NOW Magazine calls raise a flag one of 2017’s 10 best art shows

 

Wednesday, December 6, 2017

The inaugural exhibition in Onsite Gallery’s luminous new space at 199 Richmond St. W. has been declared one of Toronto’s top ten exhibitions this year:

“Raise A Flag: Works From The Indigenous Art Collection (2000-2015), Onsite Gallery at OCADU (September 16-December 10) In the refurbished gallery, OCADU Indigenous visual culture chair Ryan Rice brought together selections from the federal government’s Indigenous art collection, a 50-year-old program at Indigenous Affairs and Northern Development that hires First Nations curators to acquire artworks that are rarely exhibited. The show highlighted the ongoing cultural strategies Indigenous artists have used in a variety of media to insert their stories into the colonial narrative and keep their creative spirits alive.”

– Fran Schechter, NOW Magazine

 

 

 

 

 

 

As part of its National Indigenous Peoples Day celebration, OCAD University is launching the Wapatah: Centre for Indigenous Visual Knowledge. OCAD University positions decolonization as the first of six key principles of its Academic Plan on a path toward transformative education. In light of its commitment to expanding Indigenous knowledge, OCAD University is thrilled to further facilitate the collaborative work of researchers and artists by providing a dynamic platform for creativity.
Courtesy, Red Embers
Red Embers, a public art installation honouring missing and murdered Indigenous women is on display at Toronto’s Alan Gardens. Commissioned featured artists include OCAD U alumni: Catherine Tammaro, Hannah Claus, Hillary Brighthill, Lido Pimienta and Lindsey Lickers.
Image of Pat Murray
The IDRC says goodbye to Pat Murray a valued member of the team.
OCAD U SFI students
OCAD University is hosting an event to celebrate the outcomes of UNESCO’s Futures Literacy Lab, June 27 to 29, 2019 at its waterfront campus (130 Queens Quay East). The event will feature the work of students, faculty and community members, looking to uncover our biases towards the future. 
Juliette Vermeersch
Program Chair, Paul Dallas is pleased to announce 7 illustrations from OCADU's Illustration Program
As OCAD U celebrates its newest graduates at today’s convocation ceremonies, the university is proud to announce new supports for graduates' career development.
The cover of the special "Entangled Gaze" edition of the ab-Original journal.
OCAD University is pleased to announce the new peer-reviewed journal ab-Original: Journal of Indigenous Studies and First Nations and First Peoples' Cultures is now available. This special issue entitled “The Entangled Gaze: Indigenous and European Views of Each Other”1 co-edited by Dr. McMaster and Dr. Julia Lum (University of Toronto), contains ten essays. The Entangled Gaze shares its title and theme with the 2017 conference that was co-hosted by OCAD University and the Art Gallery of Ontario. The conference convened an international group of scholars and museum professionals from the fields of art history, anthropology, cultural studies and curatorial practice to explore the topic of how Indigenous and European artists have represented each other in historical art and visual culture.
Raquel Da Silva Wall Work
A new living wall wallwork by DRPT student Raquel De Silva has been installed in OCAD University’s Rosalie Sharp Pavilion. This project was commissioned by the Faculty of Art and the Centre for Emerging Artists & Designers (CEAD), and generously supported by Mercedes Benz Financial Services (MBFS) sponsorships.
Woman looking at a photo of a woman lying down with fringes on her back
Wednesday, December 6, 2017

The inaugural exhibition in Onsite Gallery’s luminous new space at 199 Richmond St. W. has been declared one of Toronto’s top ten exhibitions this year:

“Raise A Flag: Works From The Indigenous Art Collection (2000-2015), Onsite Gallery at OCADU (September 16-December 10) In the refurbished gallery, OCADU Indigenous visual culture chair Ryan Rice brought together selections from the federal government’s Indigenous art collection, a 50-year-old program at Indigenous Affairs and Northern Development that hires First Nations curators to acquire artworks that are rarely exhibited. The show highlighted the ongoing cultural strategies Indigenous artists have used in a variety of media to insert their stories into the colonial narrative and keep their creative spirits alive.”

– Fran Schechter, NOW Magazine