Michael Page

An assistant professor in the Faculty of Art, Michael Page has been involved in research in the field of holography and 3D visualization for 30 years. His course in 3D visualization and human perception (taught in collaboration with the University of Toronto) offers students an opportunity to work in multidisciplinary groups to produce striking holographic images.

Nick Goso

Goso is a hybrid creative practitioner concentrating on meaningful communication through creative innovation, storytelling and design.

Nicholas Pye

NICHOLAS PYE was born in Torquay, England in 1976. He lives and works in Toronto Canada. As a musician, Nicholas released and toured with four albums in the mid 90's. Moving from music to visual art, Nicholas completed his undergraduate degree at OCAD in 2002 followed by his MFA degree at Concordia University in Cinema production in 2005. In 2011, Nicholas began working on his doctoral degree in Visual Art at York University. He maintains an active art practice both independently and collaboratively.

Michelle Astrug

Michelle Astrug is a designer with industry experience in motion and graphic design. Her current work explores the merging of motion graphics, electronics and code to create new forms of animation.

Lynne Heller

Lynne Heller is a post-disciplinary artist, an educator and academic. Her interests encompass material culture, new media performative interaction, graphic novels and sculptural installation. Heller completed her MFA at the School of the Art Institute of Chicago in 2004 and her PhD in 2016 at University College Dublin, Ireland from the department of Gender, Culture and Identity in the School of Humanities and Arts, with a research focus on feminist practice in online culture.

Mark Tholen


Assistant Professor, Department of Environmental Design

Chair, Material Innovation Centre @ OCADU 

Mark Dickinson

Mark Dickinson was educated at the University of British Columbia (General Studies), York University (Master's of Environmental Studies) and Trent University (Ph.D., Canadian Studies). His publications include Lyric Ecology: An Appreciation of the Work of Jan Zwicky (Cormorant, 2010); Listening for the Heartbeat of Being: Perspectives on the Arts of Robert Bringhurst (McGill-Queen's University Press, 2015); and Canadian Primal: Poet-thinkers and the Rediscovery of Earth (forthcoming from McGill-Queen's University Press).


Marie Charbonneau has taught Drawing and Painting at the Ontario College of Art & Design since 1981.