prize
The inaugural New Generation Photography Award prize was awarded by Scotiabank in partnership with the Canadian Photography Institute of the National Gallery of Canada. The prize, designed to support the careers of young artists and to help them reach their infinite potential, recognizes three young Canadians working in lens-based art: Elisa Julia Gilmour (Toronto), Meryl McMaster (Ottawa), and Deanna Pizzitelli (Ottawa).

Each winner will receive a cash prize of $10,000 and be featured in a group exhibition at the Canadian Photography Institute PhotoLab, located at the National Gallery of Canada in Ottawa, from April 13 to August 19, 2018. A second exhibition will follow, at OCAD University's Onsite Gallery, during the Scotiabank CONTACT Photography Festival in Toronto, from May 5 to June 17, 2018.

Award recipients will also be included in education programming and present artist talks on May 5, 2018 at 1 p.m. at the National Gallery of Canada. In 2015, Scotiabank became the Founding Partner of the Canadian Photography Institute of the National Gallery of Canada with a $10 million gift, the largest in the Bank's history. The New Generation Photography Award is part of the gift's continued legacy.

For more information about the New Generation Photography Award, presented by the Canadian Photography Institute and Scotiabank, please visit: http://www.scotiabank.com/arts.

 

2018 New Generation Photography Award Recipient Bios:

Elisa Julia Gilmour is an emerging Canadian artist producing still and moving images. Her work engages with the notion of ephemerality through gestural storytelling. Her most recent project, Éperdument (Madly) (2016), which included a three-channel video installation and a publication of short stories, investigates how a Corsican mythological figure has enlivened a contemporary sense of identity. She has exhibited at the Art Museum at the University of Toronto, the Ryerson Image Centre and the Art Gallery of Mississauga.

Meryl McMaster is a Canadian-based artist and photography graduate from the Ontario College of Art and Design. She was born and raised in Ottawa and is of Plains Cree/European decent. Her work explores questions of identity, representation, perception, myth, memory and the environment. Her distinct approach to photographic self-portraiture has been influenced by her experiences working in and exploring remote Canadian landscapes, as well as by contemplations over the complexities of her family heritage. Her solo exhibition Confluence (Curated by Heather Anderson and originating at Carleton University Art Gallery) is travelling to four more venues across Canada.

Deanna Pizzitelli is a Canadian photo-based artist and educator. She completed her BFA in Photography at Ryerson University, and her MFA at the University of Arizona. With an emphasis on the emotional landscape, Pizzitelli uses analogue processes to explore themes of fantasy, desire, longing and loss. Her practice is motivated by the act of travel, the visual residue of her many intersections with landscape, wildlife and culture. Pizzitelli's work was recently exhibited at AIPAD: The Photography Show, New York, and Paris Photo, 2017. She has attended residencies in Canada, Iceland and Portugal. She is represented by Stephen Bulger Gallery in Toronto.

 

About Scotiabank:
At Scotiabank, we aim to support organizations that are committed to helping young people reach their infinite potential. Young people are our future leaders and Scotiabank's goal is to help ensure that they have the necessary skills and resources they need to support their success. Together with our employees, the Bank supports causes at a grassroots level. Recognized as a leader for our charitable donations and philanthropic activities, in 2017, Scotiabank contributed more than $80 million to help our communities around the world.

Scotiabank is Canada's international bank and a leading financial services provider in North America, Latin America, the Caribbean and Central America, and Asia-Pacific. We are dedicated to helping our 24 million customers become better off through a broad range of advice, products and services, including personal and commercial banking, wealth management and private banking, corporate and investment banking, and capital markets. With a team of more than 89,000 employees and assets of over $923 billion (as at January 31, 2018), Scotiabank trades on the Toronto (TSX: BNS) and New York Exchanges (NYSE: BNS). For more information, please visit www.scotiabank.com and follow us on Twitter @Scotiabank.

 

About the Canadian Photography Institute:
The Canadian Photography Institute (CPI) of the National Gallery of Canada is a creative and innovative centre dedicated to sharing, collecting, and questioning photography in all its forms. It brings people and communities together at the museum, online, and around publications to see, appreciate, and study photography.

The Canadian Photography Institute was established in 2015 and officially launched in October 2016. Its collections build upon the National Gallery's Photographs Collection. The Institute benefits from the unprecedented support of CPI's Founding Partner Scotiabank, the Archive of Modern Conflict - the Gallery's partner, and the National Gallery of Canada Foundation. For more information, visit: gallery.ca/cpi and follow CPI @canadianphotoinstitute.

 

About the National Gallery of Canada:
The National Gallery of Canada is home to the most important collections of historical and contemporary Canadian art. The Gallery also maintains Canada's premier collection of European Art from the 14th to the 21st centuries, as well as important works of American, Asian and Indigenous Art and renowned international collections of prints, drawings and photographs. Created in 1880, the National Gallery of Canada has played a key role in Canadian culture for well over a century. Among its principal missions is to increase access to excellent works of art for all Canadians. For more information, visit gallery.ca and follow us on Twitter @NatGalleryCan.

 

About Onsite Gallery:
Onsite Gallery, the flagship professional gallery of OCAD University, offers powerful, thought-provoking exhibitions of art, design and digital media to stimulate conversations on critical issues facing Toronto and the world.

 

Image (left to right): Elisa Julia Gilmour (photo: Mark Peckmezian), Meryl McMaster (photo: Neeko Paluzzi) and Deanna Pizzitelli (photo: Deanna Pizzitelli).

Venue & Address: 
Onsite Gallery, 199 Richmond St. W.
Email: 
onsite@ocadu.ca
Phone: 
416-977-6000 x456
Cost: 
Free
New Generation Photography Award Exhibition

Chris Luginbuhl

Chris is an engineer, designer and serial entrepreneur. He worked in medical imaging research before co-founding Sentinelle Medical, a Toronto-based medical device company which sold to Hologic Inc in 2010. He has more than a dozen patents and publications in diverse fields. His work in photography and videography, combined with his expertise designing and building made OCADU's Digital Futures Master's program a perfect fit. Chris is also an active volunteer with Shambhala, an organization committed to creating good human society.

Citizen Subjects: Photography, Race and Belonging in Canada

The front page of The Clarion newspaper from 1947, featuring a photograph of the Prevoe family.
Monday, November 27, 2017 - 12:00pm to 1:00pm

In this talk, Gabrielle Moser discusses her current research project that analyzes how racialized subjects pictured themselves as citizens around 1947, the date that Canada’s first citizenship laws were enacted. Through extensive research in local and state archives, this project aims to analyze how viewers recognize citizens through modes of photographic self-presentation.

 

Gabrielle Moser is a writer, educator and independent curator. Her writing appears in venues including Artforum.com, Canadian Art, Journal of Visual Culture, Photography & Culture, and Prefix Photo. Moser has held fellowships at the Paul Mellon Centre for the Study of British Art, the Ryerson Image Centre, the University of British Columbia and was a Fulbright Visiting Scholar at Brown University in 2017. She holds a PhD from the art history and visual culture program at York University in Toronto, Canada and is an Assistant Professor in art history at OCAD University.

Research Rendezvous is a series for faculty and students to share and learn about research at OCAD U. Light refreshments will be available.
Presented by the Office of Research and Innovation

 

Venue & Address: 
Room 701K, 205 Richmond St. West
Website: 
https://www2.ocadu.ca/research/gmoser/project/citizen-subjects-photography-race-and-belonging-in-canada
Email: 
research@ocadu.ca
The event poster

Citizen Subjects: Photography, Race and Belonging in Canada

When Canada’s first citizenship laws came into effect in 1947, photography had already been representing this mode of belonging in the country for more than 50 years. Citizen Subjects explores this unique context that allowed Canadian citizenship to emerge as a subject of photography long before it became a legal category. Building on research conducted in local, municipal, and national archives from coast to coast, this multi-year research project explores the intersections of photography, race, and citizenship, testing the promises—and limitations—of visual representation in securing identities and rights.

PROJECT OBJECTIVES: 

  • To source representations of racialized subjects in local, municipal and state archives in the lead up to 1947 and to analyze the visual vocabulary that subjects used to present themselves to the camera as citizens;
  • To evaluate how photographic claims to citizenship in Canada participated in global and transnational understandings of citizenship around 1948, a period of intense activity around de-colonial, civil rights and nationalist independence movements;
  • To engage recent debates about citizenship, race, and photography by problematizing these terms’ historical conjunction with colonialism;
  • To disseminate findings through a one day public symposium at OCAD in Fall 2018, an exhibition at Gallery 44 and Critical Distance in Toronto in Spring 2019, journal publications, conference presentations, pedagogical activities, and an online archive;
  • To visualize the effects of changes to citizenship and immigration law, with the potential to inform Canadian policy formation. 

Comprising exhibitions, scholarly articles, a series of newly commissioned public installations, and an interactive website that allows users to build a visual vocabulary of citizenship, this interdisciplinary project invites audiences to think critically about questions of belonging in and around Canada’s sesquicentennial year. How did subjects use the camera to make claims for equality as citizens before the law offered them any such protections? What are the gestures, expressions, poses, and modes of dress that we recognize as performances of citizenship? How were race and citizenship imagined, and pictured, alongside one another?

Citizen Subjects is framed around an important date in thinking about the history of visuality and citizenship it Canada, focusing on the period leading up to the enactment of Canada’s first citizenship laws in 1947. These were, somewhat unbelievably, the first citizenship laws in the British Empire. The period between the end of the Second World War and the start of the Cold War is important for thinking about Canada’s relationship to global and transnational politics, because it marks a host of other nationalist and de-colonial movements happening worldwide, including the passing of the United Nations Declaration of the Rights of Man, the partition of India and Pakistan, the start of apartheid in South Africa, and the destruction of Palestine and the creation of the state of Israel. Examining race and citizenship between 1946 and 1948 therefore illuminates how Canadian visual culture participates in global and transnational movements, and also forces the spectres of the transatlantic slave trade and settler colonialism—two global processes foundational to twentieth century politics—to come back into the frame of how we picture belonging in Canada.

In a contemporary moment marked by increasing restrictions on citizen rights, such as the recent cap on Syrian refugees permitted into Canada, public debates about the global refugee crisis, and political movements such as Idle No More and Black Lives Matter, the project of building a visual vocabulary of citizenship takes on political urgency for a wide range of audiences in Canada. By examining how citizenship appears in photographs, Citizen Subjects develops critical knowledge about why certain subjects continue to be left out of legal framings of citizenship and builds the public’s visual literacy for recognizing current claims to citizenship by immigrant communities, people of colour, and Indigenous subjects.

ADDITIONAL RESOURCES:
Timeline of World Events (1947-48)
Blog post about in-progress research
Classroom on “Spectatorship, race and citizenship” (Video program curated by Gabrielle Moser)
Instudio Article "Picturing Race and Citizenship — with Dr. Gabrielle Moser" by Heather Beaumont"

This research was supported by the Social Sciences and Humanities Research Council of Canada.

Creator: 
Image of gloved hands handling photograph.
SSHRC Logo
Monday, September 25, 2017 - 12:00pm
Lab Member: 
Gabrielle Moser
Embed Video: 

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