“There are people making beautiful art through code” - Where dance and technology meet

 

Tuesday, August 25, 2015 - 9:00pm

“There are people making beautiful art through code,” says Luke Garwood, a student entering his second year in OCAD U’s Digital Futures program. He’s also an accomplished dancer.

Luke moved to Toronto from Montreal when he was 16 to study at the National Ballet School.  After graduating, he worked in Europe and spent five years working at the Toronto Dance Theatre.  He’s been freelancing since then doing modern dance, music videos and theatre. 

Luke also competed in last weekend’s Street versus Stage dance battle at the SummerWorks Festival. 

“I’ve always been interested in technology,” says Luke.  “The dance world and its ephemeral quality has its limitations – it only exists while it’s being performed. With digital tech becoming more immersive, this can change.”

Digital Futures is a unique program where students can blend their interests in art, computer programming, design and business.  The program is already feeding his dancing, says Luke.  He’s created augmented reality dance app that’s available in iTunes by searching “Ephemeral App”.  

Luke’s three reasons how digital media can help dancers:

  1. Digital is our current environment. Dance can either choose to be a time capsule of what it used to be or run with the current times and push ahead.
  2. Digital media is a great creative tool. For example, 3D mapping with camera can do amazing things with body movement. It can also create immersive experience such as Beck’s recent 3D video concert.
  3. Digital media is a way for the dance art form to last beyond a live performance.  Right now, digital tech is seen as a marketing tool for live dance performances – but, in the future, the digital platform could host or be part of the performance, not just promoting it. 

As part of its National Indigenous Peoples Day celebration, OCAD University is launching the Wapatah: Centre for Indigenous Visual Knowledge. OCAD University positions decolonization as the first of six key principles of its Academic Plan on a path toward transformative education. In light of its commitment to expanding Indigenous knowledge, OCAD University is thrilled to further facilitate the collaborative work of researchers and artists by providing a dynamic platform for creativity.
Courtesy, Red Embers
Red Embers, a public art installation honouring missing and murdered Indigenous women is on display at Toronto’s Alan Gardens. Commissioned featured artists include OCAD U alumni: Catherine Tammaro, Hannah Claus, Hillary Brighthill, Lido Pimienta and Lindsey Lickers.
Image of Pat Murray
The IDRC says goodbye to Pat Murray a valued member of the team.
OCAD U SFI students
OCAD University is hosting an event to celebrate the outcomes of UNESCO’s Futures Literacy Lab, June 27 to 29, 2019 at its waterfront campus (130 Queens Quay East). The event will feature the work of students, faculty and community members, looking to uncover our biases towards the future. 
Juliette Vermeersch
Program Chair, Paul Dallas is pleased to announce 7 illustrations from OCADU's Illustration Program
As OCAD U celebrates its newest graduates at today’s convocation ceremonies, the university is proud to announce new supports for graduates' career development.
The cover of the special "Entangled Gaze" edition of the ab-Original journal.
OCAD University is pleased to announce the new peer-reviewed journal ab-Original: Journal of Indigenous Studies and First Nations and First Peoples' Cultures is now available. This special issue entitled “The Entangled Gaze: Indigenous and European Views of Each Other”1 co-edited by Dr. McMaster and Dr. Julia Lum (University of Toronto), contains ten essays. The Entangled Gaze shares its title and theme with the 2017 conference that was co-hosted by OCAD University and the Art Gallery of Ontario. The conference convened an international group of scholars and museum professionals from the fields of art history, anthropology, cultural studies and curatorial practice to explore the topic of how Indigenous and European artists have represented each other in historical art and visual culture.
Raquel Da Silva Wall Work
A new living wall wallwork by DRPT student Raquel De Silva has been installed in OCAD University’s Rosalie Sharp Pavilion. This project was commissioned by the Faculty of Art and the Centre for Emerging Artists & Designers (CEAD), and generously supported by Mercedes Benz Financial Services (MBFS) sponsorships.
Image of two men dancing.
Tuesday, August 25, 2015 - 9:00pm

“There are people making beautiful art through code,” says Luke Garwood, a student entering his second year in OCAD U’s Digital Futures program. He’s also an accomplished dancer.

Luke moved to Toronto from Montreal when he was 16 to study at the National Ballet School.  After graduating, he worked in Europe and spent five years working at the Toronto Dance Theatre.  He’s been freelancing since then doing modern dance, music videos and theatre. 

Luke also competed in last weekend’s Street versus Stage dance battle at the SummerWorks Festival. 

“I’ve always been interested in technology,” says Luke.  “The dance world and its ephemeral quality has its limitations – it only exists while it’s being performed. With digital tech becoming more immersive, this can change.”

Digital Futures is a unique program where students can blend their interests in art, computer programming, design and business.  The program is already feeding his dancing, says Luke.  He’s created augmented reality dance app that’s available in iTunes by searching “Ephemeral App”.  

Luke’s three reasons how digital media can help dancers:

  1. Digital is our current environment. Dance can either choose to be a time capsule of what it used to be or run with the current times and push ahead.
  2. Digital media is a great creative tool. For example, 3D mapping with camera can do amazing things with body movement. It can also create immersive experience such as Beck’s recent 3D video concert.
  3. Digital media is a way for the dance art form to last beyond a live performance.  Right now, digital tech is seen as a marketing tool for live dance performances – but, in the future, the digital platform could host or be part of the performance, not just promoting it.