Select Afilliations and Publications of Dr. Gerald McMaster

 

SELECTED PUBLICATIONS

  • Before and After the Horizon: Anishinaabe Artists of the Great Lakes. Co-edited with David Penney. Washington, DC: Smithsonian National Museum of the American Indian (NMAI), 2013.
  • All Our Relations: 18th Biennale of Sydney. Co-edited with Catherine de Zegher. Sydney, Australia: Biennale of Sydney, 2012.
  • Inuit Modern: The Samuel and Esther Sarick Collection of Inuit Art. Toronto: Art Gallery of Ontario, 2010.
  • Remix: Multiple Modernities in a Post-Indian World. Co-edited with Joe Baker. Washington, DC: NMAI and Heard Museum, Phoenix, Arizona, 2007.
  • Vision, Space, Desire: Global Perspectives and Cultural Hybridity. Washington, DC: NMAI, 2006.
  • New Tribe: New York. Washington, DC: NMAI, 2005.
  • The Native Universe: Voices of Indian America. Co-edited with Clifford Trafzer. Washington, DC: NMAI and National Geographic, 2004.
  • First American Art: The Charles and Valerie Diker Collection of American Indian Art. Co-edited with Bruce Bernstein. Washington, DC and Seattle: NMAI in association with the University of Washington Press, 2004.
  • Reservation X: The Power of Place in Aboriginal Contemporary Art. Gatineau, Quebec: CMC; Fredericton: Goose Lane, 1998.
  • Edward Poitras Canada XLVI Biennale di Venezia. Gatineau, Quebec: CMC, 1995.
  • Indigena: Contemporary Native Perspectives. Co-edited with Lee-Ann Martin. Douglas & McIntyre: Vancouver, 1992.
  • Challenges. The Netherlands: de Meervaart Cultural Centre, 1985.

PROFESSIONAL AFFILIATIONS / BOARDS / JURIES

  • 2017 AIW American Indian Workshop, London
  • “Global Indigeneity” University of Toronto
  • “Museum on Fire” Oslo, Norway
  • 2016 Editorial Board, ab-Original: Journal of Indigenous Studies, First Peoples' and First Nations' Cultures
  • London;
  • Gothenburg, Sweden
  • 2015 ICOM – ICME, Zagreb, Croatia
  • 2009–2010 Member of the Board, Red Sky, Toronto, Ontario
  • 2008 Member of the Board, Indspire (previously the National Aboriginal Achievement Foundation), Toronto, Ontario
  • 2002–2007 Editorial Board, National Museum of the American Indian Magazine
  • National Museum of the American Indian, Washington, DC
  • 1998–2000 Member of the Board, Ottawa Art Gallery, Ottawa, Ontario
  • 1997–2004 Member of the Otsego Institute for Native American Art History, Fenimore Art Museum, Cooperstown, New York
  • 1996–2000 Board, Native Americas: Akwe:kon Journal of Indigenous Issues. Cornell University, Ithaca, New York
  • 1996 Editorial Board, Aboriginal Voices. Toronto, Ontario
  • 1995–2000 Member of the Board of Trustees, Smithsonian National Museum of the American Indian, Washington, DC
  • 1995–1998 Member, College Art Association
  • 1992–1995 Member of the Board, ICOM-Canada
  • 1991–1994 Member of the Board, Ontario Arts Council
  • 1991–1993 Member of the Board, Canadian Museums Association
  • 1991–1993 Member of the Board, Inuit Art Foundation
  • 1988–1989 President, Native Art Studies Association of Canada
  • 1987 Vice-President, Native Art Studies Association of Canada

AWARDS \ GRANTS

  • 2016 Canada Research Chair in Indigenous Visual Culture & Curatorial Practice
  • 2014 Honorary Doctor of Letters, Emily Carr University of Art & Design, Vancouver, BC
  • 2013 Joan Yvonne Lowndes Award in recognition of excellence and meritorious achievement in critical or curatorial writing on contemporary Canadian visual art
  • 2010 Canadian Commissioner to the 17th Biennale of Sydney, Sydney, Australia
  • 2007 Order of Canada (Officer)
  • 2005 National Aboriginal Achievement Award (now called –Indspire–)
  • 2001 ICOM-Canada 2001 Prize, for contributions to national and international museology
  • 1995 Canadian Commissioner to the XLVI 1995 Biennale di Venezia, Venice, Italy