Paula Gardner and Charles Reeve co-edit PUBLIC 49: TRAUMA

 

Tuesday, June 24, 2014 - 3:30pm

Associate Professors Paula Gardner and Charles Reeve are celebrating the launch of PUBLIC 49: TRAUMA, the latest issue of the interdisciplinary, double blind peer-reviewed visual arts journal. As co-editors, Gardner and Reeve curated the publication, which includes works by Francis Frascina, Lynn Crosbie, Florence Duchemin-Pelletier, Lloyd C. McCracken, Deanna Browne, Blake Fitzpatrick and Vid Ingelevics, and Ian Balfour.

Abstract:
When culture responds to trauma, it seems self-evident that three mechanisms are involved: the event, the trauma it provokes, and the cultural response. But what if that is backwards? What if trauma is itself a cultural production, borne of a need for societies to see themselves as traumatized? By bringing together essays, artistic interventions, and poetry, this collection examines trauma’s relation to culture in a variety of settings, from contemporary visual culture, to the art of the Inuit, to personal remembrances. Along the way, our contributors inspect the place of catharsis in the constellation of event, disturbance, repression, and release. To highlight the complexity of these mechanisms, we are especially pleased that “Trauma” includes “For You, The War is Over,” a previously-unpublished recollection by Canadian Airman Lloyd McCracken of his time in a Nazi POW camp, presented here with the generous permission of his family.

Preview and purchase PUBLIC 29: TRAUMA online 

OCAD U Instructor Anson Liaw's two illustrations have been selected to be a part of this year's OCAD University “ArtWorks 2019” art exhibition. The two illustrations selected for exhibition are: 1) Title: "Solidarity for New Zealand" .  The first submitted illustration entry is a personal non-commissioned illustration created in response to the two consecutive Christchurch mosque terrorist shooting attacks in Christchurch, New Zealand, during Friday Prayer on 15 March 2019. 2) Title: "Pray for Amazonia" .     
The Canada School of Public Service has announced its new Digital Fellows -- among them, Dr. Jutta Treviranus, Professor, Faculty of Design, OCAD University and Director and Founder of the Inclusive Design Research Centre.
Important news updates from the Research Ethics Board
Professor Saskia van Kampen (San Francisco State U) and Associate Professor Cheryl Giraudy (OCAD U) have received almost $25,000 under the Canada SSHRC Partner Engage Grant (PEG) for their Toronto-based research project Design Wo/ManifesT.O. 2020.
Saturday Nov 9 2019 - 5:30pm to Saturday Nov 16 2019 - 5:00pm
City MOGULS is a unique event that celebrates Toronto's entrepreneurs in an unforgettable fashion show to raise money for Canadian charities. This year we are proud to be supporting Covenant House Toronto.  The event is Thursday, November 7th at The Toronto Event Centre and we are looking for volunteers! This will be an amazing opportunity to meet people from all different industries in Toronto, as well as be a part of an amazing charity event. If any students are interested in this opportunity, please fill out THIS google form no later than Monday October 21st. If you have any questions or concerns, please email Victoria Marshman at victoria@citymoguls.com or visit www.citymoguls.com for more information.   
Partial Gallery x OCAD U Artist Showcase banner made of logos
Check out the OCAD U Artist Showcase, where you can discover works available for rent or sale by current OCAD U students and recent graduates 
digital mapping image
Haru Ji patricipated the IEEE VIS 2019 conference
Image from PUBLIC 49: TRAUMA
Tuesday, June 24, 2014 - 3:30pm

Associate Professors Paula Gardner and Charles Reeve are celebrating the launch of PUBLIC 49: TRAUMA, the latest issue of the interdisciplinary, double blind peer-reviewed visual arts journal. As co-editors, Gardner and Reeve curated the publication, which includes works by Francis Frascina, Lynn Crosbie, Florence Duchemin-Pelletier, Lloyd C. McCracken, Deanna Browne, Blake Fitzpatrick and Vid Ingelevics, and Ian Balfour.

Abstract:
When culture responds to trauma, it seems self-evident that three mechanisms are involved: the event, the trauma it provokes, and the cultural response. But what if that is backwards? What if trauma is itself a cultural production, borne of a need for societies to see themselves as traumatized? By bringing together essays, artistic interventions, and poetry, this collection examines trauma’s relation to culture in a variety of settings, from contemporary visual culture, to the art of the Inuit, to personal remembrances. Along the way, our contributors inspect the place of catharsis in the constellation of event, disturbance, repression, and release. To highlight the complexity of these mechanisms, we are especially pleased that “Trauma” includes “For You, The War is Over,” a previously-unpublished recollection by Canadian Airman Lloyd McCracken of his time in a Nazi POW camp, presented here with the generous permission of his family.

Preview and purchase PUBLIC 29: TRAUMA online