Visual artist Barry Ace joins OCAD University for Nigig residency

 

Wednesday, November 29, 2017

Indigenous Visual Culture at OCAD U welcomes Barry Ace as the winter 2018 Nigig Visiting Artist-in-Residence. He will be on campus from January 9 to February 6, 2018.

Barry Ace is a practicing visual artist who currently lives in Ottawa. He is a band member of M’Chigeeng First Nation, Manitoulin Island, Ontario. His mixed-media paintings and assemblage textile works explore various aspects of cultural continuity and the confluence of the historical and contemporary.

The Nigig Visiting Artist Residency, hosted by the Indigenous Visual Culture Program at OCAD U, provides an opportunity for an Indigenous artist to visit the university for a three-to-four week period to focus on a short-term project and explore – in a collaborative environment – issues impacting their work. The visiting artist engages and interacts with students and faculty in the capacity of mentorship, critique, lecture and a public workshop/demonstration.

The Nigig Visiting Artist Residency supports the dynamism of Indigenous contemporary art and design practices and is a tremendous educational opportunity for the artist and students.

Faculty interested in scheduling a classroom visit with Barry Ace may email the Nigig Visiting Artist Residency coordinator Vanessa Dion Fletcher – vdionfletcher@ocadu.ca after January 3, 2018.

The public is invited to the Artist’s talk at the Welcome Buffalo Stew Luncheon:

Wednesday, January 10, 2018    
INVC Student Centre 12 p.m. to 2 p.m.
113 McCaul St. (Village by the Grange), Level 4, Room 410

The Nigig Visiting Artist Residency Program is supported through the Ministry of Advanced Education and Skills Development Targeted Initiative Fund.

About the Artist:

As a practicing visual artist, Barry Ace’s work has been included in numerous group and solo exhibitions, including: Emergence from the Shadows – First Peoples Photographic Perspectives, Canadian Museum of Civilization (1996: Ottawa); Urban Myths: Aboriginal Artists in the City. Karsh-Masson Gallery (2000: Ottawa); The Dress Show, Leonard and Ellen Bina Art Gallery (2003: Montréal); Super Phat Nish, Art Gallery of Southwestern Manitoba (2006: Brandon); Playing Tricks, American Indian Community House Gallery (2006: New York); m∂ntu’c – little spirits, little powers”, Nordamerika Native Museum (2010: Zurich); Changing Hands 3 – Art Without Reservations, Museum of Art and Design (2012-2014: New York); Mnemonic Manifestations, Latcham Gallery, (2015: Stouffville); Native Fashion Now: North American Native Style (2016 – 2017: Peabody Essex Museum, Massachusetts and various US venues), Every. Now. Then: Reframing Nationhood, Art Gallery of Toronto (2017: Toronto); Anishinaabeg: Art & Power, Royal Ontario Museum (2017: Toronto); Insurgence / Resurgence, Winnipeg Art Gallery (2017: Winnipeg); raise a flag: Works from the Indigenous Art Collection (2000-2015) (2017 Toronto), 2017 Canadian Biennial, National Gallery of Canada (2017: Ottawa).

His work can be found in numerous public and private collections in Canada and abroad, including the Regional Municipality of Ottawa-Carleton (Ottawa); Woodland Cultural Centre (Brantford); Royal Ontario Museum (Toronto); Ottawa Art Gallery (Ottawa); The Canada Council Art Bank, (Ottawa); Nordamerika Native Museum (Zurich, Switzerland); City of Ottawa (Ottawa); Indigenous Affairs and Northern Development Canada (Gatineau); National Gallery of Canada (Ottawa); Global Affairs Canada (Ottawa).

He is the recipient of the KM Hunter Visual Artist Award for 2015.

 

 

 

Three beaded cloth and screen installations hanging in a gallery wall
Barry Ace, The Trinity Suite

Ignite Gallery
Ignite Gallery represents the current creative voice of OCAD University students and recent graduates through exhibitions, events and community programs.  Ignite Gallery (formerly the OCAD U Student Gallery) continues its 40+ year history of support for the exciting work of emerging artists, designers and curators from OCAD University.   Located in Kensington Market, Ignite Gallery is currently recruiting IWSP-eligible Student Monitors for the Fall/Winter term to serve as front-line staff welcoming and informing visitors about exhibitions and public events, to supervise the gallery, and help with install and de-install of shows.  
Mary Pratt
Acclaimed artist Mary Pratt passed away at the age of 83 in St. John’s Newfoundland. Born in Fredericton, New Brunswick in 1935, Pratt was one of Canada's most important and popular realist painters, known for her luminous canvases that captured people and objects from everyday life.
​​​​​​​Evelyn Quach and Karen Joyce Li Ignite, 2018, Masonite, latex paint, led lights on wall 
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OCAD University mourns the loss of Maxime Voisard Ducharme, who passed away at the age of 87 on Sunday, June 3, 2018. Ducharme was born in Sudbury in 1931 and moved to Toronto to pursue his love of design. He graduated from the Ontario College of Art in 1958, earning an Eaton design scholarship. 
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Some two-dozen students have made it to the semis of the Adobe Design Achievement Awards (ADAA)! OCAD U is always well represented in this international competition for creative students of all disciplines. Categories include illustration, photography, package design and 11 more.
Portrait of artist Barry Ace
Wednesday, November 29, 2017

Indigenous Visual Culture at OCAD U welcomes Barry Ace as the winter 2018 Nigig Visiting Artist-in-Residence. He will be on campus from January 9 to February 6, 2018.

Barry Ace is a practicing visual artist who currently lives in Ottawa. He is a band member of M’Chigeeng First Nation, Manitoulin Island, Ontario. His mixed-media paintings and assemblage textile works explore various aspects of cultural continuity and the confluence of the historical and contemporary.

The Nigig Visiting Artist Residency, hosted by the Indigenous Visual Culture Program at OCAD U, provides an opportunity for an Indigenous artist to visit the university for a three-to-four week period to focus on a short-term project and explore – in a collaborative environment – issues impacting their work. The visiting artist engages and interacts with students and faculty in the capacity of mentorship, critique, lecture and a public workshop/demonstration.

The Nigig Visiting Artist Residency supports the dynamism of Indigenous contemporary art and design practices and is a tremendous educational opportunity for the artist and students.

Faculty interested in scheduling a classroom visit with Barry Ace may email the Nigig Visiting Artist Residency coordinator Vanessa Dion Fletcher – vdionfletcher@ocadu.ca after January 3, 2018.

The public is invited to the Artist’s talk at the Welcome Buffalo Stew Luncheon:

Wednesday, January 10, 2018    
INVC Student Centre 12 p.m. to 2 p.m.
113 McCaul St. (Village by the Grange), Level 4, Room 410

The Nigig Visiting Artist Residency Program is supported through the Ministry of Advanced Education and Skills Development Targeted Initiative Fund.

About the Artist:

As a practicing visual artist, Barry Ace’s work has been included in numerous group and solo exhibitions, including: Emergence from the Shadows – First Peoples Photographic Perspectives, Canadian Museum of Civilization (1996: Ottawa); Urban Myths: Aboriginal Artists in the City. Karsh-Masson Gallery (2000: Ottawa); The Dress Show, Leonard and Ellen Bina Art Gallery (2003: Montréal); Super Phat Nish, Art Gallery of Southwestern Manitoba (2006: Brandon); Playing Tricks, American Indian Community House Gallery (2006: New York); m∂ntu’c – little spirits, little powers”, Nordamerika Native Museum (2010: Zurich); Changing Hands 3 – Art Without Reservations, Museum of Art and Design (2012-2014: New York); Mnemonic Manifestations, Latcham Gallery, (2015: Stouffville); Native Fashion Now: North American Native Style (2016 – 2017: Peabody Essex Museum, Massachusetts and various US venues), Every. Now. Then: Reframing Nationhood, Art Gallery of Toronto (2017: Toronto); Anishinaabeg: Art & Power, Royal Ontario Museum (2017: Toronto); Insurgence / Resurgence, Winnipeg Art Gallery (2017: Winnipeg); raise a flag: Works from the Indigenous Art Collection (2000-2015) (2017 Toronto), 2017 Canadian Biennial, National Gallery of Canada (2017: Ottawa).

His work can be found in numerous public and private collections in Canada and abroad, including the Regional Municipality of Ottawa-Carleton (Ottawa); Woodland Cultural Centre (Brantford); Royal Ontario Museum (Toronto); Ottawa Art Gallery (Ottawa); The Canada Council Art Bank, (Ottawa); Nordamerika Native Museum (Zurich, Switzerland); City of Ottawa (Ottawa); Indigenous Affairs and Northern Development Canada (Gatineau); National Gallery of Canada (Ottawa); Global Affairs Canada (Ottawa).

He is the recipient of the KM Hunter Visual Artist Award for 2015.

 

 

 

Poster: 
Three beaded cloth and screen installations hanging in a gallery wall