Treva Michelle Legassie (MA, 2016)

 

Monday, March 4, 2019 - 3:15pm

Treva Michelle Legassie is currently pursuing a research-creation PhD candidate at Concordia University, where she was named the J.W. McConnell Memorial Doctoral Fellow. Examining contemporary curatorial practices for environmental and site-specific art, her dissertation builds on current work calling for a new ethics of care bound to transversal and collaborative relationships between artist and curator, human and nonhuman, object and artist. Legassie is the founder and director of the Curatorial Collective at Milieux Concordia, Assistant Director of the Speculative Life Cluster, and a researcher in the Ethnography Lab and at AbTeC (Aboriginal Territories in Cyberspace). She was curator of the exhibition Femynynytees (2018) at AVE, Montreal, assistant curator to Dr. Matt Soar for Tel Quel/As Is (2017) and co-ordinator for Cheryl Sim’s exhibition YMX: Land and Loss after Mirabel (2017) at POPOP Gallery, Montreal. She has published her writing in Technoetic Arts: A Journal of Speculative Research, PUBLIC Journal, De Gruyter Open Cultural Studies, ALTERNATIVE: An International Journal of Indigenous Peoples, The Senses and Society, and has presented her research internationally at ISEA and RE:TRACE 7th International Conference on the Histories of Media Art. Recent research-creation projects include; Six Tales of Peace (and War) an audio guide for the Pavilion for Peace at the Montreal Museum of Fine Arts, which she co-wrote and co-produced, and a sculptural work titled Conservation Piece for Catastrophe which was shown at Concordia University’s Media Gallery in 2017. She has held a research fellowship at the National Academy of the Sciences in Washington, DC, and is currently a part-time faculty member of the Communication Studies department at Concordia University.

 

trevalegassie.com

As part of its National Indigenous Peoples Day celebration, OCAD University is launching the Wapatah: Centre for Indigenous Visual Knowledge. OCAD University positions decolonization as the first of six key principles of its Academic Plan on a path toward transformative education. In light of its commitment to expanding Indigenous knowledge, OCAD University is thrilled to further facilitate the collaborative work of researchers and artists by providing a dynamic platform for creativity.
Courtesy, Red Embers
Red Embers, a public art installation honouring missing and murdered Indigenous women is on display at Toronto’s Alan Gardens. Commissioned featured artists include OCAD U alumni: Catherine Tammaro, Hannah Claus, Hillary Brighthill, Lido Pimienta and Lindsey Lickers.
Image of Pat Murray
The IDRC says goodbye to Pat Murray a valued member of the team.
OCAD U SFI students
OCAD University is hosting an event to celebrate the outcomes of UNESCO’s Futures Literacy Lab, June 27 to 29, 2019 at its waterfront campus (130 Queens Quay East). The event will feature the work of students, faculty and community members, looking to uncover our biases towards the future. 
Juliette Vermeersch
Program Chair, Paul Dallas is pleased to announce 7 illustrations from OCADU's Illustration Program
As OCAD U celebrates its newest graduates at today’s convocation ceremonies, the university is proud to announce new supports for graduates' career development.
The cover of the special "Entangled Gaze" edition of the ab-Original journal.
OCAD University is pleased to announce the new peer-reviewed journal ab-Original: Journal of Indigenous Studies and First Nations and First Peoples' Cultures is now available. This special issue entitled “The Entangled Gaze: Indigenous and European Views of Each Other”1 co-edited by Dr. McMaster and Dr. Julia Lum (University of Toronto), contains ten essays. The Entangled Gaze shares its title and theme with the 2017 conference that was co-hosted by OCAD University and the Art Gallery of Ontario. The conference convened an international group of scholars and museum professionals from the fields of art history, anthropology, cultural studies and curatorial practice to explore the topic of how Indigenous and European artists have represented each other in historical art and visual culture.
Raquel Da Silva Wall Work
A new living wall wallwork by DRPT student Raquel De Silva has been installed in OCAD University’s Rosalie Sharp Pavilion. This project was commissioned by the Faculty of Art and the Centre for Emerging Artists & Designers (CEAD), and generously supported by Mercedes Benz Financial Services (MBFS) sponsorships.
Conservation Piece for Catastrophe (2017), image courtesy of Treva Michelle Legassie.
Conservation Piece for Catastrophe (2017), image courtesy of Treva Michelle Legassie.
Tel Quel/As Is (2017), Installation view, image courtesy of Treva Michelle Legassie.
Monday, March 4, 2019 - 3:15pm

Treva Michelle Legassie is currently pursuing a research-creation PhD candidate at Concordia University, where she was named the J.W. McConnell Memorial Doctoral Fellow. Examining contemporary curatorial practices for environmental and site-specific art, her dissertation builds on current work calling for a new ethics of care bound to transversal and collaborative relationships between artist and curator, human and nonhuman, object and artist. Legassie is the founder and director of the Curatorial Collective at Milieux Concordia, Assistant Director of the Speculative Life Cluster, and a researcher in the Ethnography Lab and at AbTeC (Aboriginal Territories in Cyberspace). She was curator of the exhibition Femynynytees (2018) at AVE, Montreal, assistant curator to Dr. Matt Soar for Tel Quel/As Is (2017) and co-ordinator for Cheryl Sim’s exhibition YMX: Land and Loss after Mirabel (2017) at POPOP Gallery, Montreal. She has published her writing in Technoetic Arts: A Journal of Speculative Research, PUBLIC Journal, De Gruyter Open Cultural Studies, ALTERNATIVE: An International Journal of Indigenous Peoples, The Senses and Society, and has presented her research internationally at ISEA and RE:TRACE 7th International Conference on the Histories of Media Art. Recent research-creation projects include; Six Tales of Peace (and War) an audio guide for the Pavilion for Peace at the Montreal Museum of Fine Arts, which she co-wrote and co-produced, and a sculptural work titled Conservation Piece for Catastrophe which was shown at Concordia University’s Media Gallery in 2017. She has held a research fellowship at the National Academy of the Sciences in Washington, DC, and is currently a part-time faculty member of the Communication Studies department at Concordia University.

 

trevalegassie.com